Supremacy Page #6

Synopsis: A just paroled white supremacist and his ruthless girlfriend kill a cop and take an African American family hostage. Meanwhile, Sobecki, the heavily-tattooed supremacist leader who oversees his criminal empire from behind bars, is not thrilled when he learns of his charge's screw-up. The patriarch of the family, an ornery ex-con himself, must rely on his wit and understanding of the racist mind to find a plan to free his family, but not before he confronts his own brand of bigotry and anger.
Genre: Drama
Director(s): Deon Taylor
Production: Well Go USA
  1 win & 1 nomination.
 
IMDB:
6.0
Metacritic:
28
Rotten Tomatoes:
20%
R
Year:
2014
110 min
Website
94 Views


Just play it cool.

Let me do the talkin'.

Don't you f***ing stutter.

Correction, this is 234.

Good evening, officer.

License and registration,

please.

Absolutely. Absolutely.

Was I drivin'

a little bit too slow?

I was, wasn't I?

Yeah, I figured.

It's, um...

My-My doctor

h-has prescribed these, um...

these special glasses for me.

Yeah, I have a, um...

License and registration

will work, thank you.

Mm-hmm.

Okay, this is, um...

Besides drivin' too slow,

was I doin'

anything else wrong?

I got these.

We're in a little

bit of a rush.

I'm tryin' to get

him to his mom.

She's not feelin' so good.

Drivin' slow

for being in a rush.

I know,

it's the glasses thing.

They... I, it's real

hard for me to see.

It's for safety

purposes, you know.

- Can I see your license, please?

- Oh, right.

This is, this is my license.

Terrible picture.

What is it with that, right?

Licenses,

you get the worst photos.

- Thank you.

- Yup.

- Wait here, please.

- Sure.

Absolutely.

Thank you.

That was real f***ing smart.

The f*** were you doin', anyway?

I was manipulating him.

Trying to get him

to like, you know.

You must have been doin'

somethin' for him to turn

- the f***ing lights on.

- Did you hear what you're sayin'?

I'm f***ing slow.

F***ing clack cops, thinkin'

they got somethin' to prove.

Okay, just chill.

We're all good?

Your name, sir?

Tully.

Full name?

Man, I didn't

do nothin' wrong.

Nobody said you did.

Then you don't need my name.

May I see

your identification, please?

I know my rights.

Tully, he's just,

he's just askin' for your...

What? He's just pullin'

rank for no reason.

No, he's not.

He's just...

I need to see your driver's license

or form of identification.

She gave you

her license, all right?

Everything's in order.

We weren't speedin' or nothin'.

- Just back off...

- I'm going to ask you one more time.

I need to see your I.D.

Please.

I told you.

I didn't do nothin' wrong.

He's just in a mood.

Excuse me.

You need to step

out of the vehicle.

No, you stay put.

Step out of the vehicle, now.

You hear me talking to you.

- Please.

- That's how you want to play it?

Sir, he's...

This is Deputy Rivers. I'm on...

Get on your f***ing

knees, n*gger.

- Whoa, whoa, whoa.

- Get down. Back up.

- Hey, hey, hey!

- Get down!

- Hey.

- Get down. Get down.

- Put the gun...

- Get on your f***ing knees, now.

- Put the gun down.

- F*** you. Get on your knees.

On your f***ing knees.

- Okay, wait, we can work this out.

- Get down!

We can work this...

Shut the f*** up.

- F***ing cops, you're all the same.

- Hey, you don't need to do this.

You say you want to help us, and then

you stab us in the f***ing back.

I seen it every day.

It makes me f***ing sick.

Put the gun down.

- We can work this out.

- Shut the f*** up.

Shut the f*** up.

Tully, look at me.

Tully!

What?

Sh*t!

Tully.

F***!

Stupid motherf***er!

Look what you made me do.

Look at what

you f***ing made me do.

You dumb f***ing n*gger.

What? Huh?

What?

Do something.

Tully!

What the f***

are we gonna do for now?

Sh*t.

Huh, what?

Do somethin'.

This is real?

F***ing go.

F***, Tully. Tully,

what the f*** did you do?

Let's go.

- What the f*** did you just do?

- Just f***ing go.

- What did you do?

- Just f***ing drive.

What did you do?

What did you do?

What the f***?

Did you f***ing kill him?

Let's just go.

- Let's go. Just f***ing drive.

