Tamara Drewe Page #20

Synopsis: The Independent journalist Tamara Drewe returns to Dorset, Ewedown, to sell the Winnard Farm that belonged to her deceased mother. Her neighbor Beth Hardiment runs a writers retreat with her unfaithful and womanizer husband Nicholas Hardiment who is a successful writer of Inchcombe adventures and cheats on Beth every now and then with younger women. Tamara was the sweetheart of the handyman Andy Cobb, whose family owned the Winnard Farm but lost it to Tamara's family, and when she sees him, she rekindles her love for him. However, when Tamara travels to interview the unpleasant drummer of the Swipe band Ben Sergeant, he has just found that his girlfriend Fran is having an affair with the other musician Steven Culley and he breaks up with the band. Tamara and Ben have a love affair and Ben moves to Winnard. Meanwhile, Ben's teenager fan Jody Long and her best friend Casey Shaw who are bored in Ewedown feel happy with the presence of Ben in the village. When Ben proposes to Tamara, they
Genre: Comedy, Drama, Romance
Director(s): Stephen Frears
Production: Sony Pictures Classics
  3 wins & 3 nominations.
 
IMDB:
6.2
Metacritic:
64
Rotten Tomatoes:
65%
R
Year:
2010
107 min
$560,101
Website
568 Views


GOLDENROD REVISIONS 20.10.09 108A.

GLEN:

I figured I’d best, you know, take

myself off. She doesn’t want

writers around the place now. And

police, autopsies, not my thing -

GOLDENROD REVISIONS 20.10.09 109.

ANDY:

You can’t run away.

GLEN:

I’m not running away! I just

finished my book; my time here is

up. Destiny calls.

ANDY:

Beth is asking for you.

GLEN:

She’s... Really?

ANDY:

She’s on her own over there. Glen,

she doesn’t need a writer around

the place. She needs a man.

173 DELETED 173

174 DELETED 174

175 INT. DAY. STONEFIELD - THE KITCHEN. 175

Beth is sitting, still pale with shock, her hands around a

mug of tea. Glen approaches.

GLEN:

I’m so sorry.

Beth looks up at him despairingly.

GLEN:

Do they... suspect anyone? I mean

of like Foul Play?

BETH:

It was my fault. I let the dog go!

GLEN:

No, no...

BETH:

I shooed him away! The police said

it was an accident but...

GLEN *

It wasn’t your fault! *

BETH *

What I don’t understand is why was

he in that field anyway? He hated

cows. And when they were coming,

why didn’t he get out of their way?

GOLDENROD REVISIONS 20.10.09 109A.

GLEN:

Beth. I have to tell you...

GOLDENROD REVISIONS 20.10.09 110-111.

For a moment, confession and silence hang in the balance.

Glen opens his mouth to speak.

GLEN (CONT'D)

You live in the country. You share

it with those dangerous beasts. And

when they’re scared, they run. Like

we do...

Glen is full of horror at his lie.

But Beth is only grateful.

BETH:

Glen. Stay with me.

Her eyes, still red with grief, are full of their future

together.

Glen nods. He will stay. He wants it all.

Beth leans into him, seeking comfort. He puts his arms around

her, his face ashen with the weight of his secret.

As he holds her, he looks around the room. Nicholas is

everywhere, glaring down at him from photographs.

176 EXT. EVENING. WINNARDS FARM - THE GARDEN. 176

Tamara is in the garden, a strip on her nose. She sees Andy

in the dusk. He’s leaning against the gate watching her.

TAMARA:

Don’t say anything.

ANDY:

Kind of suits you. And I always did

like the old one.

They are in each others arms. The embrace lasts and lasts.

Tamara is leading Andy up to the house.

TAMARA:

You did it on purpose, didn’t you?

ANDY:

What?

TAMARA:

Made it so beautiful I’d never be

able to leave.

ANDY:

Been dying to get rid of you. This

is my house. I was born in that

room.

GOLDENROD REVISIONS 20.10.09 112.

TAMARA:

So you were.

They are at the threshold. They kiss.

TAMARA (CONT'D)

Welcome home.

THE END.

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Moira Buffini

Buffini was born in Cheshire to Irish parents, and studied English and Drama at Goldsmiths College, London University (1983–86). She subsequently trained as an actor at the Welsh College of Music and Drama. For Jordan, co-written with Anna Reynolds in 1992, she won a Time Out Award for her performance and Writers' Guild Award for Best Fringe play.[2] Her 1997 play Gabriel was performed at Soho theatre, winning the LWT Plays on Stage award and the Meyer-Whitworth Award. Her 1999 play Silence earned Buffini the Susan Smith Blackburn Prize for best English-language play by a woman. Loveplay followed at the RSC in 2001, then Dinner at the National Theatre in 2003 which transferred to the West End and was nominated for an Olivier Award for Best Comedy. more…

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