Straight Outta Compton Page #9
EAZY:
(sly smile)
This gonna start some sh*t, Cube.
CUBE:
(a grunt)
Yeah, f*** the police.
Dre smiles as we cut to --
Dre is scratching in the iconic hook. F*** THA POLICE-- F***,
F***, F*** THA POLICE. He continues to scratch...
45.
38pt2 Ice Cube on the mic spitting the venomous lyrics of F*** Tha
38pt2
Police.
40 EXT. RUTHLESS RECORDS - LOS ANGELES - ESTABLISHING - DAY 40
STRAIGHT OUTTA COMPTON continues over -
EAZY and JERRY walk into the new RUTHLESS OFFICES...
41 EXT. CRENSHAW BLVD - NIGHT 41
A LOWRIDER cruises the packed boulevard, STRAIGHT OUTTA
COMPTON SCREAMING out the windows as it passes by -
A HOOPTIE that’s got EXPRESS YOURSELF ON BLAST. And we
quickly realize that -
THE ENTIRE ALBUM’S FLOATING ON THE AIR, DIFFERENT TRACKS
THUMPING from DIFFERENT CARS flossing on the ‘Shaw.
Literally, every car.
LOW-RIDERS bounce their hydraulics in approval. PEDESTRIANS
HOLLER at the RIDERS and Riders holler back. It’s like the
entire hood is partying. And in the thick of it all --
Eazy, Dre, and Cube creep down Crenshaw in Eazy’s ‘64 Impala,
Ren and Yella just behind them in Yella’s Porche. They can’t
believe their eyes, their hood now worshipping their music.
Some full circle sh*t...
42 INT. RUTHLESS RECORDS - JERRY’S OFFICE - CONTINUOUS 42
STRAIGHT OUTTA COMPTON FADES OUT as -
CLOSE ON the album cover to STRAIGHT OUTTA COMPTON as it’s
slid across the desk to... THE WHOLE GANG. They pass around
the record, in awe, as if it were the Holy Grail.
JERRY:
This is only the tip of the
iceberg, fellas. The days of
selling records out of your trunk
are a thing of the past, Eric.
EAZY:
My days of selling anything out the
trunk is over.
43 EXT. LEIMERT PARK - LOS ANGELES - DAY 43
All the GROUP MEMBERS saying goodbye to their FAMILY,
FRIENDS. JERRY’s there, too, along with Bryan Turner.
46.
BRYAN TURNER:
So, are you going out with them?
JERRY:
Are you crazy? Had a enough of that
sh*t in the 70's. I'll fly out a
couple of times and check on'em.
BRYAN TURNER:
Well make sure everything goes
smooth, okay? I have enough bad
press with Tipper Gore and P.M.R.C.
on my ass. I'm gonna have to put
Parental Advisory stickers on all
the records from now on -
JERRY HELLER:
What’s wrong with that? Bryan,
controversy’s good -- It’s gonna
help us sell more records.
But Jerry’s distracted by Eazy carrying a big duffel bag.
JERRY:
Excuse me.
Jerry sidles up to EAZY, who is carrying a big, heavy,
clattering DUFFEL.
JERRY (CONT’D)
What ya got in there, Mr. Wright?
Eric grins, sets down the duffel --CLUNK --and unzips it.
Jerry’s eyes bug. The duffel is full of GUNS, big and small,
a Kevlar vest, a hockey mask. All things trouble.
JERRY (CONT’D)
Have you lost your mind? You are
not taking that on the bus.
EAZY:
Yeah we are. How we supposed to
protect ourselves out there, Jerry?
In f***in’ Texas? And Tennessee?
They lynch niggas down there --
JERRY:
I’m not gonna let you take that
arsenal on tour, Eric!
Eazy squares off, crosses his arms.
47.
EAZY:
Let me? Jerry, you take care of the
business, I’ll take care of the
rest.
A44 EXT. HOUSTON ARENA - HOUSTON - NIGHT A44
Out front of the arena, a mass of PROTESTORS have accumulated
a large pile of NWA RECORDS as -
SUPERIMPOSE:
HOUSTON, TXThe guys watch on as a MAN drives a STEAMROLLER RIGHT OVER
THE RECORDS, crushing them to pieces! The Protestors CHEER!
