Suddenly, Last Summer Page #10

Synopsis: A wealthy harridan, Violet Venable, attempts to bribe Dr. Cukrowicz, a young psycho-surgeon from a New Orleans mental hospital that is desperately in need of funds, into lobotomizing her niece, Catherine Holly. Violet wants the operation performed in order to prevent Catherine from defiling the memory of her son, the poet Sebastian. Catherine has been babbling obscenely about Sebastian's mysterious death that she witnessed while on holiday together in Spain the previous summer.
Production: Sony Pictures Home Entertainment
  Nominated for 3 Oscars. Another 4 wins & 4 nominations.
 
IMDB:
7.6
Rotten Tomatoes:
69%
APPROVED
Year:
1959
114 min
2,012 Views


of percussion, do you know what I mean?

Yes, instruments of percussion,

like drums.

As far as I could make out in

the white blaze of the sand beach...

...the instruments were tin cans

strung together...

...and bits of metal,

other bits of metal...

...that had been flattened out

and made into...

Into what?

Cymbals, you know?

Yes, brass plates hit together.

That's right.

Tin cans flattened out

and clashed together. Cymbals.

The others had other things.

All sorts of things.

Things that they'd made or picked up

on the beach to make a sort of noise.

A music made out of noise.

Go on.

I am going on.

Nothing could stop me now.

Your cousin Sebastian, was he

entertained by this concert?

-Terrified of it.

-Terrified, why?

I think he recognized some

of the musicians.

Some of the boys.

Between childhood and older.

What did he do?

Did he complain to the manager?

What manager? God?

You don't understand my cousin.

How do you mean?

He accepted all as how things are...

...and thought nobody had any right

to complain or interfere whatsoever.

Even though he knew what

was awful was awful...

...what was wrong was wrong.

He thought it unfitting to ever take

any action about anything whatsoever...

...except to go on doing

as something in him directed.

What did this something in him

direct him to do?

He suddenly pushed himself

away from the table and said:

"They've got to stop that.

Make them stop. I'm not a well man.

I have a heart condition.

It's making me sick."

That was the first time that cousin

Sebastian had ever attempted...

...to correct a human situation.

I think that

that was his fatal error.

He stalked out of the restaurant after

throwing paper money on the table.

He fled from the place.

I followed.

It was all white outside.

White hot. A blazing white hot, it...

You followed Sebastian out of the

restaurant onto that hot, white street?

Running along the beach...

-You ran along the beach?

-No, no. We didn't.

We didn't move either way.

I rarely made any suggestion,

but this time I did.

What did you suggest?

Cousin Sebastian seemed to be paralyzed

near the entrance at the caf.

So I said, "Let's go."

I remember I said:

"Down that way is the harbor, and we're

more likely to find a taxi near there.

Or why don't we go back in

and have them call us a taxi?

Oh, let's do! Let's do that.

That's better."

And he said, "Are you mad?

Go back in that filthy place? Never!

That gang of kids shouted vile

things about me to the waiters."

I said, "Well, let's go down

towards the harbor.

Let's not try to climb that hill

in this dreadful heat."

And cousin Sebastian shouted,

"Please shut up!

Let me handle this situation, will

you? I want to handle this thing."

And he started up the steep street

with a hand stuck in his jacket...

...where I knew he was having

a pain from his palpitations.

But he walked faster

and faster in panic.

The faster he walked...

...the louder and the closer it got.

Closer what got?

The music!

The music again?

The music!

The noise of the following band.

They were following.

They were following...

...up the blazing white street.

Up. Straight up. That was the only

way open, so he went that way.

He tried to escape from those streets?

He tried to escape

from those streets...

But he couldn't find a way out?

He couldn't find a way out.

Did the band of children...?

When he tried to escape...

...from those streets...

...down those little side streets,

between the buildings...

...they came from everywhere.

So the only way was up.

The only way was straight up...

...up those steep, white streets...

...in the sun, that was like a great

white bone of a giant beast...

...that had caught on fire in the sky.

And Sebastian kept running straight up.

I don't know how he still ran.

He never ran...

...but he ran and he ran and he ran...

...where it was whiter and emptier.

What was emptier?

The light... The sky and the light.

Those steep, white streets and the sun,

and everything blazed white and empty.

Where did those streets lead to?

Nowhere!

He never reached...?

He never reached the end.

They stopped nowhere! Never!

Except, except...

Except?

At the very top of the hill.

