Sweet Smell of Success Page #7
- NOT RATED
- Year:
- 1957
- 96 min
- 775 Views
Susan says nothing. Sidney, watching her closely, probes
further:
SIDNEY:
(gently)
You feel pretty strong about this
boy?
A pause. Then Susan nods. She is not looking at Sidney and
cannot see the watchfulness in his face. Sidney prompts
again:
SIDNEY:
Wedding bells, you mean?
Again Susan nods.
SUSAN:
He wants me to go on the road with
them. It's an eight month tour,
all the way to Oregon...
SIDNEY:
The news has considerable impact on him. But he hides it,
saying lightly:
SIDNEY:
Well, congratulations. But don't
go just for the ride! Or didn't
you accept the proposal?
RESUME SUSAN AND SIDNEY
Susan continues.
SUSAN:
I'm going to discuss it with J.J.
in the morning.
A pause. Each is concerned with private thoughts. Susan,
relaxed, adds quietly:
SUSAN:
(softly)
It's given me a big lift to know
that some people want me for
myself, not just because I'm my
brother's sister.
SIDNEY:
Chickie, I'll have to laugh at
that - an attractive girl like
you...!
Susan ignores his remark, continuing thoughtfully:
SUSAN:
I hope that J.J. really likes
Steve, that it isn't an act.
SIDNEY:
(with an indignant edge)
Why should he put on an act? Your
brother has told PRESIDENTS where
to go and what to do!
The taxi has pulled to a stop. Susan sits for a moment
before she remarks.
SUSAN:
The act would be for my sake, not
Steve's...
Realizing that they have come to their destination, Susan
gets up, moving out of CAMERA as she disembarks from the
taxi. CAMERA catches a glimpse of apprehension in Sidney's
eyes. Quickly, he decides to follow her.
EXT. BROADWAY
Susan, getting out of the taxi, moves past CAMERA. Sidney,
following her, instructs the driver.
SIDNEY:
(to cabbie)
Wait for me. I'll be right back.
LONGER SHOT:
Sidney moves after the girl, calling: "Susie!"
SUSAN:
Hearing him, Susan turns back. Sidney walks into shot to
join her.
SIDNEY:
(lightly)
It's not my nature, Susie, but I'll
talk to you like an uncle...
SUSAN:
(smiling)
But I don't need an uncle, Sidney.
They move through the doors.
REVERSE ANGLE:
Sidney quickly corrects himself, saying earnestly:
SIDNEY:
No, I mean because I admire you -
in fact, more than admire you -
although that's neither here nor
there.
(quickly skipping to
the important point)
Susie, don't sell your brother
short. Talk this over with him, I
mean - you'll find him a real friend.
SUSAN:
Susan looks thoughtful, making no comment.
RESUME SIDNEY AND SUSAN
Carefully (again probing) he prompts her:
SIDNEY:
Any message, in case I see J.J.
later?
Susan turns away and walks out past CAMERA. Sidney watches
her.
SUSAN:
She looks back at Sidney, quietly firm.
SUSAN:
Yes. Tell him for me that Steve
Dallas is the first real man I've
ever been in love with...
She turns away and walks through the inner door, going down
the corridor towards the elevators in background.
RESUME SIDNEY:
The sincerity of the girl's manner strikes home to Sidney.
Now that her back is turned we see the sharp twinge of pain
with which he hears the statement of her feelings for
another man. Angered, he wheels, striding out of the door
onto Broadway.
EXT. BROADWAY
Sidney returns to the cab, instructing the driver:
SIDNEY:
The Twenty One Club.
He climbs in and the taxi drives off down Broadway.
LAP DISSOLVE TO:
EXT. TWENTY ONE CLUB - NIGHT
CAMERA HIGH, SHOOTING WEST down 52nd Street, as Sidney's cab
pulls up, double parking in front of the 21 Club. Sidney
maneuvers his way between the parked cars towards the
entrance and the CAMERA DESCENDS to SHOOT ALONG the courtyard
towards the entrance. We see the figure of Jimmy Weldon and
his girl friend coming out of the Club.
CLOSER ANGLE - NIGHT
Jimmy Weldon is coming out of the Club accompanied by a
girl; he is slightly tight. As he steps through the outer
doors, Weldon again spies Sidney on the sidewalk; he steps
to one side of the entrance way.
Sidney slips through the congestion, but just as he tries to
enter the Club, Weldon's hand shoots out, neatly ambushing
him, pulling him aside into the narrow courtyard. Sidney is
instantly resentful of this manhandling, but has to adjust
himself, assuming a quick smile for the benefit of Weldon.
SIDNEY:
Jimmy! This is a coincidence. I
am just going -
WELDON:
(overlapping)
Yeah. A coincidence you should run
into the very man you've been
ducking all week!
(to the girl)
This is my press agent, Joan.
Weldon, jibing at Sidney, plays his remarks off the girl,
who is amused; Sidney, of course, is not.
SIDNEY:
(quickly)
WELDON:
(overlapping)
What do you do for that hundred a
week. Fall out of bed?
SIDNEY:
Jimmy, I'm on my way inside right
now to talk to Hunsecker. I can
promise you -
WELDON:
(horsing)
Joan, call a cop! We'll arrest
this kid for larceny!
Sidney flinches, his pride touched.
SIDNEY:
Listen, when your band was playing
at Roseland -
WELDON:
(cutting in)
That was two months ago. Take your
hand out of my pocket, thief!
The girl tries to quiet Weldon, who has gone from horsing to
loud contempt.
THE GIRL:
Take it easy, Jimmy dear...
WELDON:
(indignantly)
Why? It's a dirty job, but I pay
clean money for it, don't I?
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