Stoker Page #2
weren't always so distant.
I miss when he was...
...young.
()
(METRONOME TICKING)
(METRONOME TICKING)
(PLAYING SOFT MUSIC
ON PIANO)
(STOPS PLAYING)
(METRONOME TICKING CONTINUES)
(FLY BUZZES)
()
(GASPS)
(RATTLES)
(TICKING CONTINUES)
India!
India!
(FRENCH POP MUSIC
PLAYING ON RADIO)
Mature aroma.
You chose a good year.
You can't compare it
to a younger wine.
Too tannic.
Not ready to be open.
You should have come with us,
India. Oh, the open top,
the air. It felt so good.
got some ice cream for you.
CHARLES:
One chocolate, one vanilla.
Did I get it right?
I like the swirl kind.
You can make the swirl yourself,
you lazy thing.
Where's Mrs. McGarrick?
She's still not here.
EVELYN:
What? Whatare we supposed to do?
I'm not much in the kitchen.
I can cook a little.
EVELYN:
No, you don't have to do that.
I'd love to.
Charlie, who in the world
are you?
CHARLES:
India, would you takethese down to the freezer, please?
Thank you.
Thank you, India.
INDISTINCTLY IN DISTANCE)
()
(KNIFE CHOPPING)
(KNIFE SHARPENING)
CHARLES:
Too cold down there?
No.
(CHOPPING)
EVELYN:
Ahem. You know, there was a timeRichard used to cook meals
like this. Ahem.
Wasn't there, India?
Oh. I'm sorry, of course.
That was before you were born.
Where did you learn
to cook like this, Charlie?
Madame Jacquin.
She ran a Michelin-starred
restaurant
outside of Toulouse
called "L'Institution."
Hmm. A female chef.
Mm. In her opinion, there was
nothing a man could master
that a woman couldn't make.
What do you mean?
Did I tell you on the way home?
Your French accent is perfect.
One of the perks
of a first-class education.
I could stay locked up in this
house for the rest of my life
yet still speak
impeccable French.
CHARLES:
I know you're notgonna spend the rest of your life
locked up in this house.
How do you spend your days?
I want to know
my brother's wife.
Oh, I don't know
where to start. Heh-heh.
Charlie, you didn't even
touch your food.
Did you put poison
in the food just for us girls?
(CHUCKLING)
But India ate everything.
Practically licked it clean.
(INDIA DROPS UTENSILS)
I'm glad you enjoyed it.
Now, can I get you
anything else?
Maybe some ice cream?
No.
"No, thank you."
I mean, no, thank you.
Would you like to play something
for us after dinner?
I don't think so.
Would you?
India.
I mean, no, thank you.
Why didn't you tell me
I had an uncle?
Because I barely knew about
Charlie myself.
I mean, he's been traveling
the world
for as long as I've known
your father.
CHARLES:
You know, he used to say to me:
"What kind of family is family
Let's stop talking
about Richard. Excuse me.
I'm sorry.
(DOOR OPENS)
(DOOR CLOSES)
CHARLES:
The year you were born.
What do you want from me?
To be friends.
We don't need to be friends.
We're family.
(CLOCK CHIMING)
FELDMAN:
It takes timeto observe attentively.
Wait for the moment
that our eyes
finally penetrate the inside
of the subject.
Look, Marv,
see that flower?
The way it just hangs there?
My eyes are penetrating
the inside of you.
FELDMAN:
Observe carefully andyou'll note that this plant...
(STUDENTS LAUGHING)
BOY:
Check out Pitts.
FELDMAN:
I want you to really...Hey.
(BOYS LAUGHING)
(GROWLS)
FELDMAN:
Pitts.
PITTS:
Yes, Mr. Feldman?(SCHOOL BELL RINGS)
FELDMAN:
Is there somethingyou'd like to share
with the rest of the class?
PITTS:
Yeah, I've gotsomething I'd like to share.
With India.
(STUDENTS LAUGHING)
(GIRLS CHATTERING)
GIRL:
He's gorgeous.
(GIRLS CHATTERING)
()
GIRL 1:
Hey.
(GIRLS SQUEALING)
GIRL 2:
Come back.
INDIA:
Mom?
()
It's going to rain.
(THUNDER RUMBLING)
()
EVELYN:
Relax.
There.
(EVELYN GIGGLING)
EVELYN:
Curl your fingers.
(PIANO PLAYING NOTES)
No.
Watch me. You see?
(PLAYS SOFT MELODY)
(DOOR SLAMS)
I'm teaching him piano.
Uncle Charlie is
a complete beginner.
Put on some dry clothes
and come play with us.
Why don't you take a hot shower
first or you'll catch a cold.
Come on. Here.
(PLAYING PIANO)
EVELYN:
Good morning, sweetie.
Charlie cleared off
the court yesterday.
So we're just gonna walk
on over.
You don't want to come,
do you?
CHARLES:
Hello, India.
I took one of Richard's belts.
His whites are
a little big.
Ready?
Let's go.
(DOORBELL RINGS)
India?
It's me.
Come and give
your Auntie Gin a hug.
(UTENSILS SCRAPING PLATE)
EVELYN:
What time didyou get in, Gwendolyn?
Around 4.
Oh. That's right.
And when do you fly out?
That remains to be seen.
I'd originally planned
to stay for only a day or two
but now I'm thinking
I should stay a bit longer.
with India.
Hmm. How nice for her.
Charles?
Auntie Gin.
How long have you been here?
Not long.
We're so grateful
that he's taken time away
from his commitments
in Europe.
Europe?
Yes.
Evie, dear, after dinner,
I was thinking perhaps
you and I could talk.
We are talking.
GWENDOLYN:
Alone.EVELYN:
About what?Like Richard, for instance.
Richard?
Yes, Evie. Richard.
My nephew, your late husband.
I don't think I'll be forgetting
his name any time soon.
Of course not.
be arrangements to be made.
Things to be settled.
Our lawyer has said none of this
has anything to do with you.
You're not in the will.
No, dear, I mean something
entirely different.
Like, for example,
maybe we could talk about
your living here
with Charlie like this.
(FOOTSTEPS APPROACHING)
EVELYN:
Auntie Ginisn't shy when it comes
to expressing
to marry him.
What Auntie Gin
might be surprised
to learn is that those opinions
are neither wanted,
needed, or appreciated.
Evie...
You come into my home
and attack me
at a time like this.
GWENDOLYN:
Evie...I'm sure Auntie Gin
didn't mean anything.
You didn't mean anything
by it, did you?
No.
No, of course not, Evie dear.
like to play something
for us after dinner?
No, thank you.
No, thank you.
(ENGINE STARTS)
Good night, Auntie Gin.
Don't mind Evie.
She's just tired.
Oh, um, what was the name
of your hotel again?
The Biltmore.
The Biltmore.
Maybe we could have
breakfast together.
Just us girls.
Oh, I'm not sure.
CHARLES:
Can you takeher to the Biltmore Hotel?
I'll probably have a headache
in the morning.
CHARLES:
Drive carefully.Auntie Gin, stay the night here.
Oh, uh...
You made the evening
much nicer.
Oh, thank you, dear.
on her own to recover.
Good night, sweet child.
Call me.
in town beside The Biltmore?
MAN (ON TV):
Even family ties haveno meaning when food is scarce.
This one knows there is no room
for his brother in the hunt.
While this sibling rivalry
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Stoker" Scripts.com. STANDS4 LLC, 2024. Web. 2 Nov. 2024. <https://www.scripts.com/script/stoker_18909>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In