Tank 432 Page #3

Synopsis: With nowhere else to hide, a group of mercenaries and their two prisoners take cover inside a long abandoned Bulldog tank. But, while they try to keep the forces outside at bay, the real enemy is already among them, locked inside the 'Belly of the Bulldog'.
 
IMDB:
3.4
Metacritic:
43
NOT RATED
Year:
2015
88 min
69 Views


"Kratos?"

What is this?

"Kratos." Don't know.

- Let me see.

- Yep.

Strength and power.

What?

It's ancient Greek.

What the f***

is she talking about?

Let her speak.

In ancient Greek,

Kratos is strength and power.

I was a teacher.

Kratos was the guardian

of Zeus, God of Gods

and him and his brothers

would wage war

at anyone who opposed them.

And what's it doing in here?

This is bullshit.

And she's f***ing crazy.

- Let me out now.

- No, no, no.

Gantz, Gantz, Gantz..

Gantz, f***ing what are

you doing, man?

- Relax.

- Sit down, sit..

Sit down. Sit down. Sit down.

Sit down. Okay?

- Are you okay, huh?

- No.

- Let me see.

- I need to take a sh*t.

F***.

Let's concentrate

on getting out of here.

As quickly as possible.

Here, I'll put it back.

Well, let's search for more.

Not much left on this side.

I got a toolkit here.

Keys to the kingdom, eh?

That might just do it.

You sedate her, yeah?

- Sedate her.

- No!

Will you f***ing sedate her?

- It's okay.

- It's alright.

F***ing hurry up.

You're okay, sweetie.

Keep it..

You 're okay, sweetie.

Will you f***ing hurry up, yeah?

- Okay?

- Let's get your arm.

There. There you are.

There you are.

Okay?

Okay.-

Alright.

Let's get her up.

Ah. F*** it.

Right, everyone get some rest.

We'll start again

in the morning.

Agreed.

No, I'm alright.

Here.

Thank you.

Yup.

Ra..

Why are you always writing

in a book?

What is that?

You're writing a story

to read to us all.

You give me that book back.

- Smith..

- You give me back that book!

Are you alright?

Here, take this.

You need to keep warm.

You're just a mercenary,

aren't you?

It's not like that.

I wouldn't trust

a single one of you

and it is like that.

It's exactly like that.

Well, consider it a blessing.

You'd be dead otherwise.

I can see that you know

something's not right here.

There's a lot of things

not right with this place.

I can't remember anything.

That's weird.

How long you been a teacher?

- What?

- How long?

Why does that matter?

- Why were you taken?

- I don't know.

What is going on?

- What are you doing here?

- Why are you here?

Doing a job.

I know that you're a liar.

You don't know

anything about me.

What have you done?

- Are you a terrorist?

- Come on.

Why are you wearing

an orange suit?

I don't know.

Go to sleep.

They're attacking us.

They're attacking us again.

- What is that?

- Shh.

- Ah. Gantz.

- Turn it off, turn it off.

- What is it?

- Shut up.

You see it?

You see it?

It can't be, it can't be.

It can't.

What the f*** are you writing?

Just... leave it.

Why are you always

writing in a book?

What is going on?

What is that?

Just leave it.

You're writing a story

to read to us all.

You give me that book back.

You give me back that book.

You give me back

that f***ing book.

Aah!

- Gantz.

- F***!

Gantz.

Aah.

F***.

F***!

You don't understand.

You don't understand!

F***.

Gantz, you alright?

Couldn't sleep.

Thought I'd crack on.

Ah!

What is that?

There's f***ing orange sh*t

everywhere.

F***.

Gantz, what's the story

with the engine?

Can't reach it.

- You just keep going, alright?

- It's f***ing hopeless.

F***.

F*** this.

F*** this.

Ah! Ah!

Can't breathe.

Gantz?

Oh.

Gantz, are you alright?

- Oh.

- Gantz!

- Oh.

- Gantz, what's happening?

F***.

Gantz, I'm coming in.

F***, f***, f***!

F***. Gantz?

Aah!

- Let go of the knife.

- I can't!

Let go of the knife.

Come on. Come on.

It's alright. Okay?

I'm here, it's alright.

- What do you say to me?

