Step Up All In Page #4

Synopsis: Sean brings his dance crew known as The Mob to Los Angeles to try and make it. But they haven't had much luck, eventually the Mob decides it's time to go back to Miami but Sean decides to stay. He learns of a dance competition is Las Vegas wherein the winner will get a three year contract. Sean needs a new crew so he asks fellow dancer Moose for help. And Moose introduces him to Andie, another friend and dancer who got injured a few years ago and is now ready to get back in. He recruits some other friends and they head Las Vegas as LMNTRIX. When they get there, they discover that the Mob too is also there, which is very touchy for Sean.
Genre: Drama, Music, Romance
Director(s): Trish Sie
Production: Lionsgate
 
IMDB:
6.0
Metacritic:
45
Rotten Tomatoes:
41%
PG-13
Year:
2014
112 min
$13,617,501
Website
1,464 Views


So it begins.

The drama!

The passion! The vortex.

How intimidating is it

to be going up against

all these tough crews?

No, we're excited.

We're a new crew. But don't

let that fool you. We're ready.

We been training

really hard to get here.

Now I hear the grim knights

are the crew to beat.

How do you feel about that?

It's news to me.

We literally

just arrived, so...

Okay. Thank you, guys.

Wait a minute, please!

It is going to be fierce.

I'm alexxa brava,

and I am signing off.

Look at this place.

Chad:
Smells great.

After that,

you know what I mean?

Jason:
Is that Sean?

Look who it is.

What are you guys

doin' here?

What are we...

What are you doing here?

Man, it was really

nice of you to call

your crew before you

entered this thing.

I know everybody's really

happy with you. Celestina:

Crew?

You mean my crew. The crew

that didn't leave me in LA.

Look, man, let's just get

one thing straight, all right?

We were done with LA, but we

were never done with the mob.

Yeah. So this is

your new crew?

Yeah, well,

they ain't my book club.

Yeah, man. Glad you made

some new friends, bro.

They any good?

They look pretty good.

Yeah, they're the best

of the best.

The best of the best? That's

a statement right there. Yeah.

As long as you believe that.

I believe it.

Guys, we didn't

get that last part.

Could you guys just repeat it?

What?

And could you be a little bit more

hurt? A little more vulnerable.

Sean:
Who are you?

Could you maybe step back?

I'm with the vortex.

What's this about?

Wow!

That was Sean's best friend.

Come on, let's go

check out the room.

Welcome to your suite.

Care of the vortex.

Feel it.

I love you, too,

my little munchkin puppy.

Yeah, you're such a little

Fluffy muffin. You're so cute.

We'd have the best time ever.

I wish you were here. I swear.

I love you, baby.

Camille says, "hi."

Send it to her.

There's a huge

bed upstairs.

Wanna check it out?

Gross.

Please go away.

What is that smell?

It's my scent.

Real smooth, buddy.

Real smooth.

Jason:
Hey, the mob.

Anytime, baby. Mob up.

Good evening.

Welcome to the vortex.

Tonight, you'll meet

the dancers of tomorrow.

Finest in the world.

Each vying to be

the lords of Vegas.

With a world-class

show of their own

at sensational Caesars Palace!

Wish them luck.

They're gonna need it.

Was that hot enough for you?

So talented.

So full of hope and dreams.

They wish they could all stay.

But we only

have room for four.

The crews that will fight it

out in the battle ring are...

Divine intention.

Shh.

The mob.

The grim knights.

And lmntrix!

My God!

Andie:
Who ate all

the muffins?

Kido:
Andie, you did.

Andie:
Is there more coffee?

Kido:
Coffee.

All right, guys, we gotta

start rehearsal soon.

I don't think I can face

those camera crews anymore.

Maid:
Good morning!

Housekeeping?

This way. This is

the place I told you.

Sean.

Good luck! Bye-bye!

Man! This is what I call

a great rehearsal space.

All right.

All right, yo,

yo, listen up.

That circus up there, the

cameras, the people, the drama...

That's nothin'

but a distraction.

Could keep us from

winnin' this thing.

So let's stay focused,

and let's get to business.

All:
Yeah!

Chad:
Whoo!

Go!

All:
And one, and two...

Go like this. Follow me.

Five, six, seven, eight.

Okay.

Okay. Ready?

Let's go, come on.

