STAY Page #3
SAM:
Why were you so reluctant to tell
me that?
HENRY:
I don't want to fit into your grid.
I don't want you saying, "Okay,
paranoid schizophrenic. Two hundred
milligrams of Risperdol should do
the trick."
SAM:
You don't want me making
assumptions about you, right?
Henry nods.
SAM (CONT'D)
But aren't you making assumptions
about me? You think I want to fit
you into a grid?
(MORE)
14.
SAM(cont'd)
I don't make grids. I want to know
the particulars about Henry Letham.
You hear voices. All right, that's
important information. What are the
voices saying?
Henry shakes his head and looks out the window.
SAM (CONT'D)
I think it might be helpful if you
start writing it down.
HENRY:
Writing what down?
SAM:
What the voices are saying. Write
down the exact words when you hear
them. Okay? Henry?
Henry hasn't been listening.
HENRY:
What?
SAM:
Write down what the voices are
saying.
Henry grabs a pen and a pad of paper from the desk and begins
writing.
SAM (CONT'D)
They're talking to you now?
Henry continues writing furiously. When he finishes he stares
at his own jagged cursive
SAM (CONT'D)
Can I see?
Henry hands the pad over. Sam studies it, straining to read
the handwriting.
.
SAM (CONT'D)
(reading)
"Write down what the voices are
saying... They're talking to you
now?"
(looking at Henry)
That wasn't a hallucination, that
was me talking.
15.
HENRY:
You come inside my head, Doctor,
and show me how to tell the
difference.
SAM:
(continuing to read)
"Stay, Henry, stay. Stay. Stay.
Stay."
(looking at Henry)
You're hearing this voice now?
Henry nods, rubbing his palm over his scarred forearm.
SAM (CONT'D)
Do you recognize the voice?
HENRY:
Yes.
SAM:
Who is it?
HENRY:
I don't know.
SAM:
You just said you did.
HENRY:
It's a woman. I know her, but I
don't know who she is.
SAM:
I don't understand.
Henry says nothing, only scratches his forearm. Sam notices
the fresh burn on Henry's arm. He stands, goes around the
desk, gently takes Henry's arm and inspects it.
SAM (CONT'D)
What's this from?
HENRY:
I burned myself.
Sam looks closer. He notices the old burn scars that
constellate Henry's forearms.
SAM:
(more firmly)
16.
Absently, Henry looks at his forearms.
HENRY:
Cigarettes, I guess.
SAM:
Why do you have cigarette scars on
your forearms?
HENRY:
Because I keep burning myself.
Sam nods and studies Henry for a moment. He releases Henry's
arm and sits on the edge of the desk.
SAM:
Why do you want to hurt yourself?
HENRY:
I guess it's practice.
SAM:
Practice for what?
HENRY:
For Hell.
Sam takes a deep breath and exhales.
SAM:
You think you're going to Hell?
Henry nods.
SAM (CONT'D)
Why?
HENRY:
Because of what I did.
SAM:
What did you do?
Henry shakes his head, stares out the window.
SAM (CONT'D)
Whatever it is, we-
.
HENRY:
I know you're trying to help me,
Doctor. And thank you. But it's too
late.
17.
SAM:
Why is it too late?
Henry stands and grabs his bookbag off the floor.
HENRY:
Saturday at midnight I'm going to
kill myself.
He rubs his arms and smiles.
HENRY (CONT'D)
I need to get ready.
He walks out, leaving a stunned Sam alone in the room.
INT. COLUMBIA PRESBYTERIAN HOSPITAL -- AFTERNOON
Sam walks down the corridor of the Mental Health Ward. He
knocks on an office door marked: Mobile Crisis Unit. No
answer. As he's about to knock again he hears a commotion at
the end of the hallway.
Two strapping PARAMEDICS are wrestling a fiercely agitated,
heavy-set woman, DAISY, toward one of the rooms. She appears
to be homeless, wearing layer upon layer of filthy clothing,
her hair matted, her skin dirty and bruised.
Standing beside the paramedics, DOCTOR SCHLEGEL, a gaunt man
with a sparse goatee, tries to calm the woman.
DR. SCHLEGEL
Come on, Daisy. We've got your
television turned on and
everything. Take it easy.
DAISY:
I AM NOT A NAZI! I AM NOT A NAZI,
GODDAMN YOU!
DR. SCHLEGEL
Nobody's calling you a Nazi, Daisy.
Come on, now.
Sam hurries down the corridor toward the disturbance. Daisy
falls to the floor and the paramedics, unable to force her
into the room, try to hold her still as she thrashes in their
arms.
Dr. Schlegel has prepared a hypodermic and now crouches,
waiting for an opportunity to stick Daisy.
18.
DAISY:
DR. SCHLEGEL
I know it, Daisy, I know it.
DAISY:
(beginning to sob)
You can't treat me this way. I am
not a Nazi! I don't deserve this.
.
DR. SCHLEGEL
Believe it or not, sweetheart, it's
for your own good.
The paramedics hold her tight and Schlegel sticks the needle
in Daisy's arm.
DR. SCHLEGEL (CONT’D)
If you'd remember to take your
pills, we wouldn't have to go
through this every month.
DAISY:
I'm not a Nazi. I'm lovable.
DR. SCHLEGEL
You are.
DAISY:
(already beginning to
fade)
I'm lovable.
The paramedics hoist Daisy to her feet and lead her
peacefully into the bedroom.
Dr. Schlegel sees Sam for the first time and smiles, a little
embarrassed.
DR. SCHLEGEL
Hey, Sam. The glamorous world of
psychiatry, huh?
They shake hands and Schlegel leads Sam back toward the
Mobile Crisis Unit office.
DR. SCHLEGEL (CONT'D)
So what brings you to Club Meds?
SAM:
I wanted to check the protocol on
involuntary committal.
(MORE)
19.
SAM(cont'd)
I've got a student threatening to
kill himself.
DR. SCHLEGEL
Jesus, tell him to take a number.
Well, the rules are pretty
straightforward. If he says he's
gonna hurt himself or someone else,
we can take him in. But we can only
hold him here for forty-eight
hours.
SAM:
Forty-eight hours? What are we
going to do in forty-eight hours?
They stop outside the MCU office.
DR. SCHLEGEL
Hold his hand, feed him some pills.
(beat)
If we catch him in the actual
attempt, that's different. He's
broken the law. But just based on a
threat? Without a court order, we
can't keep him for long.
SAM:
midnight. If we take him in now
he'll be out by then.
DR. SCHLEGEL
What, he's got an appointment to
off himself?
.
SAM:
That's what he told me. Saturday,
midnight.
DR. SCHLEGEL
So maybe we should pick him up
Friday, hold him through the
weekend.
(shaking his head)
As you just saw, it's not a real
fun process. If there's any way to
avoid it, avoid it. What do you
have him on?
SAM:
He won't take any pills.
(beat)
(MORE)
20.
SAM(cont'd)
He wants to die, Jeff. I've got
three days to convince him not to.
Sam is walking home when he stops to watch PIANO MOVERS at
work. Using ropes and pulleys, they hoist a Bechstein baby
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