State And Main Page #15

Synopsis: FADE IN: EXT. FIREHOUSE - DAY Ann is walking down the street. The firedog runs out of the firehouse, she gives the dog a biscuit, and pats him on the head. The fireman is out front with a cup of coffee. Ann hands him a poster. EXT. STATE AND MAIN - INTERSECTION - DAY Morris and Spud, two codgers, are about to cross the street when they hear a beeping and stop. As they cross, we see the tail end of a van, and the group nods in that direction. MORRIS You hear that? SPUD Yes, I hear it. MORRIS Drive a man to drink. Took me near half an hour, get across the street yesterday.
Genre: Comedy, Drama
Production: Fine Line Features
  7 wins & 8 nominations.
 
IMDB:
6.8
Metacritic:
75
Rotten Tomatoes:
86%
R
Year:
2000
105 min
$5,770,800
Website
709 Views


Camera follows the two out. A tableau of the four of them.

The First A.D. drinking coffee, sees he has been overheard.

Beat. Claire starts soundlessly heaving, sobbing. She goes

"Oh!" as if she has just been hit in the stomach, falls back

into the room, closes the door. Sobbing sounds emanate.

FIRST A.D.

I...

WALT:

Get Mitch Cohn on the phone in New

York, tell him she's breaking her

contract and we're very up...

FIRST A.D.

I...

WALT:

We're very upset with her. Get someone

to double for her, her tits, the

tits scene, call L.A. I want to see

some pictures of the women's tits.

Of their tits.

FIRST A.D.

I'm very sorry I...

WALT:

You're very sorry, you passive

aggressive, son-of-a-b*tch... can we

replace him?

BILL:

We start shooting in three days.

COSTUME DESIGNER

You want to see the fireman's

costumes?... Cause I found this

Moleskin for the collar, it's not

black, but it looks black... It's

not brown, but...

SECRETARY:

Marty Rossen's touched down.

EXT. PARK BENCH - DAY

Ann and Joe sit on a bench. He is looking at her as she

finishes the script. Tears in her eyes. She closes the cover.

JOE:

(beat)

What I need to say...

ANN:

Yes...

JOE:

About conflict...

ANN:

That's why you didn't want to take

the Mill out... you've...

JOE:

...the, the, the symbol of the fire...

ANN:

The Firehouse...

JOE:

I...

ANN:

But but but but but it's better

without...

JOE:

How...?

ANN:

Wait wait wait wait wait he gets a

second chance, do you see? And you

get a second chance!

JOE:

No, I don't...

ANN:

(as she holds the

script)

He doesn't go back to the mill, he

gets a second chance to go back to

the firehouse...

Joe takes off one pair of glasses and changes them for

another.

ANN:

You don't need the Mill. This is

what...

(she gestures at the

script)

You see:
this is what you are. This

is what the script is saying...

(a person walks by)

Hi Emma, see you tonight?

Emma waves and nods.

ANN:

This is, look:

(to Emma)

Go you Huskies.

(to Joe)

...what I see you saying, is: you

have the two elements, Fire and Water.

The Firehouse, and the Old Mill...

Do you know, you could...

JOE:

What are you doing tonight?

ANN:

Me?

JOE:

Yes.

Joe and Ann walk down the street. As they do so they are

passed by the airport van.

ANN:

Tonight, tonight, I... I have play

practice...

JOE:

...oh... oh. Well. That's very

important.

EXT. HOTEL STEPS - DAY

Walt and the A.D. come down the steps to meet the arriving

airport van. It stops. MARTY ROSSEN gets out. Walt hands his

bags to a P.A.

WALT:

Marteleh, vos macht a yid...?

He hands Marty the breadloaf. Marty takes a bite.

MARTY:

You cool the broad out?

WALT:

I left that for you.

MARTY:

That's thoughtful.

(of the bread)

Ziz good, you try this?

As they speak a P.A. is unloading Marty's high-end luggage

from the van.

WALT:

Oh yeah, I'm really gonna eat

carbohydrates...

MARTY:

(of the town)

What'd you do, build this...?

WALT:

How was your flight?

MARTY:

We're flying over pigs, we're flying

over sheep...

WALT:

Did you bring Bob's weights?

MARTY:

They're coming Fedex...

WALT:

(of the bags)

What's in all the bags?

Rate this script:5.0 / 1 vote

David Mamet

David Alan Mamet is an American playwright, essayist, screenwriter, and film director. As a playwright, Mamet has won a Pulitzer Prize and received Tony nominations for Glengarry Glen Ross and Speed-the-Plow. more…

All David Mamet scripts | David Mamet Scripts

2 fans

Submitted by aviv on November 01, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "State And Main" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/state_and_main_386>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    State And Main

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the main function of a screenplay treatment?
    A To provide a summary of the screenplay
    B To detail the character backstories
    C To list all dialogue in the film
    D To give a scene-by-scene breakdown