sxtape Page #4

Synopsis: Jill's an artist. Adam's a filmmaker. And their love life is off the chain. There's no experience too wild, no dare too dangerous -- not even when Jill lets Adam strap her to a gurney in the abandoned hospital they're scoping out for their next art show. But he shouldn't have left her alone. Not even as a joke. Now, Jill's hookup with horror has awakened something in that place. Something with a lust for more than flesh.
Genre: Horror
Director(s): Bernard Rose
Production: Well Go USA
 
IMDB:
3.3
Rotten Tomatoes:
25%
R
Year:
2013
82 min
Website
73 Views


won't come back there

and beat the f***ing

sh*t out of you, dude.

Is he really always

such an a**hole?

Uh...

You guys, you're

scaring me. Stop it.

We're grownups, you and I.

- Right?

- What?

Come on, Jill.

Jill, let's just get...

I'm feeling uncomfortable.

Let's just get out of here.

Come on. What's the matter?

Thank you. Let's go.

Jill.

Yeah. I'm calling...

Honey, you okay? You okay?

Thanks, Bobby.

Of course.

- Good catch.

- Don't look at me like that.

Good catch.

Be careful, there's one behind you.

Your girl needs to be careful, Adam.

Yeah, Adam... somebody

needs to take care of me.

I mean, seriously?

I'm just getting tired of this.

I don't know.

Bobby, stop it.

It's not what it looks like.

I swear to God.

I swear.

- He's just...

- Stop.

Show me around.

Oh, God.

Tie me down and tickle me.

- Bobby.

- What?

Leave her alone.

Why not instead of me leaving her

alone, you let me take the camera,

and that way we won't be doing

anything behind your back.

You can sit at home and watch

it and ft, ft, ft, ft, later.

You know?

F*** you.

- Yeah, Bobby.

- Her first.

F*** me.

Hey, is that what you want, baby?

It's not funny anymore.

You wanna f*** this moron?

Is that what you want?

Why not?

Sure, Bobby. That's

really what I want.

Jill, come on. Jill.

You're killing me.

You're killing me.

Jill? Jill, come here. Let's go.

You are suffocating me.

You are taking the life out of me.

Bobby, what the f*** are you doing?

Where? Where? Where are we going?

I don't have a car.

Everybody f***ing stop.

Bobby, stay out of this. Okay?

We're here. We're going

to f***ing check it out.

Let's just f***ing walk around.

You have to stop fighting now.

Stop! Adam.

Don't f***in' touch

her like that, man.

Don't point that f***ing

gun at me, okay?

Don't f***ing touch me.

Don't f***ing tell me where

to point my f***ing gun.

Stop it. What the hell is going on?

You f***ing stop it.

Shut the f*** up, b*tch.

You shut up, a**hole.

Come on.

Let her the f*** go.

Let her the f*** go, dude.

Let me...

I'll put it right through

your f***ing camera.

Eat sh*t, Adam.

You're a loser.

You follow me, I'll shoot

your bollocks off.

- Let's go.

- No, no, Adam.

F*** this guy.

Calm down and let me.

Let me.

He has a gun.

I don't give a f*** that

he's got a gun, okay?

I'm going to shoot the

f***ing guy in the face.

Let me fix this, okay?

This is bullshit. Nobody

talks to me like that.

- Let me fix it.

- Nobody talks to me like that.

Adam, calm down.

I do not care, okay? I don't care.

Adam, just stay here, please?

Okay, I don't want you to get hurt.

Okay?

Fine, you got two minutes.

Okay. Okay, five.

No, no, you got two minutes,

and then I'm coming.

All right, fine, two.

I don't care. Just...

Jill!

F*** it.

Pick up.

Hi, you've reached

Jill's cell phone.

I'm not here right now.

- Please leave a message after the meow.

- F*** you.

Meow.

Jill, where the f*** are you?

Call me back.

Please.

It's not funny.

Just... just call me back.

Jill?

Jill.

Jill!

What the f*** is...

What the f*** is...

Jill?

F***.

Jill?

Jill, are you... are you okay?

F***, what just

happened? Are you...

Adam.