CUBE:
Ain’t that some sh*t... Talk some
truth and people lose they minds.
EAZY:
They had to buy all those albums to
do that! More money in our pockets.
44 EXT. HOUSTON ARENA - BACKSTAGE PARKING - HOUSTON - NIGHT 44
The TOUR BUS pulls up inside the SECURITY AREA behind the
VENUE. Houston P.D., POLICE HORSES, FANS and PROTESTERS are
watching as -
The bus DOOR HISSES open, and we watch expectantly for our
heroes... BUT NO ONE APPEARS. All we can see is the black
void inside the tour bus, its ENGINE IDLING. Finally, when we
can hardly stand it any longer... NWA BURSTS OUT ONTO THE -
45 INT. HOUSTON ARENA - STAGE - LATER THAT NIGHT 45
-- And god damn they look cool. Still dressed in all-black,
but now their sh*t looks cleaner, more expensive. They’re all
rocking a lot of GOLD -- rings and thick-rope chains.
HUGE BASS SLAMS DOWN as the mock street LIGHTS blind our
eyes. The stage looks like the hood with chain link fences
We hear the SOUNDS of STRAIGHT OUTTA COMPTON (”YOU ARE NOW
ABOUT TO WITNESS THE STRENGTH OF STREET KNOWLEDGE.”) and find
DRE on the ONES AND TWOS, which sit on upside-down glowing
trash cans, while the rest of the group rocks the stage.
48.
CUBE:
Straight outta Compton, crazy
muthafucka named Ice Cube, from a
gang called Niggaz With Attitudes.
When I'm called off, I got a sawed
off, squeeze the trigger, and
bodies are hauled off -
We see CUBE REACT to the fact that here in Middle America,
the majority of the audience is WHITE. Never expected that.
IN THE BACK, we see a row of UNIFORMED COPS, stone-faced,
their presence alone transmitting hostility --
46pt1 INT. ARENA - STAGE 46pt1
-- Eazy blows the roof off with WE WANT EAZY, all hands in
the air as a sea of people vibe with him all singing: EAZY,
WE WANT EAZY -- EAZY, WE WANT EAZY!
DRE, REN AND EAZY RIP THROUGH THE FIRST VERSE-- As the crowd
sings the hook again. We can hear Eazy say-
EAZY:
(to the crowd)
Where the f*** y’all at,
Cincinnati!?
46pt2 INT./EXT. TOUR BUS 46pt2
-- The guys watch on as the TOUR BUS rolls past a PROTEST.
DEMONSTRATORS SHOUT at the bus, hold up SIGNS: BAN GANGSTA
RAP, STOP DISRESPECTING WOMEN, GANGSTAS BELONG BEHIND BARS -
46pt3 INT. ARENA - STAGE 46pt3
-- Dre and Ren rhyme fierce on COMPTON’S N THE HOUSE.
Standing room only, as usual...
DRE:
To the people over here -
REN:
DRE/REN
To the people, the people, the
people, people, the people, the
people, people from Kansas City,
watchin’ the show -
46pt4 INT. ARENA - STAGE 46pt4
49.
-- Another ARENA. Another angry PROTEST. By now, the guys
aren’t even paying attention anymore...
46pt5 INT. ARENA - STAGE 46pt5
-- Cube destroys GANGSTA, GANGSTA, nostrils flared, giving it
his all. As the CHORUS KICKS IN -
CUBE:
Indianapolis in the muthafuckin’
house!
47pt1 INT. HOTEL ROOM - NIGHT 47pt1
Muffled MUSIC, LAUGHTER THUMPS through the WALLS as we find
DRE sitting on a bed in an empty hotel room, talking to -
DRE (INTO PHONE)
I can’t do it, T.
INTERCUT WITH:
47pt2 EXT. VERNA’S HOUSE - PORCH - CONTINUOUS 47pt2
TYREE, who’s chillin’ in a chair, surveying the street, all
smiles talking to his cool-ass big brother.
TYREE (INTO PHONE)
Come on. I could meet up with y’all
in Dallas or -- Yo, you gotta let
me come f*** with you in Miami!
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