Straight Outta Compton Page #16
C76 INT. HOSPITAL ROOM - MOMENTS LATER C76
Dre stands at the bottom edge of the bed, looking down at
D.O.C, unconscious, head bandaged, tubes in his face. SUGE
stands a few steps away, looking somber, but still filling
the room with his bulk.
SUGE:
Doc shouldn’t even be alive. He got
thrown from the car-- hit a tree.
DRE:
Goddamn. Is he paralyzed?
SUGE:
Nah. His throat got crushed. Doctor
said he’ll never talk right again.
DRE:
Vocal chords?
SUGE:
All f***ed up. Career could be in
jeopardy (beat). Where’s Eazy and
Jerry?
Dre takes the moment in. He’s honest about it.
82.
DRE:
I don’t know.
SUGE:
Them niggas ain't loyal. Taking
they're f***in' time to come see
the man. That’s why I got my people
looking into his contracts at
Ruthless. Gotta protect what he got
left.
Suge looks at Dre, clocking his expression.
SUGE (CONT’D)
What do you think about Jerry?
DRE:
He aiight. I guess.
Suge nods. Contemplative.
SUGE:
What about your paperwork? Is it
cool?
DRE:
I dunno. I just focus on the music.
(beat). Maybe your people could
look into my sh*t too?
SUGE:
Most definitely. I can arrange
that.
D.O.C. groans and turns in his sleep. Both of his friends
look down at him, quietly watching with concern.
76 INT. PRIORITY RECORDS - CONFERENCE ROOM - DAY 76
CUBE sits at the head of a long conference table beside Kim.
He looks DIFFERENT now -- shaved head, no more Jheri curls.
Bryan Turner emerges from outside the office, CD in hand.
He's trying to keep the mood upbeat, though clearly the power
dynamic between them has shifted toward Cube’s advantage.
BRYAN TURNER:
Cube, Kim -- Great to see you guys.
How’s that new house treating you?
KIM:
The new house is great. Thanks for
asking. How's the new office?
83.
BRYAN TURNER:
(making light of it)
Great. I never did like the design
of the old one anyway.
Bryan chuckles and looks over at Cube-- who doesn't seem in
the mood for small talk. Cube notices the CD in Bryan's hand.
CUBE:
What you got, Bryan? I know you
called me up here for somethin’.
BRYAN TURNER:
It’s the new NWA record. I wanted
to play it for you first, before
you heard it anywhere else --
Cube looks at Bryan, confused: Snatches the CD and he's at
the CD player before Bryan can blink.
BRYAN TURNER (CONT’D)
About one minute in --
Cube hits PLAY -- Tracks forward. Then he, Kim and Bryan
listen to REAL NIGGAZ on the conference room’s stereo system.
DRE (ON TRACK)
... We started out with too much
cargo. So I’m glad we got rid of
Benedict Arnold.
Cube doesn’t say anything, but his face shows his anger.
CUBE:
Benedict Arnold.
KIM:
They're trying to call you some
kind of a traitor.
CUBE:
I’m a traitor!? I didn’t say sh*t
about NWA on Amerikkka's Most
Wanted! But now they're trying to
diss. Okay.
CLOSE ON Cube’s eyes, full of fire -- Kim notices Cube
building tension. She gently rubs his arm and leans in close
to whispers-
KIM:
Baby, tell me what you're thinking.
84.
CUBE:
I can't wait to get to the
mothafuckin' studio!
77 INT. RECORDING STUDIO - LOS ANGELES - DAY 77
CUBE at the mic, spitting with the most audacious fury we’ve
ever seen on the most brutal diss track ever: NO VASELINE.
CUBE:
God DAMN I’m glad y’all set it off.
Used to be hard, now you’re just
wet and soft. First you was down
with the AK. And now I see you on a
video with Michel’le. Lookin’ like
straight Bozos. I saw it comin’,
that’s why I went solo.
At the BOARD, JINX looks to THE LENCH MOB in the room -- Oh,
sh*t, this is getting real --
A78 INT OR EXT. SOMEWHERE IN THE CITY - DAY A78
Dre and D.O.C. sit and listen to NO VASELINE-- with every
line D.O.C. makes a different "dunk face" indicating how
embarrassed he is for his homie Dre.
