sxtape Page #2

Synopsis: Jill's an artist. Adam's a filmmaker. And their love life is off the chain. There's no experience too wild, no dare too dangerous -- not even when Jill lets Adam strap her to a gurney in the abandoned hospital they're scoping out for their next art show. But he shouldn't have left her alone. Not even as a joke. Now, Jill's hookup with horror has awakened something in that place. Something with a lust for more than flesh.
Genre: Horror
Director(s): Bernard Rose
Production: Well Go USA
 
IMDB:
3.3
Rotten Tomatoes:
25%
R
Year:
2013
82 min
Website
73 Views


Let's just go. Come on.

Climb through the hole.

Just f***ing come here.

Please, baby?

I don't want to do this.

Climb through the hole.

Now walk to your left.

Oh, yeah, you're gonna come.

Yeah, right. You wish.

Yeah, warmer.

Warmer.

I'm getting warmer?

Now you're hot.

Uh-huh.

I don't see you, baby.

Where the f***...

Oh, there you are.

Ha ha, very clever.

Baby, get up. This is just...

You're such a filthy little tart.

Look at you.

Baby, let's go. This is not safe.

Come on. Let's get out of here.

You see that crazy motherf***er

across the street?

He's checking you out.

Let's just go. I don't like this.

Come on, scaredy puss.

Hello?

Think there's something.

Hello.

Hello. Is there anybody in there?

Hello.

Hello.

Hello.

I don't see anybody.

All the windows look boarded.

They're all boarded up.

We're home.

That...

That's a really fun image.

I like that.

Oh, yeah, baby.

I like it.

Oh, sh*t. Sorry, let

me change the filter.

That's better.

Oh, my God.

Oh, it's so gross.

Come here.

Shh.

Shh. Come here.

Get the f*** out of there.

Get the f*** in here.

Just come on, babe. Please,

please, please, please.

You said you had a surprise.

Surprise me.

I did surprise you.

You're being so predictable, Adam.

Please don't call me predictable.

- I hate being called predictable.

- Please?

You know, I actually do

want to go through with it

just get it out of the way.

Now, stop talking

about it. Let's do it.

Come on. Hop over this. Come in.

We're going to go for two minutes

while the sun's still up,

and then we'll come back out.

I just want to see it.

It would be so incredible.

There's like a gallery in here.

Just come on. Come on.

Come on.

F***. Did he see us?

All right, come on...

Sh*t, it's a f***ing cop.

He's coming. Come on.

We've got to go inside. Come on.

Sweetie, let's go.

And he's f***ing coming.

F***.

Get down. Get down.

Put your head down.

What should we do?

Sheriff's department.

The longer I chase, madder I get.

There's a door.

That's a 10-4.

Oh, my God.

I think he's gone.

We probably shouldn't go out

because he might be

waiting out there.

Maybe we can sneak out...

Through the stairs,

like a fire escape.

Adam, come here.

Adam, come here.

Oh, my God, this is a masterpiece.

Baby, you could put

paintings everywhere.

God. Be incredible.

Like, you know, you wouldn't

even have to clean it up.

Like real amazing.

Need a picture of you.

My boyfriend, the camera.

Ugh.

This is a nice piece.

Yeah, it's, like, basically you've

got your whole show right here.

I know. I don't even need to do anything.

I could just let people come in

and then buy pieces of old

glass stained with sh*t.

Everybody would think

I was a genius.

You are a genius, honey.

Thank you.

That. What is this? Duchamp.

I should just sign it

duchamp,

and then it'll be a piece.

Do you have a pen, darling?

Yeah. No. Sorry.

Don't have a pen.

Oh, my God.

I had one of these

when I was a kid.

This was my favorite.

It's a kids' room, huh?

I guess so.

Oh, look at this little unicorn.

I had one of these.

His name was Pequod.

He was huge, though.

He was a giant purple

fancy unicorn.

And I accidentally lit him on fire.

I lit his face on fire, and

I got paint all over him.

