Straight Outta Compton Page #13
JERRY:
What the f*** were you guys
thinking? They can hold us libel
for inciting a riot! No one cares
that the police started it...
Dre, Ren and Yella start paying attention as Eazy switches
channels. Finds another report about the riot. And another.
And another. Images blurring by of the concert.
JERRY (CONT’D)
Whether you like it or not, you are
a political group. Never give these
a**holes a reason to hurt you. Next
time they might take it.
The guys watch, realizing that they’re becoming a part of the
zeitgeist. No longer in the news, they are the news.
KURT LODER (PRE-LAP)
The explosive Compton rap group,
N.W.A. -HARD
CUT TO:
64 CLOSE ON MTV NEWS REPORT (STOCK FOOTAGE) 64
KURT LODER:
-- aka N*ggers With Attitudes,
officially had their video banned
here at MTV due to gang-like images
that could incite violence. This is
not the first scrape with
controversy for the band -
66.
65 INT. HOTEL - CONFERENCE ROOM - CONTINUOUS 65
CLICK! CLICK! CLICK! NWA sit at a long table being
interviewed for a PRESS JUNKET, dozens of microphones thrust
in their faces, cameras flashing. All the members are
engaged, leaning forward, elbows on the table. They got each
other’s back as WE PARACHUTE IN:
JOURNALIST 1
How do you explain insighting a
riot in Detroit? What do you have
to say about that?
EAZ:
We didn’t insight sh*t.
DRE:
You just got a snapshot of how
Americans honestly feel.
REN:
We didn’t create that.
JOURNALIST 2
Your songs glamorize the lifestyle
of gangs, guns and drugs.
CUBE:
My art is the reflection of my
reality. What do you see when you
go outside of your door. I know
what i see.
YELLA:
And it ain’t glamorous.
CUBE:
And by the way, the hood gets AKs
Columbia.
EAZY:
We don’t even have passports. Check
the source.
REN:
Who is responsible for that?
JOURNALIST 3
You are experiencing a metoric
rise. How can you explain that
artits like Axl Rose from Guns and
Roses are wearing your tshirts and
hats?
67.
DRE:
Isn’t it obvious. Real recongnize
real.
CUBE:
WE must of struck a nerve.
Journalist 4 quickly interjects -
The guys let that lie a moment as other JOURNALISTS speak up.
JOURNALIST 4
Will you be more careful about what
you say, and how you say it?
REN:
Nope.
Everyone LAUGHS.
CUBE:
Hell no. Last I heard, this is
America and we got Freedom of
Speech. Pretty sure that includes
rap music. Exercisin’ our Free
country, openin’ people’s eyes. Far
as I’m concerned that’s our job.
The Journalists take that in, impressed by Cube’s media savvy
and forthright demeanor. Cube points to another JOURNALIST.
JOURNALIST 4
So Cube, what’s a guy from Compton
do when he starts making real money
like this?
Laughter from the assembled. Not from Cube. Silence. Then:
JOURNALIST 4 (CONT’D)
Cube..?
66 EXT. DOUBLETREE SUITES - PHOENIX - ESTABLISHING - NIGHT 66
The typical cookie-cutter hotel blights the beautiful desert
landscape as the band exits the tour bus, enters -
67 INT. DOUBLETREE SUITES - PHOENIX - NIGHT 67
CUBE walks down the hotel hallway, stops in front of a door.
He KNOCKS, but there’s no answer. He notices the door is
PROPPED open with the dead-bolt, so he pushes inside -
68.
68 INT. DOUBLETREE SUITES - JERRY’S SUITE - CONTINUOUS 68
Cube enters the dark room. At the far end of the room,
there’s a DESK, with a lone LAMP illuminated, casting weird,
creepy shadows across the room.
And JERRY HELLER sits behind the desk, his face mostly
obscured in shadow. Cube grins, bemused, because this tableau
is clearly deliberate, a dramatic show of power.
JERRY:
It’s nice to see you, Cube.
CUBE:
Well I can barely see you, Jerry.
What’s with all this Godfather
sh*t?
Jerry ignores the comment, rises from behind the desk,
carefully places a stapled sheaf of PAPERS on the desk.
JERRY:
I know you’ve been very eager to
sign a contract with Eric’s
company, Ruthless Records.
CUBE:
It’s your company too, right? You
and Eric. All for one, one for all.
Jerry sighs, shakes his head.
JERRY:
That’s incorrect. It’s not my
company. I work for you. I’ve made
that clear from the beginning.
Cube just nods, like, yeah right. Picks up the thick
contract, pages through it. It’s full of dense legalese.
CUBE:
Alright, cool. So I can take this
one, show it to a lawyer or
somethin’?
Jerry stares at him for a beat. Places his hands on the desk.
JERRY:
Cube, lawyers get paid to make
trouble. That's what they do --
create problems where problems
don't exist.
69.
CUBE:
But I have no idea what it says. At
least let me take it to show my
family.
JERRY:
I can assure you, it’s all
standard. You can read it now, if
you like.
Cube’s expression darkens. He clenches his jaw.
CUBE:
Jerry, you know I can’t understand
this legal sh*t. None of us can.
That’s why we need to show it to a
lawyer-
JERRY:
Cube, I thought you knew? Everyone
else signed already. You’re the
only one who hasn’t.
Cube flips to the last page. The Signatory page. Sure enough,
there’s EAZY’s signature, DRE’s, YELLA’s, and REN’s. Cube can
only shake his head with confusion, disappointment.
CUBE:
What the f***..?
JERRY:
Look. Cube. This is a great thing.
This is what you always wanted your
whole life. And there’s also this.
Jerry lays a CHECK on the desk in front of Cube, made out to
O'SHEA JACKSON. And it’s for $75,000. Cube can’t help it, his
eyes go wide. It’s more money than he ever dreamed of.
CUBE:
Damn. (beat) Thanks, man.
He reaches for the check, but Jerry pulls it back.
JERRY:
Soon as you sign this contract, the
money is all yours.
Cube freezes. Realizes he’s being shaken down.
CUBE:
That’s my money anyway, Jerry. I
earned it. I wrote a lot of hit
songs. I been on tour for months.
(MORE)
70.
CUBE (CONT'D)
Performing. Gettin’ arrested and
sh*t. And you gonna try to gank me?
JERRY:
That’s ridiculous.
CUBE:
Give me my money, Jerry.
JERRY:
You’re kidding me, right? Who do
you think pays for everything? All
the hotel rooms, the parties, the
transpo? You think that’s free?
Cube closes his eyes. Takes a deep breath. He must literally
will himself to not implant his fist in Jerry’s face.
CUBE:
Why all this now, Jerry? Back in
the beginning, if you thought we
were so good, why didn’t you just
give us contracts then?
JERRY:
Nothing’s a sure thing, Cube. Even
a great talent can crash and burn.
Too much ego, too much excess, too
many expectations -- it tends to
ruin things. You oughta keep that
in mind.
Cube stares hard. Knows exactly what Jerry’s implying.
CUBE:
I’m gonna ask one more time. Are
you sayin’ I can’t have the money I
earned, unless I sign this
contract, right now, without
showin’ it to anybody?
Jerry just crosses his arms, looks at Cube, says nothing.
CUBE (CONT’D)
Bye, Jerry.
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"Straight Outta Compton" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/straight_outta_compton_616>.
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