- Did you f***ing kill him?

A f***ing cop? Sh*t.

Sh*t.

Oh my God.

Don't say a f***ing word.

Did you kill a f***ing cop? Did

you just kill a f***ing cop?

Sh*t.

I had enough of this sh*t.

They done takin'

over our house.

They shot your brother.

We gotta get out of here.

You can't be next.

They can't be next.

There will be no next.

What are we gonna do?

We get an opportunity,

we're gon' take it.

Okay.

Get up. Get up.

Shut up.

Stay there.

Shut the f*** up.

Come on, pick it up.

Hello?

Ma'am, this is the hospital.

This is Odessa.

An-Ant...

The hospital, yeah.

Anthony.

Anthony, yeah.

Anthony.

Okay.

What the f***? Where do

you think you're goin'?

What the f*** is goin' on?

He's dying.

I don't give a sh*t.

I don't know who you are,

and I don't know

why you came here.

And I don't give a sh*t

whether anybody

ever cared for you

or whether if you

cared for anybody.

You ever loved

somebody, Mr. Tully?

I love my daughter.

And I love my son.

But you shot him.

And as long as I'm breathing,

my boy, he's not

gonna die alone.

Ain't gonna call no police.

That's not gonna happen.

If you're gonna kill me...

you could shoot me now.

'Cause I'm leavin'.

Stop the car, sir.

Got a lockdown on the area.

No one can go in.

Hey, you must know my boy.

Raymond Walker.

Deputy Raymond Walker.

The officer, when I left,

said I could return.

M-My wife's alone.

Being as you're a father

of an officer,

and live down the road,

go in but you stay

in the house once you get there.

Right, m-much obliged.

- Yes.

- Much obliged.

Okay, let's move that out.

Odessa.

- Raymond.

- Odessa, come...

- Raymond.

- Odessa, you're okay?

- Raymond, Anthony.

- What?

Anthony's bleedin',

he's been shot.

- What do you mean?

- He's been shot.

Mr. Walker tried

to take him to the hospital.

- He's been shot?

- We gotta, we gotta get there.

Yeah, okay.

Wait, wait.

W-Who shot him?

The-The people.

They're-They're White. They came into

the house in the middle of the night.

They're in the... Are you

saying they're in the house?

We've been there

all night, Raymond.

Hey, guys, listen...

listen up!

She said

they are in the house!

1010 Mountain Way.

They're in the house.

Don't let them hurt

Cassie and the babies.

- They're in the house, too.

- Okay.

- Please.

- Odessa, I-I won't.

- Okay?

- Okay.

Okay, okay?

- Okay.

- Oh.

Okay, okay.

Okay.

Guys, come on... Take her!

Guys, take her!

- Come with me.

- Bring her to the hospital.

Make sure she's okay.

Got it?

Anything?

Nothing.

I called Marcus

and I called Paul.

Nobody's picking up. It's just ringing

and ringing and f***ing ringing.

These f***ing a**holes,

I swear to God.

I f***ing told you,

you should not have let him

out of this f***ing house.

F***.

He brought the cops.

We're stuck. We're f***ing

surrounded by cops right now.

Maybe if you had some f***ing money,

we wouldn't be in this position.

There was no money.

There was no f***ing money.

They told me to pick you up

and drop you off.

That was it.

There was no money.

F***, f***!

Pop.

Pop, stop.

All that bullshit about word.

F***ing word, word.

F*** you, b*tch.

You just got

f***ed by a n*gger.

How's that feel? Huh?

You let a n*gger

f*** you with his will.

Does that

get it up for you, now?

F***ing piece of sh*t.

Do you want to see

your f***ing boy again?

You want to help me.

F*** you.

You don't know nothin'

about my little boy, or me.

Do you hear that?

You can go f*** yourself.

Rate this script:0.0 / 0 votes

Eric J. Adams

Eric J. Adams is an American feature film producer, screenwriter, and author of several novels. He is best known for writing the award-winning teen comedy-drama Archie's Final Project. more…

All Eric J. Adams scripts | Eric J. Adams Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Supremacy" Scripts.com. STANDS4 LLC, 2024. Web. 27 Jul 2024. <https://www.scripts.com/script/supremacy_19169>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Supremacy

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed the movie "The Social Network"?
    A David Fincher
    B Quentin Tarantino
    C Aaron Sorkin
    D Christopher Nolan