Stranger on the Third Floor Page #5
- APPROVED
- Year:
- 1940
- 64 min
- 195 Views
dream him up too.
What do you mean?
Better take him down
to headquarters with you.
- Material witness.
- Come along.
Congratulations.
You'll be governor yet.
And thanks for your order of..
'Uh, where was I?'
"And thanks for your order of.."
Ah, you better make that
thank you instead of thanks.
Say, what's the matter
with you this morning?
'You look like you wasn't here.'
Oh, I'm sorry, Mr. McClain.
Yes.
Hello, Michael.
Arrested.
But why? Can't they find
that man?
Well, why aren't they looking?
Oh, I see.
Yes, I do.
More than ever.
I-I'll come up as soon as
they'll let me see you. Goodbye.
Please, Mr. McClain. Can I have
the rest of the day off?
Ha ha. What, again?
I'm sorry, Mr. McClain, but
something terrible has happened.
- Won't you let me go, please.
- Well, what can I do?
- 'Thanks, Mr. McClain.'
- Alright.
Thank you very much.
Yes, ma'am.
What can I do for you?
I got some very nice,
fresh bananas today.
No, thanks. Uh, tell me.
You must know nearly everybody
around this neighborhood.
Oh, sure. And they all know me.
Honest waiter Giuseppe,
that's what they call me.
Well, maybe you can help me
find this man I'm looking for.
- A man. What's his name?
- I-I don't know.
You don't know?
What does he look like?
I don't know that either.
I-I never saw him.
All I know is
he-he has big protruding eyes
and he wears a funny-looking
long white scarf.
And you never saw him?
- I never did either.
- Thanks.
- Thick lips.
- 'Yes.'
- Bulgy eyes.
- 'Yes.'
- Long scarf.
- 'Yes.'
No. Never saw a guy like that.
How about you, Tony?
- Me neither.
- Uh-uh.
Thank you.
- Please.
- Yes, ma'am.
Do you know
a-a strange-looking man.
He has big bulgy eyes
and... thick lips
and-and he wears
a long white scarf.
- What's his name?
- Oh, I don't know.
Sorry, lady, but people
are just names to me.
Sometimes, I think what this
or that name looks like
but I never thought of anybody
that looked like that.
Thanks.
- I'm sorry, dear.
- Thank you.
Sorry, lady.
- A cup of coffee please.
- Yes, Miss.
Have you seen a man who..
Oh, I'm sorry.
I-I asked you that before.
Here you are, Miss.
- Catch up with that fellow yet?
- No.
That's too bad.
Yes, sir. What's it gonna be?
I want a couple of hamburgers,
and I'd like them raw.
Two hamburgers raw. Right away.
Out of style. Ha ha ha.
'Kinda like the taste of blood,
eh?'
No, thank you. I don't care
for the buns.
Just put them
in some paper please, I..
I want to take them with me.
'Alright.'
Okay, 20 cents.
Goodnight.
Now, here you are,
you poor little devil.
Now, don't eat too fast.
You'll get a tummy ache, you.
He followed me for two blocks.
'I had to give him
something to eat.'
Why are you looking
at me like that?
Oh, I'm sorry. I-I'm afraid
I made a mistake.
For a minute, I-I thought
you were someone I knew.
Oh, that's alright.
He's awfully cute.
You ought to keep him.
Yes. I-I wish I could
but... I have no home
to give him.
Well..
Goodnight.
Goodnight, you.
What do you want?
Why are you following me?
Oh, I-I was going in-in
the same direction
and I-I thought maybe
I could walk with you.
- Why?
- Well, uh..
It's so late an-and so dark I..
Yes, it is dark.
Come along.
I'll see that
nothing happens to you.
Thank you.
It's this neighborhood
that frightens me.
So many terrible things
have happened here.
What things?
Oh, don't-don't you live
around here?
Haven't you..
Haven't you heard what happened
up there in number 39?
- They send you to take me back?
- No. Who?
Don't you know?
The people who lock you up.
Oh, no. Of course, not.
- How do I know I can trust you?
- Well, they..
They-they wouldn't send
a woman, would they?
No. Ha ha ha.
No, they-they wouldn't
send a woman. Ha ha.
The only person who ever was
kind to me was a woman.
- She's dead now.
- Oh.
Why? Why do they
wanna lock you up?
Oh, so they can hurt me. They..
They put you in a shirt
with, uh..
...long sleeves and..
...they pour ice water on you.
Oh, that's terrible.
Did-did Nick wanna send you
back to them?
Yes, he did. How do you know?
- Did Meng try to do it too?
- Meng?
Who is Meng?
You know, the man up there
in the house.
Oh, that man.
Oh, he said he was going
to report me.
I-I had to kill him.
What's the matter?
Nothing.
I-I live in here.
Oh.
Goodnight.
It was very nice.
Don't go. I-I haven't got my
key. I have to ring the bell.
Please, wait till I get in.
Ha, they must be all asleep.
I guess so.
- What do you want?
- Please let me in.
- I've got to call the police.
- You're drunk.
Waking up people
this hour of the night.
Get out of here,
or I'll call the police.
- Why did you lie?
- I didn't. I..
I just made a mistake.
The houses are all alike around
here. Mine must be next door.
No. You don't live next door.
You don't live here at all.
- You live there with them.
- No. No, I don't.
I'm your friend.
- Why are you afraid of me?
- I'm not.
I'm not afraid.
They sent you becau-because
they know I would trust a woman.
Help! Please let me in!
Let me go! Help! Help..
I'll not go back there.
Help!
'Help!'
It's not my fault, Miss.
I couldn't help it.
I honked. You can't stop one
of these things in five feet.
You'll be a witness for me,
won't you?
- Say..
- What happened?
- It wasn't my fault.
- Call an ambulance.
- Sure.
- He went right in front of it.
- She saw him.
- Is that right?
Yes. He-he was chasing me.
He was going to kill me.
He looks like the guy we were
looking for this morning.
Yes, he is, and-and
he admitted everything.
He killed 'em both.
- Did you?
- Yes.
But I'm not going back.
- Is this place taken, Miss?
- Yes, it is.
- I beg your pardon.
- Sit down.
- Thank you, Miss.
- Where were you?
- You're late again.
- Oh, I...
Whole wheat toast
and orange marmalade, right?
Wrong.
Wrong? It's what I serve you
every morning.
- That isn't what I want.
- That's what you always have.
Never again. From now on,
I'm switching to eggs.
Cooked by my own wife.
In her own kitchen.
Phil, you've lost two customers.
- Is that so? Congratulations.
- Thanks, Phil.
- Right.
- Right.
Come on.
Where are we going?
The judge and the DA
are waiting for us.
Michael, is something
wrong again?
Not if this
marriage license is okay.
Taxi!
- City hall.
- Oh, no.
We aren't going to start
our life together like that.
From now on, we stay.
That's alright, lady.
This one's on the house.
- Hello, how are you?
- Fine.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Stranger on the Third Floor" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/stranger_on_the_third_floor_18964>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In