Five, six, seven, eight.

One and two and three and four and

five and six and seven and eight.

Make sure these are clean.

One and two and three and four and

five and six and seven and eight.

Again, right away, let's go.

One and two and three and...

Stop! Stop! Stop!

He needs to catch on. He's not

doin' it right. Let's do it again.

Five, six, seven, eight.

One and two and three and four

and five and six, seven, eight.

No!

Come on,

that was good, man.

Not good enough.

You wanna win?

I know you want

this as bad as I do.

We're tired, man.

Please, help me help

you guys, all right?

Andie:
All right, I think

we've all had it for today.

Why don't you guys just head

out. We'll meet you upstairs.

See you upstairs.

Yeah.

Look, I wanna try

this thing with you

that I've been

imagining in my head.

Better be the dancing

you're talking about.

Easy.

All right. You're gonna

put that leg right here,

that leg in my hand,

and hold on to

my neck, okay?

And then what?

Just trust me. Okay?

You're so sweaty.

Come on, be serious. Okay?

So, I'm gonna jump

into your other hand?

Yeah.

Okay.

Three, two... go ahead.

There we go.

My God.

We got it.

We got it.

All right.

I'm gonna toss you up.

Now what? No!

And you're gonna

go into a layout.

No, put me down. Stop it.

Stop it. Put me down.

You gotta trust me.

You gotta let go.

Okay, I know that

you want some big,

cool move,

but you can't force it.

Sounds like an excuse.

You saying I take the

easy way out, or something?

You don't know

anything about me.

Do you know why I was primping

those models when we met?

You know why I was doing that? No.

I was a part of this

amazing dance group.

We pushed ourselves so hard

that I blew out my knee.

Thought I'd never

dance again.

Yeah, really messed me up.

So, now, every time

I come down hard,

I'm just waiting to

hear that pop again.

Okay. Look, I get it.

But if you push past it

and get outta your head...

My gosh.

I can get over

an old knee injury, okay?

I'm not scared

to dance again.

What I don't want

to risk is this.

I love that I'm

a part of something again.

It's the closest

thing I know to family.

Sure, winning,

it's cool, it's great.

Hanging out with you guys,

though, being here.

Doing what I love.

It's all I care about.

Yeah, well,

it's not enough for me.

Honey, I was

looking for you.

What's wrong?

Sean. He's so frustrating.

He drives me crazy.

Do you know that he was wearing

ladies' underwear on his head

when I first met him?

That's pretty funny.

You like him.

No, I don't.

He drives me nuts.

Yeah, that means

you like him.

Stop it.

What I would like

is a night off. Okay?

Come on, we're in Vegas,

let's do something.

No, Sean will be

mad if we go out.

Whatever.

Let's get the crew.

Yeah? We go out?

Yeah.

Yeah, let's do it.

Okay. Let's go.

We just gotta

get there, okay?

Vladd, what's up?

I think they're in love.

Kinda like us.

Poor robot bastard.

Hey.

We're going out.

I know hanging out with us

isn't enough for you,

but the rest of us wanna have

some fun while we're here.

Wait up.

All:
Whoa!

Ha!

You wanna get out of here?

Take a walk?

Yeah.

Sean:
Hey. You were right.

This was a great idea.

Come on.

Yeah.

Welcome to the Clark inn.

Well, thank you.

What is this place?

Vintage...

Vintage park?

Vintage Vegas park.

Yeah.

So, you nervous about going

up against the mob tomorrow?

Moose told me you

and eddy go way back.

We grew up together.

We were like brothers.

What about you?

What happened

between you and your ex?

Well, moose must have

Rate this script:0.0 / 0 votes

Duane Adler

Duane Adler is an American screenwriter, director, and producer. He is best known for his work on romantic dance films Save the Last Dance (2001), Step Up (2006), and Make Your Move (2013). His other screenwriting credits include VH1's telefilm The Way She Moves (2001), Weinstein Co's Make It Happen (2008), Skydance's "Northern Lights," and Fox Atomic's Venice Beach.Duane Adler is president of Hungry Yak Productions and partner in Connect Entertainment. more…

All Duane Adler scripts | Duane Adler Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Step Up All In" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/step_up_all_in_18864>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "O.S." stand for in a screenplay?
    A On Stage
    B Original Sound
    C Opening Scene
    D Off Screen