Something. A place, a ruin.

Broken stones. Like...

Like what?

Like the entrance...

...to a ruined temple...

...some ancient ruined temple...

...which he entered.

And they overtook him.

There in that...

And you, Catherine,

what did you do then?

I heard Sebastian scream.

He screamed just once.

Then I...

Help!

Help!

And then? Then?

I ran. They let me run.

They didn't even see me.

Run where?

Down.

The waiters, police, people...

...ran out of buildings,

back up to where...

...to where cousin Sebastian...

He was lying naked...

...on the broken stones.

And this you won't believe.

Nobody, nobody could believe it.

It looked as if...

...as if they had devoured him!

As if they had torn or cut...

...parts of him away

with their hands...

...or with knives or

those jagged tin cans...

...they made music with...

...as if they'd torn bits of him away...

...and stuffed them

in their own gobbling mouths!

There wasn't a sound anymore.

There was nothing...

...but Sebastian...

...lying on those stones...

...torn and crushed.

Oh, Cathy.

Mrs. Venable.

There you are.

I thought you were still on deck.

And where's your hat?

Oh, dear, you'll get fever.

A whole day up there in the rigging

in the hot sun.

Watching those awful, hungry birds.

I don't know what you see

in such terrible sights.

It's too much for both of us,

my darling.

That horrible sun.

Of course God is cruel.

We didn't need to come to the

Encantadas to find that out, did we?

No, we've always known about Him.

The savage face He shows to people...

...and the fierce things He shouts.

It's all we ever see or hear

of Him now. Nobody seems to know why.

The difference is...

...we know about Him, the others don't.

That's where we're lucky.

Go rest, my darling.

Look out for that fever.

I'm going to see the captain and tell

him to change our course for home.

Oh, Sebastian.

What a lovely summer it's been.

Just the two of us.

Sebastian and Violet.

Violet and Sebastian.

Just the way it's always going to be.

Oh, we are lucky, my darling...

...to have one another

and need no one else, ever.

There's every possibility

that the girl's story is true.

George, tell her she's got to

come home with us.

-Catherine'll be all right.

-Can't she come home?

Don't worry, she will.

-Why don't you take your mother.

-Sure. Come on, Ma.

Miss Catherine?

She's here, doctor.

Miss Catherine's here.

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Gore Vidal

Eugene Luther Gore Vidal (; born Eugene Louis Vidal; October 3, 1925 – July 31, 2012) was an American writer and public intellectual known for his patrician manner, epigrammatic wit, and polished style of writing.Vidal was born to a political family; his maternal grandfather, Thomas Pryor Gore, served as United States senator from Oklahoma (1907–1921 and 1931–1937). He was a Democratic Party politician who twice sought elected office; first to the United States House of Representatives (New York, 1960), then to the U.S. Senate (California, 1982).As a political commentator and essayist, Vidal's principal subject was the history of the United States and its society, especially how the militaristic foreign policy reduced the country to a decadent empire. His political and cultural essays were published in The Nation, the New Statesman, the New York Review of Books, and Esquire magazines. As a public intellectual, Gore Vidal's topical debates on sex, politics, and religion with other intellectuals and writers occasionally turned into quarrels with the likes of William F. Buckley Jr. and Norman Mailer. Vidal thought all men and women are potentially bisexual, so he rejected the adjectives "homosexual" and "heterosexual" when used as nouns, as inherently false terms used to classify and control people in society.As a novelist Vidal explored the nature of corruption in public and private life. His polished and erudite style of narration readily evoked the time and place of his stories, and perceptively delineated the psychology of his characters. His third novel, The City and the Pillar (1948), offended the literary, political, and moral sensibilities of conservative book reviewers, with a dispassionately presented male homosexual relationship. In the historical novel genre, Vidal re-created in Julian (1964) the imperial world of Julian the Apostate (r. AD 361–63), the Roman emperor who used general religious toleration to re-establish pagan polytheism to counter the political subversion of Christian monotheism. In the genre of social satire, Myra Breckinridge (1968) explores the mutability of gender role and sexual orientation as being social constructs established by social mores. In Burr (1973) and Lincoln (1984), the protagonist is presented as "A Man of the People" and as "A Man" in a narrative exploration of how the public and private facets of personality affect the national politics of the U.S. more…

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Submitted on August 05, 2018

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    "Suddenly, Last Summer" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/suddenly,_last_summer_19053>.

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