Starry Eyes Page #2
Well, thank you. Thank you so much
- and I'm sorry that I cut you off...
- Yeah.
Jeez.
What's going on with you lately?
Listen, Sarah,
Tater's girls are all family.
So, if one of you isn't on the ball
then that affects the whole family.
your family now, would you, Sarah?
- I don't really have a family, Carl.
- I'm talking about your Big Tater's family,
the phone thing, all these
auditions that you're going on.
I know it's important to you but...
this is your job.
You got to prioritize.
- Yeah, maybe you're right.
- I know that I am.
I think I may have to quit.
No, I don't... You didn't understand
what I was trying to say.
This job is getting in the way, Carl.
I have a talent,
a real talent and I'm not going
to take that for granted anymore.
Now that's... You... You're twisting my
words around and that's not what I meant.
Let me... Let's... Let's start over.
You have a gift. No.
This. This place.
Sarah, there are a million other girls
who would beg for a steady job like this.
I am not a million other girls.
You can go right in.
Close the door behind you.
Step forward please.
Stand right on that pink mark.
It's so dark.
Lower your hand.
Thank you for seeing us again, Sarah.
Of course, yeah,
this is my top priority.
Today we'd like to try
something different with you.
Of course. Sure, I...
I didn't get any...
- Would you mind disrobing for us?
- Excuse me?
Would you mind disrobing, please?
The ad didn't say anything about nudity.
Does the role call for that?
It doesn't.
Sarah, you've already proven
that you can memorize lines.
Now we need to see you bare.
Let your inhibitions go.
Didn't I do that last time?
That's the reason you're here Sarah,
the only reason you got a call back.
Sarah, you know who we are.
You know the pictures we've made, yes?
Completely, Sarah.
It's okay, Sarah. I told you
this would be different.
Sarah,
relax yourself.
Sarah, if you can't
fully let yourself go,
how can you ever transform
into something else?
That's what we were
looking for, Sarah. Thank you.
Okay, okay. Here we go.
One, two, three.
If I have to take one more goddamn
photo of you two idiots jumping,
I swear to God I'm going to kill myself.
- Hey, Sarah.
- Hey.
Hey, how'd it go?
- Tracy told us that you had a callback.
- Oh, yeah, they wanted to see me again.
Yeah, I read the ad.
The role seemed a little silly though.
Yeah, but it's Astreus Pictures
so it's legit.
It's Astreus? Wow, that is legit.
They're the real deal.
- Yeah. Thank you.
- Good job.
Don't you think it's kind
of a long shot, though?
What's Extra, Extraneous...?
- Astre... Astreus Pictures.
- Astreus. It's stupid.
They're a production company.
They've been around forever.
Fell off a little last few years
but they're coming back?
Maybe you can put in
a word with production,
get a little PA work or something?
- What about our film?
- We're still going to make our film.
Well, I haven't gotten
the role yet. So...
That's true.
- Oh, Trace.
- Hey. Hey.
- How'd it go?
- Great. I think it went great.
- Oh, yeah?
- Yeah.
You didn't feel like they were
making fun of you this time?
No, you know what, I don't think they were
making fun of me the first time either.
- Oh, okay. Awesome.
- Yeah.
- Anyway, I don't want to jinx it.
- Of course.
- You and your superstitions.
- Yeah.
a bathing suit and come join us.
Oh, sh*t.
Yo, Erin, Erin.
Sh*t.
Ashley, here.
Here, here. Here, you're okay.
You're okay. You're okay...
Sarah, if you can't really let yourself go
how can you transform into something else?
- Hello?
- I have some good news for you, Sarah.
He wants to meet you.
He, who?
The producer.
Oh, my God.
- ...this is your moment.
- Oh, man.
- I don't know what this is.
- Jesus Christ, can we not watch another one.
- Wait, wait, just...
- Do you know who wrote this?
Watch what he does.
I'm not trying to be rude
but this is f***ing stupid.
Oh, yeah.
That guy rocks.
Do you know how many times I've
wanted to do that? It's crazy.
Wow.
- That's right, you have that thing.
- What thing?
She's got a meeting with the producer.
- At Astreus?
- Yeah.
I told you you'd get it.
Don't you think
you're a little overdressed?
- This? This is nothing.
- It's a little much.
Look, you look amazing.
Go kick some ass.
Just remember to be yourself in here.
Sarah,
- thank you for coming.
You're just as beautiful in person
as you are on the audition tapes.
Thank you. I didn't realize
I was being taped.
Well, I am excited, Sarah.
We audition a lot of
young women in this building
but very, very few ever
make it to this room.
Wow, that's great.
Yes, we've had our share of winners,
going way back.
So, did you like our little yarn?
Absolutely, I loved it.
I read it three times.
Good. I have high hopes
for this picture.
Yes. It's kind of my love letter
to this town.
Ambition, the blackest of human desires.
Everyone has it. But how many act on it?
That's what intrigues me.
That's what lights me up as they say.
There's something primal there
and that's why you're sitting
right here in this room.
- But I mean, it's a horror movie as well.
- Of course.
The two are not mutually exclusive.
This industry is a plague Sarah,
a plague of unoriginality,
hollow be thy name, shallow be thy name.
Yes, it's a plague alright.
And what does every
plague have a lot of?
- Rats?
- Precisely.
Yes, thousands of them,
hungry little rats,
hungry for the cheese.
You cut through the fog of this town
and you get desperation,
plastic parishioners worshiping
their deity of debauchery.
But that's what I find
interesting, Sarah.
That's what I want
to capture in this film,
the ugliness of the human spirit.
Yeah, okay, I mean, I can see that.
So why do you do it, darling?
Why, why do I do what?
Why do you pull your beautiful hair out?
I... It's just a habit.
I started doing it
when I was a little girl and...
it helps me focus on the moment.
The moment.
- Well, this is a moment.
- Yes, yes it is.
The role of Celeste is a really big deal
other credits to her name.
Your face will be on the poster.
The poster on a wall,
a wall in the lobby,
a theater with a marquee,
The Silver Scream.
Now you know that doesn't happen
very much anymore, right?
This is a great opportunity
for a young actress,
a great opportunity
for an actress with ambition.
That's me. I'm your girl. I will do
whatever it takes for this role.
Good, because we want
to offer it to you.
in this role, Sarah.
I think you could be great in this role.
I agree. Truthfully,
I think I am this role.
I mean, this character has a dream
and she has so much potential.
Sarah, forget about all that.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Starry Eyes" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/starry_eyes_18808>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In