Strangers on a Train Page #7
- PG
- Year:
- 1951
- 101 min
- 1,064 Views
CLOSE UP:
Miriam's head drops into the picture by the glasses.
Bruno's hand comes into the picture and picks up the glasses.
One of the lenses has been broken by Miriam's fall.
As we see Bruno's sport shoes move away, the CAMERA MOVES
PAST MIRIAM'S HEAD until it comes to Guy's lighter pressed
into the earth.
CLOSE UP BRUNO:
Bruno glances back over his shoulder. He looks down and
goes back one or two steps.
CLOSE UP BRUNO'S HAND
Bruno's hands retrieve the lighter from the ground.
LONG SHOT ISLAND
We see a full view of the island again, with the amusement
park beyond. The faint noise of the calliope continues in
the distance. Bruno has been lost to view.
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Miriam's companions are still searching for her. We hear
their faint voices in the distance.
VOICES:
Miriam! Miriam! Where are you?
MEDIUM SHOT:
Bruno comes to the shore where his boat is moored. He gets
in and is quickly chugging away. He moves calmly, matter-offact
and not furtively.
LONG SHOT LAKE:
Bruno's boat throbbing its way across toward the landing
stage.
There are two boats unloading. Bruno's boat is approaching.
We hear a loud call from the island. Someone has found
Miriam.
VOICES:
Hey, here she is! What's the matter
with her? Has she fainted?
More shouts from the island cause the people at the landing
stage to look back. The boatman's attention is also
attracted. Suddenly, as Bruno is getting out of boat, there
is a loud scream from the island.
VOICE:
(crying out)
She is dead!
OTHER VOICE:
(from island)
Help! Help!
Bruno by this time has stopped onto the landing stage, and
in company with the other people, is looking back as if to
see what's wrong on the island. Then he moves away, starting
off of the landing stage. The boatman turns and glances at
Bruno, but quickly returns his attention to the disturbance
across on the island. He hurries forward and with a couple
of men passengers jumps into one of the boats. He calls to
his assistant as he gets into the boat.
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BOATMAN:
Got a cop!
The assistant runs off out of the pictures
MEDIUM SHOT BRUNO
As Bruno calmly threads his way along the midway, we hear
above the noise of the various concessions, a shrill police
whistle in the distance. Presently a couple of policemen
comes running from direction of the main entrance and past
Bruno. He glances at them over his shoulder, then strolls
on toward the main entrance to the park.
ENTRANCE TO AMUSEMENT PARK EXTERIOR
As Bruno comes out through the turnstile, he stands for a
moment on the street. At this moment a man hesitates at the
curbstone. He is blind and tapping the sidewalk with his
white cane. He takes one step into the roadway, then
hesitates. Bruno steps forward and takes the blind man's
arm. CAMERA PULLS BACK as Bruno escorts the blind man across
the road. With a sweeping gesture he holds back a couple of
cars to lot them pass.
Once on the other side of the road, the blind man utters his
thanks.
BLIND MAN:
Thanks.
He goes off.
Bruno looks back toward the park, then glances down at his
wristwatch.
INSERT BRUNO'S WRISTWATCH
The time is 9.30.
LAP DISSOLVE TO:
INT. OBSERVATION CAR OF A TRAIN NIGHT
Through the rear window we see the tracks rushing away from
us. Seated in the foreground are Guy Haines and a rather
professorial type opposite him, a bespectacled man around
forty-five or fifty who is extremely drunk.
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MEDIUM SHOT GUY:
He is reading an evening newspaper.
CLOSE SHOT:
The feet opposite Guy stretch out and touch Guy's feet.
CLOSEUP GUY:
He lowers his paper and looks across.
MED. SHOT
The drunk opposite Guy looks down at his feet and then up to
Guy resentfully as though Guy had kicked him. He eyes Guy
up and down, then suddenly, without warning, bursts into
song, to the tune of the Barber Shop Chord.
COLLINS:
There was a man, now please take
note. There was a man who had a
goat. He loved that goat, Indeed he
did. He loved that goat, just like
a kid.
(He stops singing
abruptly and addresses
Guy)
What is your opinion?
GUY:
(amused)
You'll never make the Metropolitan.
COLLINS:
(fuzzily -- pumping
Guy's hand)
Name's Collins. On sabbatical Delaware
Tech. Glad to meet you. I
jus' gave a speech in New York. On
integration. In the differential
calculus a function is given and its
differential is obtained. Understand?
GUY:
(solemnly)
Sure, I understand.
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COLLINS:
(resentfully)
Y'do?
Again he bursts into loud song.
LAP DISSOLVE TO:
LONG SHOT WASHINGTON EXTERIOR ABOUT 1 A.M. MOONLIGHT
A solitary taxi is seen driving past the Capitol Building.
LAP DISSOLVE TO:
The taxi comes to a side street and stops outside a small
apartment house.
MED. SHOT
Guy gets out of the taxi with his rackets and bag, pays the
driver and goes up the steps to the front door of his
apartment.
CLOSE SHOT:
As Guy is about to enter the front door and we see his name
posted on a small card as one of the several tenants, he
hears a soft call from across the street.
VOICE:
(softly)
Guy!
Guy turns his head and looks across the street.
MED. LONG SHOT (FROM GUY'S VIEWPOINT)
We see a small space between two houses across the street.
Out of the darkness the voice repeats.
VOICE:
Over here, Guy.
MED. SHOT GUY
He turns, and with a slightly bewildered and wary expression,
goes out of the picture to cross the street.
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MED. SHOT
Guy reaches the other side of the street and still puzzled
and cautious, approaches the dark alleyway.
MED. SHOT
After a moment a figure steps out of the darkness. It is
Bruno. He steps back into the darkness again as Guy comes
up to him.
TWO SHOT:
Guy frowning in puzzlement as he looks at Bruno.
BRUNO:
(cheerfully)
Hello, Guy.
GUY:
(recognizes Bruno -
not pleased)
What are you doing here? At this
time of night?
BRUNO:
(a little sadly)
You don't seem very pleased to see
me, Guy.
BRUNO:
(pleased again)
I brought you a little present.
GUY:
What do you mean?
Bruno's hand comes out of his pocket and he hands Miriam's
glasses to Guy.
INSERT:
Guy's hands taking Miriam's glasses from Bruno. One of the
lenses is broken.
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TWO SHOT:
As Guy takes the glasses he looks at Bruno in bewilderment.
GUY:
What's this all about?
BRUNO:
Recognize them?
CLOSEUP GUY:
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"Strangers on a Train" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/strangers_on_a_train_512>.
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