Taking Sides Page #13

Synopsis: A tale based on the life of Wilhelm Furtwangler, the controversial conductor of the Berlin Philharmonic whose tenure coincided with the controversial Nazi era. One of the most spectacular and renowned conductors of the 30s, Furtwangler's reputation rivaled that of Toscanini's. After the war, he was investigated as part of the Allies' de-Nazification programme. In the bombed-out Berlin of the immediate post-war period, the Allies slowly bring law and order--and justice--to bear on an occupied Germany. An American major is given the Furtwangler file, and is told to find everything he can and to prosecute the man ruthlessly. Tough and hard-nosed, Major Steve Arnold sets out to investigate a world of which he knows nothing. Orchestra members vouch for Furtwangler's morality--he did what he could to protect Jewish players from his orchestra. To the Germans, deeply respectful of their musical heritage, Furtwangler was a demigod; to Major Arnold, he is just a lying, weak-willed Nazi.
Genre: Drama, Music, War
Director(s): István Szabó
  9 wins & 2 nominations.
 
IMDB:
7.2
Metacritic:
61
NOT RATED
Year:
2001
108 min
526 Views


Steve enters the club, makes his way to the bar, orders a

drink.

Steve turns to survey the room, almost at once spots David

and Emmi, their backs to him. He observes them.

David and Emmi at their table: They have finished their

meal. Emmi is silent now, staring at her empty plate.

Steve is suddenly at their table.

STEVE:

Well, what is this, the office

party?

David and Emmi are frozen with embarrassment.

STEVE:

May I join you?

(sits down, beams.)

So, what have you two been up to

tonight? Hey. Don't I owe you a

bottle of French champagne?

Tries to get a waiter's attention but fails. • No response.

STEVE:

You know, David, you're a lucky

guy. I invited Emmi here but she

turned me down. You must've hidden

depths, David...

he band starts to play; he stands, holds out a hand.

STEVE:

C'mon, Emmi, let's dance. I'll

teach you how to jive.

She is horribly embarrassed, doesn't move. David suddenly

stands and takes Emmi by the arm.

DAVID:

I'm very sorry, Major, but I

promised her mother, we have to

go.

They leave quickly.

Steve watches them. He sinks down, angry and jealous.

INT. HALL, STAIRWAY, STRAUBE APARTMENT BLOCK - NIGHT

David and Emmi enter the hall, each locked in their own

thoughts. They reach the foot of the stairs and pause.

They want to kiss but both are too awkward. She starts up

the stairs.

EMMI:

Don't see me to my door, there's

no need.

DAVID:

But I promised your mother.

She stops, turns.

EMMI:

Well, sleep well.

She continues on her way.

INT. ARCHIVE ROOM - DAY

Steve and Emmi at work on the files. One or two BRITISH

OFFICERS present, and David, who is working at the far end

of the table. He has a cold.

Emmi, who also has a cold, opens a file and is immediately

alert. She reads. She blows her nose. She is uncertain.

She looks up at Steve. She makes a decision. She rises,

takes the file to Steve.

EMMI:

Excuse me, Major. I found this on

Helmuth Rode. You remember? The

second violinist? Look, he's

Austrian not German. But it's this

that's more important, I think...

She points to something. Steve laughs loudly.

AN OFFICER:

Sssh!

David looks up at them, puzzled. Then a British SERGEANT

comes into the doorway.

SERGEANT:

Lieutenant Wills, telephone -

David rises and as he goes:

THE OFFICER:

(exasperated)

What is this, a railway station?

INT. LOBBY, ARCHIVE BUILDING - DAY

In a booth near the front desk, David is on the telephone.

DAVID:

(into telephone)

David. Wills. Hello? Who? Who in

Wiesbaden?

Irritated, he taps the receiver but the line's gone dead.

EXT. LAKESIDE, BERLIN - DAY

Steve lies, shirt off, taking the sun. Children playing.

Noise behind him of someone in the bushes. Steve doesn't

move.

Rode, carrying a slender leather case, pushes through to

Steve, who remains with his eyes closed.

RODE:

Major.

STEVE:

(eyes still closed)

Helmuth.

RODE:

Guess what I am holding in my hand.

You like guessing games?

STEVE:

Love 'em, Helmuth. I give up. What

are you holding in your hand?

Rode takes from the case a conductor's baton. Steve opens

one eye.

RODE:

It's Dr. Furtwängler's baton, which

I stole.

STEVE:

The one he kept in his right hand.

Yes, you remember.

RODE:

Yes, you remember.

STEVE:

How could I forget?

Sits up, takes the baton. Somewhere a child laughs; suddenly

Steve thrusts the baton at Rode.

STEVE:

Show me.

RODE:

Show you?

STEVE:

Yeah, show me, I want to see you

do it. Pretend I'm Adolf. You're

the maestro, and you have the baton

in your right hand, but you give

me the salute just the same.

RODE:

Not here, Major, there are people,

if anybody should see... please,

please, Major...

STEVE:

Do it, Helmuth.

After nervous looks over his shoulder Rode, salutes half-

heartedly.

STEVE:

Do it right.

Rode thrusts his hand out in the Nazi salute.

People by the lake:

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Ronald Harwood

Sir Ronald Harwood, CBE, FRSL (born Ronald Horwitz; 9 November 1934) is an author, playwright and screenwriter. He is most noted for his plays for the British stage as well as the screenplays for The Dresser (for which he was nominated for an Oscar) and The Pianist, for which he won the 2003 Academy Award for Best Adapted Screenplay. He was nominated for the Best Adapted Screenplay Oscar for The Diving Bell and the Butterfly (2007). more…

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