Suffragette Page #10
VIOLET (CONT’D)
And God shall wipe away all their
tears; there shall be no more
death, neither sorrow, nor crying.
Neither shall there be any more
pain:
for the former things arepassed away.
MAUD nods, sobering, wiping away the last of her tears.
VIOLET kisses her on the forehead and passes her hand over
the bed, springs pushing through the fabric.
VIOLET (CONT’D)
(shouting out)
Two and four a week and a bed of
bleedin’ nails!
SUDDENLY the bed collapses to the floor. VIOLET SCREECHES.
Even MAUD laughs.
VIOLET (CONT’D)
Sweet dreams Maudy!
EXT.POLICE STATION.BETHNAL GREEN.1913.
The slice of traffic - the police station ahead.
INT. OFFICE.POLICE STATION.BETHNAL GREEN.1913.
BENEDICT clearly in a fury, facing off STEED and BURRILL as
WALSOP and others look on.
WALSOP:
So, Mrs Pankhurst briefly out of
hiding. Gentlemen this is a
deliberate escalation that the
government will not accept. Who
knows what they will do next.
STEED:
They have been given orders to be
ready. The East London branch in
particular is to mobilise.
WALSOP:
Should we be taking these threats
seriously?
BENEDICT:
I would not underestimate the
threat. Neither would the Prime
Minister.
STEED:
If it’s to be tackled, we need to
get closer in. I hope to track down
those still open to persuasion and
have them infiltrate and inform on
the others. We’ve identified
weaknesses in the ranks. We’re
hoping one of them will break.
STEED pulls out a file of photographs that include MAUD,
EMILY, EDITH and VIOLET.
STEED (CONT’D)
So I’m going to release these to
the press.
EXT. BACKSTREET/TENEMENT.BETHNAL GREEN. LONDON.1913.EVENING.
MRS COLEMAN hurries up behind MAUD, a sneer caught across her
face.
MRS COLEMAN:
Here, Maud, you seen yourself?
Hands MAUD a newspaper with her photograph printed alongside
EDITH, VIOLET and EMILY.
MRS COLEMAN (CONT’D)
Shame of it.
INT. WASHING/IRONING ROOM. LAUNDRY. BETHNAL GREEN. 1913. DAY.
MAUD pulling on her apron, aware of the gazes of other
WORKERS walking across the floor to her station. A cluster of
MALE LAUNDRY WORKERS whispering to SONNY, who turns, pushing
a trolley away.
On MAUD, at her station ignoring TAYLOR on the approach. He
lays the newspaper down on an ironing press next to her,
silently turning the pages-
TAYLOR:
Mrs Pankhurst’s undesirables. It’s
not a bad photograph, though.
On MAUD, looking at TAYLOR and seeing the newspaper with the
surveillance photos.
TAYLOR (CONT’D)
(close to)
I might cut it out. Put it on my
wall.
On MAUD, steely.
TAYLOR (CONT’D)
(close to)
I want you out, Maud.
TAYLOR creeps his hand around MAUD’s back, leaning into her
ear, his breath warm against her neck, one hand flat on the
ironing press.
TAYLOR (CONT’D)
(close to)
After everything I done for you.
CLOSE on MAUD, angry until-
MAUD:
(close to)
And how I’ve paid for it...
AND AT ONCE, MAUD reaches for a scalding iron, slamming it
down. It lands hard on TAYLOR’s hand-
The HISS of STEAM-
TAYLOR’s blood curdling scream, echoing across the laundry
hall. MAUD looks back at SONNY and hurries out, clocking the
shocked stares of the other MALE LAUNDRY WORKERS, their
contempt palpable. One LAUNDRY WORKER goes to TAYLOR’s aid.
MALE LAUNDRY WORKER
(shouting at onlookers)
What you looking at?
Call the police! Don’t let her go.
INT. WASHING/IRONING ROOM. LAUNDRY. BETHNAL GREEN. 1913. DAY.