And I slept with him,

and he was so beautiful.

Jill?

Jill.

Jill, did you hear that?

Was that you?

No.

Do you think it's the cop?

Maybe he came back?

Should we hide?

I don't think...

Shh. Shh, shh. Listen.

Shh.

Baby, shush. I'm being serious.

Just listen.

I don't hear anything, Adam.

I hear something. I promise you.

What are we listening for?

Listening's no fun.

Hello?

Don't shoot.

I don't hear anybody.

Who, look at this.

Whah...

What? What the f*** was that?

That was me.

Adam, f***ing serious.

You scared me.

Come here. Look at this.

Just one second, baby.

I heard something.

I swear to God.

Will you come kill this ant, Adam?

Wait, wait.

He's coming near me.

Baby, I just want to

see what's down here.

I'll be right back.

Adam, what are you doing?

Just having a look around, baby.

Careful, that...

Adam. Jesus.

Whoa.

I want one.

Those are incubators, right?

What do you do with it?

What are you doing?

That's for babies.

Look at this.

Oh, my God, there's blood in it.

This one does, too.

Whoa, look at this.

See? This some s&m sh*t. Wow.

No, baby, that's for

your ankles, not your...

Oh, I see.

The other way around.

Like this?

Oh, I see. You want

me to lay down on it.

Yeah.

Strange idea. Why would you want

me to do a thing like that?

What was that?

Shh. What?

Was that thing there before?

Uh, yeah.

Hm.

Hey, Jill. Jill.

Let's go back in there, and

let's just f***ing do it.

You're really turning me on right now.

Think we should go in there

and let me pull your dress...

Yeah, uh-huh. And just

bend you back over the bed

and, you know, just...

F*** off.

You know what? I think I

should strap you in here.

What do you think? Is that crazy?

It would be kind of sexy?

Like we could project

it on the walls.

Like when we do the show.

That would be such a cool image

because we could use it.

We could use it, like, as a loop.

Oh, that would be cool, like

right behind the actual bed.

We could Photoshop it so you just get the

image of me, and you could project me

so it looked like I'm all on the bed.

Do you know how to do that?

Is that doable?

Yeah, I think it could

be doable. Yeah.

This is so dirty.

Don't even know if I'm into it.

I will never be able to put

you in those restraints.

Why not?

I can't, not while I'm

holding the camera.

Then turn it off. Come here.

Let me put the camera down

then I'm going to tie you up.

Let me just...

All right.

So how do you feel.

Can you move at all?

No, not... like your whole body.

Can you move your body?

Really try. Like move

your whole body.

Really try.

Get out of there.

I'm not going anywhere.

Uh-oh.

Try as hard as you can.

Harder.

Try a bit harder.

Is that all you got?

All right.

I can do whatever I want to you.

Like what?

Anything.

Like whatever I want.

What do you want to do?

Do you want to play scrabble?

Yeah, that was the first

thing on my mind.

What if I just left you here and I

cam and got you in the morning?

I would be pissed.

Really?

I would feel bad.

If I just left the camera on and

I came back in the morning.

It would be such a cool projection.

Can you imagine?

Yeah, like, put it on the wall,

- you getting more freaked out.

- That's not funny.

Come on, baby. Just think of that.

- That's stupid.

- No, it's not.

Don't even say that. That's dumb.

Good-bye, darling. It's been fun.

- Sleep tight...

- That's not funny, Adam.

- Adam.

- Bye.

Bye-bye, honey.

Bye, darling.

Adam.

Hey.

What?

How mad at me are you?

Whuh?

Were you scared?

I don't get scared.

Whuh.

I found some cool places.

I'm sorry, baby. I took

it too far. Didn't I?

All right, let me get

Rate this script:0.0 / 0 votes

Eric Reese

All Eric Reese scripts | Eric Reese Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "sxtape" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/sxtape_19261>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    sxtape

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In what year was "The Shawshank Redemption" released?
    A 1995
    B 1994
    C 1993
    D 1996