Supernatural Page #6

Synopsis: This television drama is about the two Winchester brothers, Sam and Dean, who were raised by their father, John, to hunt and kill all things that go "bump in the night" after his wife, Mary, was murdered by an evil supernatural being when the boys were young. 22 years later the brothers set out on a journey, fighting evil along the way, to find their recently missing father who, when they finally meet up with, reveals he knows what killed their mother, a demon, and has found a way to track and kill it. Meanwhile, Sam starts to develop frightening abilities that include death visions, visions of people dying before it actually happens. These visions are somehow connected to the demon who murdered his mother and its mysterious plans that seem to be all about Sam. When their father dies striking a deal with the very same devil that had killed his wife, the brothers, now alone and without their mentor, are determined to finish the crusade their father started. But disturbing revelations ab
Genre: Drama, Fantasy, Horror
  Nominated for 3 Primetime Emmys. Another 19 wins & 73 nominations.
 
IMDB:
8.5
TV-14
Year:
2005
44 min
5,043 Views


SAM:

(with intense regret)

I’m sorry. I wish I could take it

back. You have no idea...

(then)

But you gotta understand-- I...

just had to get outta there. For

once, I wanted to be...

DEAN:

Normal? Cause... you’re pretty

much a freak.

SAM:

Not normal. Happy. You know.

Just... have friends. I think I

wanna marry Jess-- I mean, not now,

but one day. Raise kids-- kids who

won’t be terrified all the time.

Dean takes this in. Sentimental beat. But then, abruptly-

DEAN:

What a total load of crap-

SAM:

Wow. Thanks.

33.

DEAN:

I mean, pretending to be all fuzzy

and safe, when you know nobody is,

not with what’s out there. But

you’d rather jam your head in the

sand? Be some ulcered-up lawyer?

SAM:

It’s not that simple...

Meanwhile-- the RADIO. Playing softly throughout. Now

decomposes into STATIC. OUTSIDE, the wind picks up. The

guys don’t notice.

DEAN:

Yeah, it is. Can’t run forever,

Sammy. Sooner or later, you gotta

face up to who you are-

SAM:

Yeah? And who’s that?

DEAN:

You’re one of us. We may put thefun in dysfunctional, but we’re the

only family you got. And this

stuff is in your blood.

Sam contemplates this. A long beat. Then, mock solemn-

SAM:

Thank you, Obi Wan.

DEAN:

Bite me. I swear, man-

When Dean suddenly stops. He leans forward, hunching over

the wheel. Squinting into the black night.

SAM:

...what?

Abruptly, Dean flips the HEADLIGHTS, ILLUMINATING-- A PALE

FORM. CONSTANCE. Scuttling between the CORN STALKS. We

barely catch a glimpse before she vanishes again.

DEAN:

Come on!

Dean LEAPS out of the car. Plunges into the field.

34.

SAM:

Wait! I thought we were hanging

back-

(Dean’s already gone)

Dammit.

And Sam scrambles after his brother.

EXT. CORNFIELD - NIGHT

We INTERCUT between the brothers. As Dean SPRINTS, hard and

fast, deep into the cornfield, stalks WHIZZING past. As Sam

chases, trying (and failing) to catch up.

EXT. CORNFIELD - WITH DEAN - NIGHT

Until Dean slows. Panting. Catching his breath. He looks

up, realizing-- he’s alone. Lost in the middle of a mangled,

foreboding maze of corn. The stalks obscure everything; he

can’t see more than a foot or so in front of him.

SAM (O.S.)

Dean?!

DEAN:

Over here!

INTERCUT WITH:

EXT. CORNFIELD - WITH SAM - NIGHT

Sam. Alone. Panting. Also realizing he’s totally screwed.

DEAN:

This wasn’t such a hot idea.

SAM:

You think?

DEAN:

Well, maybe if you could keep up-

SAM:

Just keep calling out, okay? I’ll

come to you.

DEAN (O.S.)

Marco!

Sam rolls his eyes. Begins hacking his way through the corn.

35.

EXT. CORNFIELD - WITH DEAN - NIGHT

When... over Dean’s shoulder... a white FIGURE BOLTS between

the corn. Dean SPINS. Nobody there.

EXT. CORNFIELD - WITH SAM - NIGHT

SAM:

Dean...?

No answer. Only the wind WHISTLING through the field.

EXT. CORNFIELD - WITH DEAN - NIGHT

Dean. Vigilant. Eyes everywhere at once. She’s close; he

can feel it. Where is she? When is she going to lunge out?

EXT. CORNFIELD - WITH SAM - NIGHT

SAM:

Dean?!

When, out of the corner of Sam’s eye-- Constance DARTS

between the stalks! He pivots. Nothing.

