Summer Stock Page #8
- APPROVED
- Year:
- 1950
- 108 min
- 313 Views
- I couldn't do that.
- You're a girl in 100,000.
- No.
- Take it from me. I know you can.
- No, no.
- Listen to him.
- You can do that part.
- Listen to him.
Again. Again.
That's right, turn.
Come on, get in now. That's it.
- Gosh, I can't...
- Come on.
- That's right.
- I'll never get it.
No, look, baby...
Come on now.
That's it.
All right, hold it. That's too slow.
- We gotta do it a lot faster.
- I've done that entrance 20 times.
So we'll do it 40, 50,
100 times and do it right.
- All right, all right.
- Jane.
- Oh, Orville.
- What are you doing up there?
Well, I'm making an entrance.
Forty, 50, a lot of times.
What in the world is going on here?
Orville, I'll tell you about it later.
Well, I demand to know
right here and now.
Orville, this is none of
your affair. Just go away.
I will not go away, you come
down from that stage immediately.
Come on, come on.
Orville, I've got enough
trouble. Don't you start in on me.
I've only got two days to get up in
this part. This is no time to argue.
You're not in this show?
- You're not.
- I just told you. Yes, I am!
Why, I won't have it.
I won't have a fiance
of mine working in a...
Orville, if you don't stop
this, you won't have a fiance.
So just sit down and be quiet.
If you can't be quiet, leave.
- Now, look here.
- All right.
Go away. Go home.
- What do we do now?
- We'll rehearse that entrance.
All right.
What kind of a man are you, anyway?
with a theatrical show...
...and you not stopping it.
You call yourself a Wingait? You
ought to be ashamed to use the name.
- A sniveling, helpless...
- Shut up.
- What did you say?
- I said shut up!
Well, that's a fine way
to speak to your father.
You've been talking that way to
me for 27 years and I'm sick of it.
I'll prove whether
I'm a Wingait or not.
I'll stop that show if
it's the last thing I do.
And I'll do it without
your advice or your help.
And hereafter, when you talk to
me, keep your voice down! Look out!
Good, good, good. All
right, that's swell.
Take an hour for dinner.
Your feet hurt?
It's an occupational disease.
You'd better go to dinner.
You only have an hour.
Oh, Joe, you wanted me to remind you.
- What?
- You haven't done the first act finale.
- You can't make the change.
- I forgot.
Well, I don't know who to
put in it, Artie. Let me see.
- Frank can't do it.
- No, he's in it now.
Or Charlie. A big number ahead of him.
Come away with me on Memory Island
Come away, my sweet To my own far land
Oh, Cynthia, you're a gay,
impetuous fool, aren't you?
Dig, dig, dig, dig for your dinner
Nothing's what you get for free
You silly little goose. You're a
mad, impetuous fool, aren't you?
Come away with me on Memory Island
- Come away, my sweet, to my own far...
- Herb.
- All right, you'll do the number.
- Who, me?
Why, this comes as a rather
surprise. I don't think I'm ready.
I have an orchestra in my dressing room.
I'll tune them up. I must tell my agent.
He'll be so pleased.
I haven't got an agent.
Jane, Jane, wait, I've
got something to tell you.
Old man Wingait's telling everybody
there ain't gonna be no show.
Says Orville's gonna stop it.
- Orville? How?
- I don't know.
They're talking about
returning their tickets.
But they can't do that. All that
money's been spent. Every penny. But...
Wait a minute, don't say
anything to anybody. Be quiet.
Yes sir, that boy of
"I'll stop that show if it's
the last thing I do," he says.
And by ginger, he means
it. Yes, come in, come in.
- Oh, Jane, you know the city aldermen.
- Oh, yeah, hello. Please sit down.
Mr. Wingait, where is
Orville? I can't find him.
- I've been to the house and I've been...
- I haven't see him since this morning.
It's not true he's going to do something
to interfere with the show, is it?
- You'll have to ask him.
- Well, I can't find him.
He just mustrt
interfere with this show.
It means too much to Joe.
Joe Ross, he...
It's his show.
- And a rumor like this could...
- I'm not so sure it is a rumor.
You know when he makes up his
mind, how headstrong Orville is.
Why, he's a young bull.
- Orv...?
- He's doing it for you, Jane.
nail for the woman he loves.
All right, Mr. Wingait. I'm a Falbury,
fighting tooth and nail for the...
For this show.
And if Orville does
anything to interfere...
...there won't be any woman he loves.
- But, Jane.
- Tell that to the young bull.
There he is, Artie.
That's him. Jerry Solliman, the
biggest ticket broker on Broadway.
Well, this is it, kid.
- Herb, I'm scared.
- Scared?
Don't let me hear you talk
that way. What do you mean?
This is it, what we've been waiting for.
Nothing can stop us now. Opening night.
First thing you know,
you're on there alone.
All these people looking up at you
and then the spot hits you, and...
- You heard anything about Orville, Es?
- Oh, no. Don't worry about that.
My life and happiness...
Oh, I knew this, Es. I did
know it. I knew my lines.
What's happening to me?
Come in.
Oh, no, Joe, please,
don't you start on me now.
Esme, would you take these dresses
out to the stage for the quick changes?
I brought you these.
Not much for a star
on her opening night.
But it's the best I could do.
I picked them in your garden.
You mean, you're not gonna yell at me?
Why should I? You're wonderful.
Everything I ever hoped
for in a leading lady.
- You people are crazy.
- Sure.
Sure, we're crazy.
Here, give me your foot.
Now, you just relax. You're
gonna be great tonight.
I'm gonna be awful. You better
...because I can't
remember a single line.
They'll all come back
when the curtain goes up.
And remember, if you need me,
I'll be right there beside you.
- Will you, Joe?
- Every second.
And when the show's over and
it's the success I hope it is...
...we've got a lot of talking to do.
- What about?
- Oh, all kinds of things.
First, I wanna hear
the story of your life.
Everything that's ever happened
to you since you were so high.
And then I wanna know
what you eat for breakfast.
What's your favorite color.
Then we'll talk about shoes
...and shows and farms and families.
It may take hours. Weeks.
Years. I wanna know everything.
Now I won't... Now I
won't remember a word.
Good luck.
Good luck.
It's a lovely world
That's all around you
Count your treasures
You are well-to-do
There's so much to see
That's absolutely free
And it's all for you
Don't you know That
Lady Luck has found you
And she's by your side
Your whole life through
Pick your favorite sight
You'll find the price is right
'Cause it's all for you
If you should fall in
love The moon is yours
A bird's tune is
yours Take your choice
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Summer Stock" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/summer_stock_19097>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In