Targets
- R
- Year:
- 1968
- 90 min
- 435 Views
( screeching )
Baron!
Baron, you mustn't--
Baron!
( gasps )
( bird screeching )
( bird screeching )
( indistinct talking )
Man:
Uh-huh. Yeah, yeah.
Who the hell is he?
He doesn't mean five cents
at the box office.
Besides, I got
Byron Orlok.
Yeah, yep.
Anyone for a swim?
So he won an Oscar.
Who the hell
remembers it
besides him?
For that money
Huh? I discussed
it with Sam.
Well, he feels that Pat Boone's
wrong for the part.
You want to see those
dailies now, Mr. Smith?
In a minute.
Have him stand by, Ralph.
You were late.
Somebody kept me up
till 4:
00 in the morning.Oh? Anyone I know?
How did you like it?
I liked it.
You did?
Mm-hmm.
I didn't.
But thanks.
Okay, okay, good-bye.
You smoke too much.
Tell them to send
that pic right out.
Byron, you see our ad
in the trades?
No.
Ralph, send that print
back to the exchange, would you?
This picture's
going to open up
In a hundred
theaters tomorrow.
Great film, eh, Jenny?
It's all right.
Gonna clean up.
Is this the new script?
Has everybody read this?
Sam?
This is a work of art.
Thank you
very much.
No,
I'm serious.
This is a very
important film.
This is
the kind of property
I'm going to be proud
to put my name on.
You writing
this down, ed?
It's a good script, Sam.
Don't you think so, Byron?
I'm not making any more films,
Marshall.
What?
What, Byron?
I'm retiring.
Since when?
What is this, a gag, Sam?
Hey, wait a minute,
wait a minute.
I put up front money
on this script.
Monday I sign a deal with AIP.
It's all based
on the understanding
That I got Byron Orlok.
to that effect.
You never
signed anything
On the last
three pictures we made.
We shook hands.
Now, come on, what is it?
I understand you didn't like
this last film we made.
Not at all.
very well.
That's why I let him write
this new script.
Haven't you read it?
This is a real new change
of pace for you.
Okay, everybody out.
Let me talk to Byron alone.
Please, Marshall, no scenes.
You owe me a minute, eh?
Come on, Sam.
Let me
fix this up.
Byron, old pal,
what's wrong?
This isn't like you.
What the hell
was that all about?
I Don't know.
He didn't like my script,
that's what it was all about.
Oh, stop being
such a paranoid.
What do you mean,
paranoid?
I sent him
my script yesterday
And today he retires
from pictures.
What am I supposed
to think?
I'm sure he hasn't
even read it.
I'm just afraid
it's much more serious.
What about your job?
He hasn't said a thing.
What if he goes
back to England?
He's always talking
about that.
Would you
go with him?
Would you like me
to stay?
That's up to you.
Marshall:
Don't feed me that!
I kept you alive
for the last three years!
He can fix anything.
You think you're bankable
with any of the majors?!
You think they'd know
how to put together
A package for you?
If it weren't for me,
The only place
you'd be playing
is in the wax museum!
Call me.
( crash )
There's goes
another ash tray.
Herr Michaels!
Your turn.
You want me to fix up
the mess you just made?
Get him back, boy director.
Go and talk to him, like you're
supposed to be so good,
'cause your next picture
just walked out the door!
That's why I will.
14, take five.
All right, and action.
Byron!
You didn't
say good-bye.
Stop it, Sammy.
Don't be his errand boy.
It nauseates me.
I didn't come out
here because...
I know you came
out to save your
own little opus.
Well, that's true.
Because without you,
there's no picture.
Rubbish. Anybody can
walk through the special
effects for you.
It's not that kind
of picture.
And there's nobody
else for it.
The part is you.
Sammy, you're
a sweet boy.
I'm not trying to be.
But you can't
possibly understand
What it feels
like to be me.
I'm an antique,
out of date.
All right, what are you
going to do?
Plant roses?
Actors Don't retire.
Six months and you'll
blow your brains out, Byron.
I'm an anachronism.
What does that mean?
Sammy, look around you.
The world belongs
to the young.
Make way for them.
Let them have it.
I'll take it.
I've always wanted
a gun like this.
It's a beauty.
Yeah, it sure is.
Hey, you see?
That's Byron Orlok
over there.
Oh, yeah,
yeah, that's him.
You see a lot of movie
stars on the strip.
I thought
he looked familiar.
Okay, now, you want
the case, too?
Oh, yeah,
might as well.
Sure, why not?
It's only money.
Will you take a check?
Yeah, sure.
You've been in
before, Haven't you?
Sure. So's my dad,
lot of times.
Besides, you have
an honest face.
You want me to toss
in some ammunition?
Yeah, a couple extra
clips, if you could.
Okay, I can stamp
that for you.
That's okay.
How much altogether?
Comes to $249.60.
Okay.
Thanks a lot.
Here, Don't forget
your receipt.
Oh, thanks.
See you.
And then I'll tell
the hotel what time
we're checking out.
Good.
What a nice boy Sammy is.
He's the only one I feel
sorry about in all this.
didn't like his script.
Doesn't he know
I Haven't read it?
I told him that.
Good.
I couldn't tell
him why, though.
Oh, come now, Jenny.
I'm too old
for playacting.
It's no fun anymore.
How about a drink?
All right.
I think we should
celebrate my freedom.
( rockabilly playing )
Hey, baby, it's the real
Don Steele show.
I got to get the devil
out of here.
I'm going to be out there
shoulder-to-shoulder,
Elbow-to-elbow, with the rest
of you thrill seekers.
Here I come ready or not.
And who's going
to sock it to us?
We're going to hock it and lock
it out there, right?
On 93 KAJ Boss radio.
And you know what happens
when delicious Don goes hog wild
On your receiver, right?
Thrill seekers of mine,
are you ready?
Thanks very much for saying what
have you, hey,
Dave Garroway, Johnny Ray,
Anita O'Day, Curtis Lemay
Sirhan may, x-Ray, el Rey
and a one-horse open sleigh.
Dennis Day, Marvin Gaye,
George day, Sammy Kaye,
Swinging with the car
in the next Lane,
If you love me,
you have to love my suit.
Can you dig it?
Here he comes.
Get ready to take
a trip along the strip with him.
I'm hip, can you dig it?
( deejay chattering )
Go, go, go, go, go, go, go, go,
go, go, go, go!
little Johnny probably
wants to shoot...
( dog barking )
...Just a moment
when we continue our news.
This week on
James Stewart, Lee Remick
and Ben Gazzara star
In Otto Preminger's
compelling production
Of anatomy of a murder.
Man:
You're guilty of murder--
premeditated and with vengeance.
That's first-degree murder
in any court of law.
Woman:
Here, I'll do that, dear.
The unwritten law's
a myth, lieutenant.
There is no such thing
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"Targets" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/targets_19401>.
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