Summer Stock Page #6
- APPROVED
- Year:
- 1950
- 108 min
- 313 Views
- But, Jane, he...
- Excuse me.
I said we were sorry.
I apologized.
You don't know the first thing
about women. You never did.
I remember in school. Lots
So did I. But you just didn't
know what to do about them.
Orville, a woman doesn't want
apologies. She wants romance, excitement.
- She wants to be swept off her feet.
- That's only in big cities.
Oh, no, it isn't. Orville, you
have to be strong, forceful.
A woman doesn't want to be
asked. She wants to be told.
Maybe you're right. I'll
Thanks, Abigail. You're very nice.
- Here.
- Thank you.
- Give those to Jane, will you?
- Yes, I will.
You're very nice.
Hey, kids, kids. Hey. Pay
attention to me. Listen, kids.
There'll be a run-through tonight at
7:
30. Seven-thirty sharp. Look alive.- Alive? We're half-dead. -
Look half-dead. But be there.
- Hey, who's this one for? The chickens?
- Chickens. Hey, that's funny.
The chickens.
How do you like it?
Well, I don't...
I don't know much about all of this.
But with the lights and
all, it's kind of exciting.
Exciting? Yeah.
But wait till opening night
when the people come in.
Even the air gets exciting.
You can feel them out there.
You can't see them
but you can feel them.
It's like electricity.
Oh, boy.
- You really love this, don't you?
- What, show business?
There's nothing else in the world.
If I couldn't be up here, I'd
work backstage or sell tickets.
Why?
Why?
Oh, a lot of reasons.
Here's one.
Now, look, close your eyes.
Take a whiff of that.
You like it?
- Yes, I think I do.
- Sure you do. It's greasepaint.
Go easy. That's very potent stuff.
You smell it once too often, it
gets away down deep inside you.
You can wipe it off
your face, all right.
But you'll never get
it out of your blood.
No, it's the same old stuff, but that's
one of the reasons I love the theater.
And everything it stands for.
The heartaches, the
excitement, the applause...
...the lights, the hokum, everything.
- Hokum? What's hokum?
- Hokum? Well, hokum's comedy.
Well, no, it isn't either,
exactly. Well, it's hard to explain.
the old vaudeville days.
Two comics would come out on stage
and one would say to the other:
"How come I seen you at the
party last night stealing spoons?"
The other would say, "Doctor's orders.
The doctor says, 'Here's your medicine,
take two spoons after each meal. '
That's how come. "
They were called "how come"
jokes. "How come. " Hokum. See?
You don't have that kind of
"how come" in this show, do you?
Well, we better not have. No, no.
No, we're trying to tell a story
with music and song and dance and...
Well, not just with words.
For instance, if the boy tells the girl
that he loves her, he just doesn't say it.
- He sings it.
- Well, why doesn't he just say it?
Why?
Oh, I don't know,
but it's kind of nice.
Look, let me show you.
Now, you're the girl and
I'm the boy. Oh, here.
When the curtain goes
up, you're sitting here.
Yeah. Yeah.
I'm in love with you and I tell you.
I'm glad I met you
You wonderful you
I can't forget you
You wonderful you
You're like a breath of spring
A whole new thing has happened
And without much ado
I look at you and
There stands love
My arms around you
That's wonderful too
So glad I found you
You wonderful you
Remember, finders keepers
Losers weepers
And because it's true
You're mine now
You wonderful you
- I like that.
- And then they dance.
A nice, easy dance.
It's a nice, easy song.
You're like a breath of spring
A whole new thing has happened
And without much ado
I look at you and
There stands love
My arms around you
That's wonderful too
So glad I found you
You wonderful you
Remember, finders keepers
Losers weepers
- And because it's true
- And because it's true
- You're mine now
- You're mine now
You wonderful you
Good evening, Jane.
- Mr. Wingait.
- We came over this evening...
...because Orville has
something to say to you.
- Hello, Orville.
- Evening, Jane.
- Oh, Jane, may we sit down?
- Oh, yes. I'm sorry. Please.
Jane, Dad was thinking... I
mean, I was thinking that...
- Orville is going to be very frank.
- Frank.
He can't see why you invited these
people here or permit them to stay.
- He didn't come about that.
- No.
- Well, go on. Go on.
- Jane, Dad feels, I mean, I feel...
a definite understanding.
He's been very patient
the last four years, Jane.
- You can't expect a man to wait forever.
- No, you can't.
- You mean, you want me to set a date?
- Yes.
Yes. It's not only for his sake.
Orville's greatly worried about you.
He didn't sleep a wink last night.
Didrt you walk the floors
until morning thinking?
- I'm sorry.
- Well, Jane?
Orville.
- Congratulations.
- That's wonderful.
- Congratulations.
- Wonderful.
- Give it to her.
- I've got it, Jane.
- I've got something that I...
- Go on. Hurry.
- Where'd you put it? Here.
- I think it's in my pants...
Oh, here. Here. What's
the matter with you?
Here you are, Jane. Here you are.
- Oh, Mr. Wingait.
- Been in the family for generations.
Oh, my, it's lovely. Thank you.
The Falburys and the Wingaits.
Well, come on, son. It's getting late.
Good night, Janie.
Good night, Mr. Wingait.
Good night, "daughter. "
Good night, dear.
Well, come on!
When young'uns can't
make up their own minds...
...it's up to an old codger like me
to make it up for them, eh, Janie?
Fine for Niagara Falls
this time of year, son.
Mighty pretty up there.
Night, Janie.
See you in church.
There's a star for everyone
Brightly shining in the sky
It seems to be a part of our destiny
Every night I eagerly
Watch them all go twinkling by
But I can't seem to find
The one the heavens assigned
To me
Friendly star
Where can you be hiding
Smile for me from out
of the lonely night
Friendly star
My fate needs deciding
How I need the glow
of your guiding light
I know that you are near
For I am strangely dreamy
And so if you can see me from afar
Wort you kindly
Light my way
Lead me to my lover
Just point him out and whisper
"There you are
There you are"
Then my love, you will be
Standing here, close to me
In your eyes
I will see my friendly
Star
That was nice.
You...
You and...
You set a date?
It'll be soon.
Well, that's fine. Fine.
I think it's a good idea.
Anyway, what I came to
talk to you about, I...
Well, you know that...
Down in the barn, I...
That didn't mean anything.
Oh, I know.
I showed you a number.
We sang. We danced.
- You're a very good dancer.
- Thanks.
But nothing happened.
That is, nothing important.
So it's certainly no reason
for rushing into a marriage.
We're not exactly rushing.
No, you've been engaged.
- Four years.
- I know. Well, I...
I just wanted to tell you. I
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"Summer Stock" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/summer_stock_19097>.
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