- S... sorry.

- SOrry?

- Sorry.

- Alright.

- I can't fix it.

I can't fix it.

It's okay.

- I'm not going back in there.

- Why?

I'm not going back in there.

Okay.

I've given him a sedative.

It's gonna slow his heart rate

down, keep him calm.

- What's happened to him?

- I don't know.

Looks like he's ingested

something.

- Ingested what?

- I don't know.

But something isn't right here.

Yeah, right,

this is what's gonna happen.

You're gonna wrap it.

You, Reeves, get up the front.

Figure out what happened

to Gantz

and get this f***ing

sh*t heap started. Now!

Get on with it!

Watch his head.

Ah. Okay.

Okay.-

Oh. Come on!

What the f*** is this?

What the f*** is this?

Smith, look.

Look, look. Look.

So f***ing what?

Oh, come on.

Oh, my God.

Evans.

How the f*** can it be Evans?

What the f*** is this? Smith?

Oh, Karlsson, is the f***ing

record stuck or something?

I don't know.

Just get on with it, do your job

and try and find

something useful.

They've got my file.

Oh, my f***ing God.

No, no, no, no, no, no, no, no.

There's medical reports here.

They've got tests on us.

There's been experiments.

It says deceased on it.

- What the f*** is this, Smith?

- I don't know.

What the f*** is going on?

I've never seen anything

like this before, alright?

I don't know.

Smith?

There's your f***ing file.

F*** off.

What the f*** is this?

F***.

Smith,

what the f*** is going on?

- This is impossible.

- Well?

I knew there'd be casualties.

I didn't think"

They're our files, Karlsson.

They're our f***ing files!

What the f*** is this?

'Twas a morning in July

I was walking to Tipperary

When I heard a battle cry

From a mountain overhead

As I looked up to the sky

I saw an Irish

soldier laddie

And he looked at me quite

fearlessly and said

Oh will ye stand in the band

like a true Irishman

And go and fight

the forces of the crown?

It's Ca..

It's Capper.

Will ye march with O'Neill

To an Irish battlefield?

For tonight we're going to

free old Wexford town

Capper.

How is everybody in there?

How ya doin'? Huh?

Capper? You're alive!

Yeah, man, I'm very much alive.

Where have you been?

More alive than I've ever

been in my motherfucking life.

Capper the door's jammed,

we're trapped.

You've got yourself a little

bit of a predicament then

I would say.

Hold her, Smith.

- F***ing hold her!

- Oh, f*** her.

F*** you!

Oh! Come on.

Just help us get the door open.

Why the f*** do I want

to let you.. What you..

You wouldn't be happy out here.

You wouldn't be happy out here.

You wouldn't know what to do

with all this freedom.

You got each other.

I don't.

- I'm all out here on my own.

- Please, Capper.

You should have f***ing

thought about that

before you left me there.

You left me to die.

Th... there wasn't

enough time, mate.

There's never enough time,

my friend.

But you have enough time

now though

in the belly of that Bulldog.

We had to run.

- Oh, you had to run?

- What?

- Why did you f***ing run?

- Why was I running?

Can you remember why you ran?

I don't think so.

We were, we were run..

We were running from..

You ran and you didn't know

why you ran.

Do you want me

to jog your memory?

Okay. Oh, Jeez.

Come on,

will you f***ing help me?

Oh, f***. Okay.

There you are, there you are.

Okay.-

It's been so lonely

without you

You're my little baby"

Oh, Ca..

You f***ing left her, too.

Rate this script:0.0 / 0 votes

Nick Gillespie

Nicholas John Gillespie (; born August 7, 1963) is an American libertarian journalist who was former editor-in-chief of Reason magazine from 2000 to 2008. He is currently a contributing editor of Reason.com and the editor-in-chief at Reason.tv. He has written articles or been a commentator for a variety of media outlets. Gillespie has edited one anthology, Choice: The Best of Reason, and co-authored one book, The Declaration of Independents. more…

All Nick Gillespie scripts | Nick Gillespie Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Tank 432" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/tank_432_19384>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Tank 432

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed the movie "Forrest Gump"?
    A Martin Scorsese
    B Steven Spielberg
    C Quentin Tarantino
    D Robert Zemeckis