MAUD hides in the shadows, in shock.
INT. CORRIDOR/TAYLOR’S OFFICE.LAUNDRY.BETHNAL GREEN.1913.
DAY.
MAUD seated alone in a corridor outside TAYLOR’s office,
clearly in shock at what she’s done. TAYLOR being interviewed
by two LOCAL UNIFORMED POLICE OFFICERS. STEED exits the room
and calmly sits down next to her. He stares straight ahead,
as if in innocent conversation with MAUD.
STEED:
You’ll walk free. Out of here
today. In return - you will help
me.
MAUD wavers, turns to look at him, sobering.
STEED (CONT’D)
There is information that you will
pass to me... Anything you know,
anything you hear, even if it’s
conversation, it is of interest.
MAUD stares dead ahead.
STEED (CONT’D)
Look at me.
MAUD meets his eye with conviction.
MAUD:
He deserved it. If I told you-
STEED:
Do you really think anyone listens
to girls like you? That anyone
cares? They don’t. You’re nothing
in the world. I grew up with girls
like you. People who sacrificed
life for revenge and a cause. I
know you. And so do they. They know
how to draw on girls like you.
Girls without money, without
prospects that want things to be
better. They primp and they preen
and they fluff you and tell you
that you are the foot soldiers of
the cause. But you’re only fodder
for a battle that none of you can
win. I am offering you a lifeline.
STEED slides a business card out of his wallet and presses it
into her hand. MAUD, forced to take the card, clenches it
reluctantly in her hand.
STEED (CONT’D)
Take it.
(close to)
Before it is too late.
INT. MAUD’S ROOM.BEDSIT. BETHNAL GREEN. 1913. NIGHT.
MAUD takes in the tiny details of one of GEORGE’S DRAWINGS.
EXT. BACKSTREET/TENEMENT.BETHNAL GREEN. LONDON. 1913. DAY.
GEORGE dawdles behind SONNY, dragging a stick along the wall.
SONNY:
Come on, George.
No response.
SONNY (CONT’D)
George! You’re scuffing your shoes.
What’s the matter with you? What
would your mother say?
GEORGE bows his head in shame. SONNY gets down to his level.
SONNY (CONT’D (CONT’D)
(exasperated)
What am I going to do with you?
EXT. DISUSED CHURCH. BETHNAL GREEN. 1913. NIGHT.
On MAUD waiting by the church, drawing on a cigarette,
staring into space.
EDITH:
(with surprise)
Maud-
EDITH, VIOLET hurrying up towards her, along the path-
EDITH (CONT’D)
We thought you wouldn’t come today.
EDITH’s eyes darting about her, sinking her hands in her
pocket to retrieve a set of keys. They pass through the gate.
VIOLET:
March on.
INT. DISUSED CHURCH. BETHNAL GREEN. 1913. NIGHT.
SQUEALS of LAUGHTER and MURMURS of DELIGHT-
MAUD sits slightly apart from the group, drained of colour.
WOMEN including VIOLET and a COUPLE OF OTHER WOMEN forage
through a huge basket of clothes. The ACTRESSES’ FRANCHISE
LEAGUE stamped on the side of it. Violet hands MAUD a warm
coat.
Ta.
MAUD:
VIOLET:
Next time get his left hand and
all.
MAUD:
(cutting her off)
It was an accident.
On VIOLET, quizzical. She nods, concedes.
EDITH:
Now ladies. I ask you to remain
vigilant when coming and going. We
know we are being watched but
hopefully they will not expect to
find us here. I recognise the
militant path may not be for all of
you but, well, all I ask is for you
to make your decision now. Anyone
who doesn’t want to stay may leave.
I need only those who can give
their full commitment. There will
be no judgement.
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"Suffragette" Scripts.com. STANDS4 LLC, 2025. Web. 19 Jan. 2025. <https://www.scripts.com/script/suffragette_580>.
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