Steep Page #4
from skiing, every dollar.
That's it. It's what I do.
Glen Plake's star began to rise
in 1988 when he appeared
in an unconventional,
irreverent ski movie called
The Blizzard of AAHHH's.
Okay, if you thought skiing was skiing
and there was a certain sameness to it all,
I suggest you buckle your breakfast seatbelt
because what we're about to show you
is something called extreme skiing.
It lacks only a disclaimer
that you not try this on your own.
self-preservation will tell you that.
Extreme skiing is virtually outlawed
in this country,
where insurance companies
and promoters fear the worst.
is centered in France
where the concept of recovery
for ski injuries is laughed at.
Out-of-bound skiers have
no sanctioned competitions,
but most arguments advance
veteran Scot Schmidt as America's best.
Lately, though, he is being challenged
by newcomer Glen Plake,
the man with the Mohawk.
He now lives in France
where he earns a living
by wearing a point-of-view camera
to make ski movies like this one.
It's called The Blizzard of AAHHH's.
Glen Plake, Scot Schmidt,
good morning, guys.
-Morning, Bryant.
-How are you?
I'm not going to let this pass
without comment, did you dress for us?
-Yeah.
-Did you?
-Did it for my country.
-Let's talk about the lake.
Oh, okay. So, talk to me
a little bit about injuries, guys.
I mean, how many
and what kind have you had?
Broken when I was five,
broken when I was like 17,
and then just broke one again
two years ago.
Before you started doing all the weird stuff.
No, I've been doing
the weird stuff the whole time.
-Do you do everything to extreme?
-Yeah.
The Blizzard of AAHHH's was
the creation of filmmaker Greg Stump.
Stump was unhappy
with the state of American skiing.
They wouldn't let us film in America.
We had been kicked out of every ski resort
because we were jumping off stuff
and skiing out of bounds.
And we were like, ""Screw it.
""Let's go to France
where we don't have to get any insurance,
""where they've got better mountains. ""
So we just all booted it to Europe.
Mike Hattrup and Scot Schmidt
in what would become the most influential
American ski film ever made.
They came to Chamonix,
the birthplace of European extreme skiing.
But The Blizzard of AAHHH's
bore little resemblance
to the extreme ski films
being made in Europe.
The skiers in Blizzard
were in Chamonix to play.
We were just having a good time, you know.
We were out cruising around.
We were making a ski film and skiing hot.
We were just good skiers
out ripping around.
And I think it showed. You know?
It looked like these guys were having
a fun time. That's cool.
The skiers in Blizzard were having fun.
But they were also courting danger.
I had never seen a glacier before.
I had never seen
Iifts that took us
to those types of places before.
You know, I mean, I knew what
a crevasse was, but I had never seen one.
You know. I'm from South Lake Tahoe.
You know, I grew up skiing Heavenly.
Yikes, this is kind of wild.
It was our introduction
into the big mountains.
It was awe-inspiring
and intimidating at the same time.
And that was all captured on film.
One run in Blizzard
that resembled the kind of skiing
that the European extremists were doing
was Scot Schmidt"s run
from the top of the Aiguille du Midi.
This one here is called the Couloir Poubelle.
It's about 47, 50 degrees.
It's a 200-meter shot.
-Scott, you want to try to ski it?
-Yeah, I'll ski it for sure.
Two, one...
Steep.
Blizzard really made skiing seem
like a dangerous sport,
more like surfing than golf, for instance.
I mean, you know,
there's this mountain that can cream you.
There's doubt there.
There's risk there. There's...
If you do something wrong,
the consequences could be fatal.
It was just light years away from the typical
American ski experience in the "80s.
People went berserk
and it just caught on like wildfire.
You know, you ask people where they were
when they first saw Blizzard of AAHHH"s
and most people can tell you
where they were.
or something, right?
I mean, obviously not
something that monumental.
But, for a skier, the people that are fans,
they'll tell you where they were,
what house they were in, what town,
what they were doing, how old they were.
They know right where they were.
I was at my high school living room
and that movie had a real big impact on me,
just like it did for everybody else my age.
From that moment on, I focused
on being a professional skier.
And, you know,
I basically went back and told my dad
that I'm gonna go be in ski movies.
And he's like, "You're out of your mind."
I'm like, "No, I'm gonna do it."
You're just on the edge of your seat,
watching this thing, the whole time.
And then they get to go to Chamonix.
And they get to ski these lines
that nobody has ever seen before.
At least none of my friends,
nobody in the States, I mean...
It was just so eye-opening
and mind-boggling what they were doing.
a hundred times. I mean...
when that came out
with my friends and I watching that.
Blizzard was the first ski movie to come out
after VCRs were widely adopted.
And so it was the first ski movie
that you could watch over and over again.
It brought Chamonix into your living room.
in a much more personal, intimate way.
American skiers were looking
for their own Chamonix,
a place to create
their own style of extreme skiing.
In 1991, the port town of Valdez, Alaska
was famous for one thing,
the massive oil spill
that fouled Prince William Sound.
But one feature of Valdez was overlooked.
Valdez is the gateway
to the Chugach Mountains.
A vast, uninhabited wilderness
that receives as much
as 80 feet of snow a year.
The mountains are
literally blanketed in snow.
In 1991, the town got the idea
to promote the Chugach
as a helicopter skiing destination
by staging an annual event called WESC,
the World Extreme Skiing Championships.
One of my sponsors had read
about this extreme skiing competition
and said, ""We'd like to send you there. ""
And I said, "Sure, I'm in. That'd be great."
And they said if you don't win, though,
you're going to have to come back
and paint the building.
And I didn't realize they were just joking
on that, but I was thinking,
"l don't want to paint that building."
Yeah. Coombsy.
So at WESC in 1991 you have the best skiers
and the toughest hills in North America.
-What's this guy's name?
-Doug Coombs.
Doug Coombs comes in, he's got this gleam
in his eye, this grin on his face.
And he skis everything
so much better than everybody else.
Stronger, cleaner, crisper,
makes it look easy.
There was just absolutely
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