Taking Sides Page #3

Synopsis: A tale based on the life of Wilhelm Furtwangler, the controversial conductor of the Berlin Philharmonic whose tenure coincided with the controversial Nazi era. One of the most spectacular and renowned conductors of the 30s, Furtwangler's reputation rivaled that of Toscanini's. After the war, he was investigated as part of the Allies' de-Nazification programme. In the bombed-out Berlin of the immediate post-war period, the Allies slowly bring law and order--and justice--to bear on an occupied Germany. An American major is given the Furtwangler file, and is told to find everything he can and to prosecute the man ruthlessly. Tough and hard-nosed, Major Steve Arnold sets out to investigate a world of which he knows nothing. Orchestra members vouch for Furtwangler's morality--he did what he could to protect Jewish players from his orchestra. To the Germans, deeply respectful of their musical heritage, Furtwangler was a demigod; to Major Arnold, he is just a lying, weak-willed Nazi.
Genre: Drama, Music, War
Director(s): István Szabó
  9 wins & 2 nominations.
 
IMDB:
7.2
Metacritic:
61
NOT RATED
Year:
2001
108 min
526 Views


STEVE:

Says here because of your father.

What's that mean?

EMMI:

My father was one of the officers

in the plot against Hitler. They

arrested the plotters and their

families.

STEVE:

Your mother, too.

EMMI:

Yes. She suffered longer. She was

in Ravensbruck.

STEVE:

And your father was executed.

She nods, keeps her eyes averted. He smiles sympathetically.

STEVE:

I'm gonna call you Emmi, you're

gonna call me Steve. Okay?

No response.

STEVE:

I got a list of stuff here I'd

like you to get for me.

He searches his pockets.

ADAMS:

If you need anything, let me know.

EMMI:

Major...

STEVE:

Steve.

EMMI:

There have been messages for you.

(She consults the

pad.)

A Lieutenant David Wills called

from the Allied Kommandatura

Cultural Affairs office in

Wiesbaden. I don't know who he is.

Steve starts to unpack his attache case.

EMMI:

Then there have been three calls

from Dr. Furtwängler wanting to

know when you wish to see him. I

did not speak to him personally...

She hands Steve a typewritten sheet. He ignores it, finds

a list which he hands to her. He waits for her to read,

then:

STEVE:

Think you can get me any of that?

EMMI:

(pleased)

Oh yes, Major, I have recordings

of all his symphonies. I kept them

safe during the bombing. My

favourite is the Seventh Symphony.

STEVE:

Mine's the Eleventh.

EMMI:

(puzzled)

But... he only wrote nine, Major.

STEVE:

I'm kidding, Emmi. What about a

record player? You have that, too?

EMMI:

No. Ours was damaged.

STEVE:

(surveys the room)

What's in those files?

EMMI:

The names of the members of the

Berlin Philharmonic Orchestra since

1934 together with their

questionnaires. Major, what am I

to tell Dr. Furtwängler?

STEVE:

You tell him nothing, Emmi. If he

calls again, you say you know

nothing. We're gonna keep him

waiting while I get acquainted

with his case and with the

witnesses. And, God help me, with

Beethoven.

He smiles. She tries to smile back.

EXT. FLEA MARKET, BERLIN - DAY

Freezing weather. A narrow street, crowded, busy, noisy.

Some makeshift stalls set out, trestle tables, open

suitcases, people buying and selling every imaginable

commodity.

Emmi wanders through the crowd, passing a violinist, Helmuth

Rode, wrapped up against the cold, playing Handel's Air on

a G String, a bowl for money at his feet. A passer-by drops

a cigarette butt in it. Immediately, Rode retrieves the

butt.

Emmi comes to a stall selling piles of gramophone records.

She asks the stallholder a question. He points to another

stall across the way.

INT. STEVE'S OFFICE - DAY

Steve at his desk, paging through files. A knock on the

door.

STEVE:

Yeah.

Lieutenant DAVID WILLS, aged twenty-four, enters, comes to

Steve's desk, stands to attention, salutes.

DAVID:

Lieutenant Wills reporting to Major

Arnold. Sir.

STEVE:

For Chrissakes I hate that sh*t,

cut it out.

DAVID:

I'm very sorry.

STEVE:

I'm Steve. What's your name?

DAVID:

David. David Wills. I'm your liaison

officer with the Allied Kommandatura

Cultural Affairs Committee. Sir.

STEVE:

Sounds a lot of run.

(studies David.)

So they sent the big guns to check

up on me. We recruiting children

now?

DAVID:

(smiles')

I guess so, sir.

STEVE:

You call me sir again and I'll

make you listen to Beethoven.

David half-smiles.

STEVE:

Where you from, David?

DAVID:

was born here, in Leipzig. I escaped

in '36. My parents, they sent me

to my uncle in Philadelphia. They

were to follow. But they delayed

and...

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Ronald Harwood

Sir Ronald Harwood, CBE, FRSL (born Ronald Horwitz; 9 November 1934) is an author, playwright and screenwriter. He is most noted for his plays for the British stage as well as the screenplays for The Dresser (for which he was nominated for an Oscar) and The Pianist, for which he won the 2003 Academy Award for Best Adapted Screenplay. He was nominated for the Best Adapted Screenplay Oscar for The Diving Bell and the Butterfly (2007). more…

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