What's going on?

Where is everybody?

Don't know.

Adam.

Adam.

Whose blood is this?

Jill, whose blood is this?

Oh, Jesus.

What happened here?

Oh. Oh, my God.

Oh, my God.

Sh*t.

Where is Bobby?

I don't know. Why?

They just left you down here?

Where's Elly?

I didn't see Elly, Adam.

You were with Elly.

Yeah, yeah, but she

came to look for you.

She did... what, she

didn't find you?

Adam, stop.

Stop, Adam. This is not all right.

I'm so scared.

Oh...

Isn't that Elly's flashlight?

Yeah.

So... I don't understand.

So you did see her.

Jill, you did see her.

I saw her earlier.

You were there, too, Adam.

You look first, Adam.

What? You go.

You've got the flashlight.

- You go.

- You've got the...

Just shine it up there.

I'll be right behind you.

You should stop filming, Adam.

What?

You should stop filming.

There's f***ing blood

everywhere. Okay?

I'm film... we need evidence.

You're having fun

and then you're...

I'm not having fun, baby.

This is for... this is

for the f***ing police.

Do you understand that?

The show must go on.

What?

I said the show must go on.

Um...

There's no...

There's no...

There's no way to open it.

Jill.

Jill. Jill.

What?

Did you f*** Bobby?

No, I didn't f*** Bobby, Adam.

What did you do, you kissed him?

Yes, we kissed.

You kissed him, what, like...

You and I kissed. We kissed.

Like what? Yes, I mean with

tongue, we kissed each other.

Do you really want to talk

about this right now?

Honestly?

I said I was sorry. I'm sorry.

It makes no sense. He

just left you here?

- I don't understand.

- Elly saw us kissing.

Elly was so mad at me,

and Bobby was so forceful.

Whoa, whoa, whoa, what do

you mean he was forceful?

He didn't rape you, did he?

No, he didn't rape me.

No worse than you do, Adam.

What is that supposed to mean?

Hello?

I really am sorry.

It was awful.

I feel sick about it.

I'm so sorry.

- I know you are.

- I love you so much.

I love you, too, sweetie.

The stairs are down here.

I know where we are.

Oh, good, it's an elevator.

These are the stairs.

Adam.

No.

These are all people.

These are all real people.

With lovers and dogs...

And problems.

Okay.

"Colette Mcleod."

Suicidal tendencies.

Primary diagnosis.

Self harm.

Aggression.

Scratch and biting.

Performed lobotomy.

Performed lobotomy...

On April 31st, 1982.

No, no.

Jill, can we please go?

There's no way out, Adam.

What do you mean

there's no way out?

I mean we've been looking,

and there's no way out.

Nobody gets out of here.

Look at all these f***ing files.

Nobody gets out of here, Adam.

Jill, just g...

I'm really getting freaked out.

I don't want to be here anymore.

Then go, Adam.

Go.

What? Go.

Go, Adam.

All right...

F***. Are you okay?

Oh...

I need to get you to a doctor.

Um, stairs. What are

we looking for?

We're looking for a way out.

There's light coming from this way.

No. No. Mm-mm.

We've been here before.

This isn't it.

Wait, wait, wait,

we came down here.

And we're back... f***.

All right, let's go back up.

That light just went on.

Elly?

Elly?

I don't feel good.

What is it?

There's someone over there, Adam.

Someone's standing there.

Hello?

Oh, my God!

Oh! Oh! Oh!

Jill, shine the line on... Jill...

Hello.

Let's go.

Shh, shh, shh.

Okay.

Hello?

I want to go home.

Oh, f***, Adam. F***.

Adam.

Oh, Adam.

911 emergency services.

Hi, we have... we

have an emergency.

We are... I'm not actually

sure where we are,

I know where you are.

- You're in the kitchen.

- What?

- Hello?

- Get away from him!

Go to the office.

What?

Go to the office!

- Adam...

- Look at me, look at me, look at me.

Put your head back.

- Oh, my God.

- F***. F***.

Baby, just put your head back.

Oh, God. Put some pressure on it.

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Eric Reese

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Submitted on August 05, 2018

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