Stranded Page #6

Synopsis: A seven-man crew of international specialists formed by Commander Andre Vishniac; engineer Luca Baglioni; doctor Jenny Johnson; astrobiologist Fidel Rodrigo; pilot Susana Sánchez; geologist Herbert Sagan; and pilot Lowell, travels to Mars to explore the planet. On arrival, Lowell stays in orbit on the mother ship while the crew lands on Mars. However, their landing craft crashes on the planet and Vishniac breaks his neck. They learn they are stranded on Mars while Lowell returns to Earth to bring a rescue team. Meanwhile, Luca calculates the oxygen, water, and supplies and concludes that there are enough for only two of them to survive the twenty-six months before an eventual rescue team reaches Mars. It's decided that Luca (engineer) and Jenny (doctor) should be the ones to stay in the spacecraft due to their specialties, while Susan, Rodrigo, and Sagan set out to explore the planet before their inevitable death. But while there is life, there is hope.
Genre: Drama, Sci-Fi
Director(s): María Lidón
Production: RTL
  4 wins & 3 nominations.
 
IMDB:
5.4
R
Year:
2001
95 min
195 Views


to locate where the air is escaping.

All I need is a small trace...

This is impossible.

Jenny? Jenny?

-Jenny?

-I'm here.

Yes, that's it. It's Susan's signal.

-Is it possible?

-No, it's not possible.

But that's the signal.

She can't be alive. It's impossible.

Jenny? Luca?

Can you copy?

We copy, but we don't have an image.

You must try to make it over here.

There's air here, for everyone.

Over here.

-And Rodrigo?

-He didn't make it. He's dead.

But you...survive.

-Breathable air here.

-I think she's crazy.

-Could she still be alive?

-If Rodrigo gave her some oxygen.

-Or if she took it from him.

-What are you trying to say?

I don't know.

Maybe she's hallucinating.

-We could try to reach her.

-Could we?

We have one hour of oxygen

on the ship.

We have two space suits

with oxygen tanks filled.

And we have the one

from the captain.

I think we can make it.

I thought you didn't want to die

in a space suit.

I've come to the conclusion

that no death is good.

I want to find out

what happened to Susan.

Come on.

I need to rest for a while. These suits

were not designed for long walks.

You're alive!

Vivo.

- Jenny!

It's crazy.

So this, my friends,

is the bottom of the Marineris Valley.

It's been tough getting down here.

Herb and Fidel died

without even seeing it.

But this place could mean hope for us.

There's water, air, and organic life.

A primitive lichen species that we

may be able to extract proteins from.

So there you have it. It's a fact.

Mars was inhabited millions of

years ago. A civilization thrived here.

What were they like?

How did they live?

What did they feel about their world?

What happened here?

When the planet cooled,

they built devices like the tunnel-

-able to retain air and sustain life

in an increasingly inhospitable place.

But in the end, they didn't survive.

Who knows why?

We won't be around to find out.

I'm down to my last camera battery,

and filming as much as I can.

This is for those of you

who are viewing this footage.

Those who will seek answers

to these mysteries.

Our only objective now is to survive.

As Herbert said:
"We're stranded."

Like castaways,

we'll hold out to the end.

Take care of our families.

Translation:
Mattias Anulf

Broadcast Text Stockholm, 2003

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Juan Miguel Aguilera

Juan Miguel Aguilera (born in Valencia in 1960) is a Spanish science fiction author. He was first trained as an industrial designer. As an author, he has received the Ignotus prize, the Alberto Magno prize, and the Juli Verne prize. His first works were written in collaboration with Javier Redal. These are histories influenced by hard science fiction, set in the universe of Akasa-Puspa, although the time gaps between them make the similarities harder to find. These worlds are created with great consistency and attention to detail. Mundos en el Abismo (Worlds in the Abyss) and its sequel Hijos de la Eternidad (Children of Eternity) combine a plot typical of space opera with elements of hard science fiction.El Refugio (The Refuge) shows a deep scientific influence: biotechnology, biochemistry, communication between species, evolution. Aguilera has also collaborated with Ricardo Lázaro and Rafael Marín. In his solo work, he spends less time on scientific detail and incorporates elements of fantasy, in a genre he calls "speculative history." As a scriptwriter, he has worked on the film Stranded: Náufragos. He has been the illustrator for a number of science fiction book covers. more…

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Submitted on August 05, 2018

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