Sweet Smell of Success Page #31

Synopsis: New York City newspaper writer J.J. Hunsecker (Burt Lancaster) holds considerable sway over public opinion with his Broadway column, but one thing that he can't control is his younger sister, Susan (Susan Harrison), who is in a relationship with aspiring jazz guitarist Steve Dallas (Marty Milner). Hunsecker strongly disproves of the romance and recruits publicist Sidney Falco (Tony Curtis) to find a way to split the couple, no matter how ruthless the method.
Genre: Drama, Film-Noir
Production: United Artists
  Nominated for 1 BAFTA Film Award. Another 3 wins & 2 nominations.
 
IMDB:
8.2
Metacritic:
100
Rotten Tomatoes:
98%
NOT RATED
Year:
1957
96 min
740 Views


STEVE:

Why did you call me?

SUSAN:

Would you buy me a cup of coffee?

In there...

REVERSE ANGLE:

Susan nods in the direction of the door into the little cafe.

STEVE:

Sure.

As he walks with her towards the cafe:

STEVE:

We're on our way to Robard's for a

benefit. I've only got five

minutes...

INT. CAFE

As they enter the cafe, the Counterman looks up from counting

the day's take at the far end.

COUNTERMAN:

Too late for service.

STEVE:

Just two cups of java.

COUNTERMAN:

(with a twinkle)

We serve here only moka coffee.

STEVE:

(smiling faintly)

Make it moke.

The Counterman goes to the urn for the coffee.

SUSAN AND STEVE:

A closer angle. They talk in quiet undertones. Steve waits

for her to speak first; she starts slowly, hesitantly, with

difficulty:

SUSAN:

Steve...what you tried to do

today...you tried to take me up on

a high mountain...I couldn't go all

the way...I failed you...

(a pause)

Will you forgive me?

(then)

Have I lost you, Steve? Have I...?

STEVE:

Well, maybe I was wrong, too... But

there's no doubt, Susie, that we

have to face some serious things...

SUSAN:

No one's ever stood up to my

brother the way you did.

STEVE:

(quietly, to the point)

But you didn't do much about it,

Susie. You walked out, and there I

was...solo...and not too good at

that.

SUSAN:

I just didn't think that I could

antagonize him, Steve -- for OUR

sake, I mean.

STEVE:

STEVE:

Susie, I was there for OUR sake,

too. But what a world it would be

if we were all afraid to learn to

walk and talk because it might

offend poppa! By the way, I think

your brother was completely

responsible for the smears...

SUSAN:

This accusation is made lightly, in passing. But Susan

reacts to it, trying to interject:

SUSAN:

Steve, I...

STEVE:

(overriding her)

But I don't care about that now.

He knew what he was doing today.

He was laying down the conditions

under which he MIGHT consent to our

marriage - if I would bend to every

whim of his, like Sidney! I

couldn't do that, Susie...

SUSAN:

After a pause, she says:

SUSAN:

You're saying goodbye, aren't you?

SUSAN AND STEVE:

Steve flares up.

STEVE:

No! I'm saying that for your sake

you have to make a clean break with

your brother!

SUSAN:

(wrenched)

But, please, Steve, please - one

step at a time! I was born only

yesterday!...

STEVE:

(pausing, softer)

I told your brother I couldn't be

his accomplice. I can't be yours

either, Susie, and encourage him to

go on pulverizing you. I know what

type - he's my old man all over

again!

Susan, pathetically despairing, fingers the handle of her

coffee cup, which she has not touched. The coat slips from

her shoulders...

ANOTHER ANGLE:

Steve stoops to pick it up, replaces it on her shoulders.

STEVE:

This beautiful coat is more than

just a coat... I hate it! It's a

mink straight-jacket!

Susan turns to him. She is deflated, lacking all will power.

SUSAN:

(drooping)

Steve, I feel exhausted...what do

you want me to do?

STEVE:

(not sure of himself)

Not what you're doing now. At

least don't ask me - don't ask him.

You're fighting for your life!

What do YOU want to do?

SUSAN:

(pausing, woodenly)

You are saying goodbye, aren't

you...?

STEVE:

He reacts vigorously, protesting:

STEVE:

(impatiently)

That's fish four days old...! I

can't buy it, Susie! Right out of

that mouth I love, like you're a

ventriloquist's dummy, your BROTHER

is saying goodbye! Gee!...you want

me to be honest, don't you?!

SUSAN:

A despairing cry:

SUSAN:

No, Steve, I don't. I don't. Not

if it KILLS me I don't!...

SUSAN AND STEVE:

It takes her a moment to recover. When she does so, she

gets up, leaving the counter.

SUSAN:

(without luster)

Let's not talk any more...you have

to go...

She moves towards the exit into the hallway; he follows.

HALLWAY:

D'Angelo is waiting for them. Silently they come up to join

him, very depressed. Susan looks towards D'Angelo, speaks a

little pathetically:

SUSAN:

Goodbye, Mr. D'Angelo. Take care

of Steve.

D'ANGELO

(softly)

I will, Miss Hunsecker.

He walks a little way down the corridor, again leaving them

alone.

SUSAN AND STEVE:

She smiles at him, trying to smile, trying to make a joke.

SUSAN:

Say something funny...Mr.

Hasenfeffer.

Steve steps to her quickly, kisses her. Then he turns and

swiftly walks off down the corridor without a backward

glance. He goes past D'Angelo, who walks quietly after him

towards the exit in background.

SUSAN:

She remains just in the attitude in which he left her.

EXT. BRILL BUILDING - NIGHT

Steve comes out of the door, pauses without looking back.

D'Angelo comes up behind him.

STEVE:

(after a moment)

Look back, Frank, see if she's

still standing there...

D'Angelo looks discreetly over his shoulder.

SUSAN:

From D'Angelo's point of view. She is still standing where

Steve left her.

RESUME STEVE AND D'ANGELO

D'Angelo turns back to Steve.

D'ANGELO

Still there...

Rate this script:3.0 / 3 votes

Ernest Lehman

Ernest Paul Lehman was an American screenwriter. He received six Academy Award nominations during his career, without a single win. more…

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Submitted by aviv on November 07, 2016

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