CUBE (ON TRACK)
Yella Boy’s on your team so you’re
LOSIN’! And yo, Dre? Stick to
producin’. Callin’ me Arnold, but
you Been-A-Dick. Eazy saw your ass,
and went in it QUICK.
As we pan over to Dre, we can see that he kind of digs the
creativity and lyrics. He confirms it with a slight smirk and
chuckle. Clearly blowing the song off.
78 INT. JERRY’S LIVING ROOM - DAY 78
NO VASELINE CONTINUES over -
Jerry and N.W.A., minus Dre and D.O.C., listen to the track,
faces grimaced:
CUBE (ON TRACK)
Y’all disgrace the C-P-T. ‘Cause
you gettin’ f***ed out your green
by a white boy, with No Vaseline.
Ren and Yella slouch in the corner, looking very unhappy.
85.
CUBE (ON TRACK) (CONT’D)
... So don’t believe what Ren say,
cause he goin out like Kunta Kinte.
But I got a whip for ya, Toby; used
to be my homie, now you act like
you don’t know me --
But Cube has saved the best for last. He unleashes upon EAZY
and JERRY, who LISTEN intently, jaws dropped.
CUBE (ON TRACK) (CONT’D)
You little maggot, Eazy E turned
f*ggot. With your manager, fella,
f***in’ MC Ren, Dr. Dre, and Yella.
But if they were smart as me, Eazy
E would be hangin’ from a tree.
With no vaseline, just a match and
a little bit of gasoline. Light 'em
up, burn 'em up, flame on. Til that
Jheri curl is gone. On a permanent
vacation, off the Massa plantation.
Heard you both got the same bank
account -- Dumb nigga, what you
thinkin’ about? Get rid of that
Devil real simple: put a bullet in
his temple. Cuz you can't be the
Nigga 4 Life crew with a white Jew
tellin’ you what to do -
Jerry looks absolutely livid, while Eazy just looks caught
off guard. Jerry gets up and TURNS OFF the music -
YELLA:
That sh*t’s kinda funny.
Everybody gives YELLA the look.
REN:
Mothafucka got us! What we gonna
do? I got my pen ready to serve
that fool. Just say the word.
Eazy is still trying to digest the track.
JERRY:
We’ll sue that worthless f***.
Defamation, libel... That anti-
Semitic piece of sh*t, I’m gonna
call up my friends at the J.D.L.
and we’ll see how he likes that,
little bastard.
(off Eazy’s despondent look)
Eric, come on, we gotta get
organized here, we gotta fight --
86.
EAZY:
Stop it, Jerry. Relax man. Niggas
don't know what anti-Semitic means
-It's just a battle rap.
JERRY:
(still hopping mad)
I always knew Cube was a rotten
human being. And people are gonna
know the facts. I’ll make sure of
it. I can’t believe you’re not as
angry as I am, what’s wrong with
you? Didn’t you hear what he said?
EAZY:
I heard it, Jerry. You deal with it
your way, I’ll deal with it mine.
All we got to do is hit the studio
and end this boy career.
YELLA:
I don't know about all that.
JERRY:
Well call Dre and you guys go do it!
And Jerry storms out, leaving the crew behind --
REN:
Damn, E. Who work for who?
EAZY:
Who you see sitting in the big
chair mothafucka?!
Eazy re-establishes that he's the top dog at Ruthless.
79 OMITTED 79
80 OMITTED 80
81 EXT. JERRY’S HOUSE - FRONT - NIGHT 81
Jerry pulls into his driveway, gets out of the car, carrying
a bag of groceries, starts walking toward the door. He hears
a CAR DOOR SLAM, and he TURNS, sees a gleaming-new EL CAMINO
parked across the street. A very large BLACK MAN we haven’t
seen before has emerged, and is walking toward him.
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"Straight Outta Compton" Scripts.com. STANDS4 LLC, 2024. Web. 21 Dec. 2024. <https://www.scripts.com/script/straight_outta_compton_616>.
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