Swordfish Page #8
reevaluate the way you look.
(goes back to
her book)
Just a thought.
He looks at her with open mouth amazement. In just 24
hours, she already knows what makes him tick.
She looks up from her book and winks at him, then returns
to her reading.
61 EXT. NEWTON MONTESSORI SCHOOL - DAY 61
A SCHOOL BELL RINGS and three hundred screaming kids of
all ages come running from the doors.
ANGLE ON HOLLY:
Not your average ten-year-old. Even decked out in bell-
bottoms and sandals there is something about the way she
carries herself that is older; wiser; sadder.
She walks into a CLOSEUP and scans the driveway.
Reflected in her tiny, round lavender shades we see the
circular driveway of the school jam-packed with buses and
parental types in their M-series Mercedes and their Lexus
SUVs. She sighs. We CRANE UP, PANNING LEFT.
Holly walks to the edge of the street oblivious to the
mayhem. She looks up and down the street then slowly
drops her backpack and sits down on the curb. She pulls
a well-worn copy of William Gibson's Neuromancer from her
backpack, and turns up the raging ELECTRONICA from her
WALKMAN.
DISSOLVE TO:
62
46.
SAME SCENE - LATER
Now there is much less pandemonium. No more buses. We
CRANE DOWN TO a MEDIUM of Holly still in the exact same
spot. Holly sighs, pulls back her headphones and grabsher StarTac from her backpack. She opens the phone anddials.
62
The PHONE RINGS and we PAN AROUND the seemingly emptyhouse, finally COMING TO REST ON the back of the couch.
We JIB UP and TILT DOWN. Melissa is passed out in a poolof her own drool. The PHONE continues to RING.
63
47.
64 EXT. NEWTON MONTESSORI SCHOOL - DAY 64
Holly hits the phone and then presses speed dial. We see
"Yellow Cab" scroll across the phone. She hits "SEND."
MAN (O.S.)
Can I give you a lift?
HOLLY:
Look, creep, I don't think so -
She stands up, ready for a fight. And there, next to her
is her father; transformed. Under his arm is a three-
foot-tall stuffed giraffe wrapped with a big red bow.
HOLLY:
Daddy?
(recognition)
Daddy!
She runs to him and wraps her arms around him.
STANLEY:
Hey, sweetheart.
HOLLY:
Daddy... What are you doing here?
I missed you so much.
STANLEY:
Me too, baby. I brought you
something.
He holds the stuffed giraffe to her.
HOLLY:
Oh, Daddy. If Mom finds out
you're here she's gonna have you
thrown back in jail.
STANLEY:
It's okay, baby. Let me give you
a ride home.
He grabs her stuff.
STANLEY:
C'mon.
He walks toward Ginger's silver Mercedes CLK which he's
borrowing. Holly runs and jumps on his back. They laugh
as he carries her to the car.
48.
They sit in the CLK, parked down the street from Holly's
house.
STANLEY:
You believe in me, right?
HOLLY:
Of course, but -
STANLEY:
I've found a way to get you back,
sweetheart. It's my one shot and
I'm taking it. Just give me a
couple of days.
HOLLY:
(crying)
I don't want anything else to
happen to you, Dad.
STANLEY:
Holly, everything's going to be
okay. You just have to trust me.
HOLLY:
(crying)
I love you, Daddy.
Holly quickly kisses him, jumps out and runs, crying,
from the car at full speed, with the giraffe.
Stanley, tears rolling down his face, slaps the steering
wheel, trying to figure out how he screwed up his life so
badly.
Suddenly, the passenger door opens and a man in a DARK
BLUE SUIT and fed-issued shades gets in.
STANLEY:
Who the f*** are you?
DARK SUIT #1
(flipping out
his badge)
Friend of a friend. Let's take a
ride.
He motions toward a black Taurus, now parked across the
street. In the back, he sees a face he recognizes.
(CONTINUED)
49.
65 CONTINUED:
65CLOSEUP ON ROBERTS
BACK TO STAN:
STANLEY:
Sh*t...
DARK SUIT #1
(being a dick)
Gotta suck to be you.
STANLEY:
Yep.
Stanley whacks the fed with his elbow across the bridge
of his nose and jumps out of the car.
INT. TAURUS
Stan runs across the hood of the Taurus and just jumps
over the railing.
We realize what Stan did probably wasn't the smartest
move in the world. The cliff is just barely on this side
of 90 degrees and drops off about five hundred yards
straight down to the PCH.
Stan falls in SLOW MOTION about thirty feet before the
cliff face angles out enough to break his fall. He begins
a combination of sliding and tumbling down the bluff.
67 EXT. MALIBU HOUSE (STREET) - DAY 67
Roberts runs to the railing and sees Stanley sliding/
falling down the hill.
(CONTINUED)
50.
67 CONTINUED:
67ROBERTS:
(to his men)
Cut him off at the bottom.
Roberts then hops the railing, as his men scramble forthe car.
Roberts hangs in mid-air a moment, then he too begins therolling fall down the hill.
ANGLE ON STANLEY
as he tries to keep his balance, is being beaten andbattered by the sharp, rocky ground.
Finally, he shoots off an outcropping and free-falls forfifteen feet. Then it really gets bad.
Clear plastic sheeting has been stretched across the hillto help control the erosion. To Stanley however, it isthe world's largest Slip and Slide.
He is no longer able to control, even badly, his descent.
Now, he is flying down the cliff face, only the rocks andbushes that slam into his body, slows the descent.
Roberts, above him, is doing little better.
As Stan and Roberts slide toward the eight lanes ofblazing afternoon traffic on the PCH.
Finally, Stan bounces onto the black-top road. He runs
headlong into the traffic.
CARS SCREECH, HORNS BLARING, as they slide into eachother. Stanley does not lose the single-minded focus ofescaping.
Roberts, now at the bottom himself, watches as a CAR
SLIDES sideways into Stan, flipping him over it. Stan,
not stopping to feel the pain, runs across the hood of afreshly-stopped car.
51.
On the other side, Stan runs down to the beach and runs
down the sand at full-tilt, looking for any escape route.
Roberts has made up some time due to the auto-pedestrian
accident which slowed him down a little. Stan however is
faster.
Stan does his best Jerry Rice, as he runs down the beach
at full speed.
Suddenly, the Taurus comes tearing-ass across the beach
at Stanley. Stan veers, now running through the surf.
The Taurus veers as well, and Stan is forced to slide
across the hood to keep from getting whacked. The Taurus
breaks left, and slides further into the surf.
The FBI driver hits the accelerator and bogs the Taurus
down, tires spinning, throwing sand. Stan continues to
run as Roberts makes it to the Taurus.
ROBERTS:
F*** this.
He pulls his .40 CAL. from his shoulder holster and FIRES
it into the air. Roberts bends over trying to catch his
breath.
Stanley stops, putting his hands up.
DARK SUIT #2
Why didn't you do that earlier,
sir?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Swordfish" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/swordfish_672>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In