EXT. CORNFIELD - WITH DEAN - NIGHT

Dean moves, slow and cautious. Long, languid, suspense-beat.

Then he turns... and suddenly spots something O.S. Somethinghorrifying, judging by his expression.

EXT. CORNFIELD - WITH SAM - NIGHT

DEAN (O.S.)

(with great alarm)

Sam! Sam!

Sam takes off like a shot. Scrambling to his brother, with

urgency. Stalks scratching his face and arms. Sprinting.

Until he slows... because he spots...

Materializing from the corn stalks... a CAR GRILL. In fact,

an ENTIRE TOYOTA, sitting incongruously in the middle of the

field. Troy Squire’s Toyota.

Sam steps closer. Flinches, as he notices-ANGLE

INSIDE TOYOTA. We’re looking out at Sam, through the

windshield. There’s a FIGURE slumped behind the wheel, out

of focus in the foreground. But we can tell the figure is

mutilated. Wet with crimson.

36.

SAM. Upset. Disturbed. When a HAND CLUTCHES his shoulder!

Sam shouts, whirls-- it’s Dean. Wearing a grim visage.

DEAN:

They’re all here. All the victims.

(beat)

But not Dad.

EXT. CORNFIELD - CRANE SHOT - NIGHT

In a wide OVERHEAD SHOT, we see-- Sam and Dean.

And FIVE CARS, sitting in the cornfield. Perfectly arranged,

like the spokes of a wheel-

BLACKOUT.

END OF ACT TWO:

37.

ACT THREE:

EXT. ROADSIDE MOTEL - DAWN - ESTABLISHING

A garish, 50’s style NEON SIGN-- THE STAGECOACH INN. A

single-story, cinderblock motel.

INT. MOTEL ROOM - DAWN

Sam sits on one of the beds, studying a puzzle of NEWSPAPER

CLIPPINGS spread before him. When his CELL PHONE CHIRPS.

On the cell phone display screen-- JESSICA CALLING.

ANSWER... or IGNORE.

Sam wants to pick up. But what the hell’s he gonna say? He

punches IGNORE. Then, Dean enters-

SAM:

You call 911?

DEAN:

Yep.

SAM:

(rolls his eyes)

You tell ‘em your name was Ted

Nugent?

DEAN:

You know I did.

(then)

What’ve you got there?

SAM:

Bad news. I’ve been looking at the

dates of the disappearances. First

one was a Wednesday. Then the

following Tuesday. Then a Sunday.

Goes on like this.

DEAN:

I don’t follow.

SAM:

It’s a pattern. The days betweenvictims. 5 days. Then 4, 3, 2.

Next is one. It’ll be tonight.

Meanwhile, Dean is scooping up his keys and wallet, pulling

on his jacket, etc. Not really listening.

DEAN:

Nice work there, Matlock.

38.

SAM:

Um. What are you doing?

DEAN:

I’m packing up my toothbrush,

what’s it look like?

SAM:

Wait, you wanna take off?

DEAN:

Get on the ball, son. Our grumpylittle hitcher’s stowing her

victims in the cornfield. Dad,

Dad’s pick-up-- not in the

cornfield. So sing along with me-

SAM:

(dry)

He’s probably not one of her

victims, I know.

DEAN:

He’s probably not even in Sanger.

Who knows if he ever came, in the

first place? Anyway, doesn’tmatter, we’ll find him.

SAM:

(beat)

We’re not leaving. Not until we

deal with Constance.

DEAN:

What? Sammy. We don’t have time.

We got more pressing matters here.

SAM:

We’ll make the time.

DEAN:

Where’s this coming from? I

thought you’d wanna ditch.

SAM:

I do, believe me. But people aregetting hurt...

DEAN:

You know, last couple of years, alot of people were getting hurt,

and where the hell were you?

39.

SAM:

(simply)

Well. I’m here. Now. And I’m not

gonna walk away, and let more

people die. So I’m hunting this

thing. With or without you.

DEAN:

You’re a stubborn bastard.

SAM:

Runs in the family, I guess.

(then)

Dean... he’d want us to stay.

Hell. Think of what he’d do to us

if we left.

A long beat. Dean thinks. Then, he SIGHS--

DEAN:

Do to us? Man, you know I’d blame

everything on you.

(Sam smiles)

So... what are you thinking?

SAM:

Well... just to mix things up a

bit, I was thinking this time, we

should actually have a plan.

DEAN:

And what’s that, smart ass?

Rate this script:3.9 / 11 votes

Eric Kripke

Eric Kripke (born April 24, 1974) is an American television writer, director, and producer. He is the creator of The WB (now The CW) series Supernatural and more recently the NBC series Revolution. more…

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Submitted by acronimous on June 08, 2016

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