Telstar: The Joe Meek Story
Joe! I need for you to come inside now!
Comin'!
No, now!
Your father's having one of his turns.
- HE SHOUTS:
- In a minute!
- FROM GRAMOPHONE:
- '..A minute... A minute... A minute...'
'A minute... A minute... A minute... A minute...'
'60s BEAT MUSIC
TV:
'Next week on Harper's West One, special guest star'John Leyton, star of Biggles as you've never seen him before.
'That's Thursday, eight o'clock, Harper's West One.'
RADIO:
'..and a very special good morning to the housewife at number 26...'Hello?
- Would sir need any assistance?
- I'm... They're recording my song.
Well, then, you'll do. I need to have a word about my ceiling.
- Sorry, I can't...
- I'm the landlady. This is my building.
- ..Help.
- Pardon?
- I can't help. I only just...
- It's none of my business,
but they've had some very odd types up there.
As long as they keep themselves to themselves, but this takes the biscuit!
- What do you make of that? It's all black and treacly.
- Yes.
- Some sort of glue. They've only been here a fortnight.
- Oh, dear.
Had some terrible complaints from the neighbours about the noise.
Grown men playing silly beggars with records.
I only hope it doesn't add up to nothing.
Actually, I've already bought two.
You should see the state of it up there.
I'm never going to be able to let it again now, am I? You're a quiet one, aren't you?
- Sorry. Just a bit...
- Shy? Not much good for a pop star.
- Actually, I'm classically trained. Biggles is doing my song.
- Biggles?
- Off the telly.
- Of course he is, dear. Now, come on. Let's find trouble.
Yes, let's.
How many musicians am I paying for? For God's sake.
Oh, Major, you'll do. I've had a disaster in my stockroom.
Just arrived myself, Violet, dear.
- Joe will be down as soon as he's spotted.
- Thank you.
Must crack on, woman, crack on!
Here, I've had some very nice oxblood belts in,
go lovely with them brogues.
- Ta-ra!
- Anton, isn't it?
- Sorry?
- Anton Hollywood, pianist?
- Yes.
- Well, no.
- Well, I'm afraid Joe's decision is final,
he doesn't feel you've got what it takes.
And if you've come for compensation, you can trot off back to wherever the hell...
No, it's Geoff, not just Geoff. Geoff Goddard.
- Oh! The author! Tunesmith!
- Composer.
- Composer, yes, of course.
The name Anton Hollywood was Joe's idea, it's not real.
It's a stage name. He thought he'd do a Russ Conway with me, didn't work out.
So you're Goddard, are you? Read Goddard, didn't think Hollywood.
- No, well, you wouldn't.
- Don't slouch, young man! Upright! Shoulders back!
Splendid song!
(Thank you.)
In fact, I wanted to thank you for the opportunity, really.
- This is a very good...opportunity. And...
- Very touching.
It's Joe you should thank. He's the one that spotted your talent.
I know Fanny Adams about the tunes. I just pull the purse strings.
- I'm in plastics.
- Really?
- Yes, my son took me to a record shop, selling like hot cakes.
What's his name? Lonnie? Larry? Big nose, curly hair, plays the broom.
- Donegan? Lonnie Donegan?
- That's the chap! Expanding market, see?
Good business opportunity. Met Joe, thought, "That's my boy.
"He knows his Indians." Anyway, it's him you should thank.
TOILET FLUSHING:
That'll be the last time anyone uses that this morning.
Carry on singing, I'll be back in a minute.
Oh, hello, Geoff! I know what you're thinking, why are they singing in the toilet?
Well, once I've worked my magic and added some reverb,
it'll sound more like a...like a cathedral! Do you need to go?
- No. It would be embarrassing in front of everyone singing.
- Speaking of which, backup singers, that is.
- I've had a quick look at the figures. Are you sure you need them?
- Course we need them!
- And an orchestra?
Oh, it's hardly an orchestra. Two violins and Charles on his mum's old cello. You all right, Charles?
- I've been better.
- Harper's West One is getting 10 million viewers.
They're all going to hear Geoff's song, it's our first good chance for a hit, so it can't be shoddy.
Have you...?
VIOLINIST:
(I think we should leave.)- Have you read the West One script yet?
- No.
- Well, John plays a pop singer called Johnny Sincere. Isn't that a great name?
- Top drawer!
- And he opens a record department with your song.
- Who'd have thought, Biggles?
- He's Ginger.
- Sorry?
Johnny Leyton in Biggles. Plays Ginger. Boy's a big fan.
BANGING AND SHOUTING
Geoff, come here. Excuse me, Charles, ladies.
Take the speaker, point it out that window towards the backyard.
All the other windows are soundproofed. And I'll need that.
Drop dead, you silly, old f***er!
- Oh, God!
- All right, you can close the window and put the speaker back, now. There's a love.
Is he coming down?
- Can you talk to her? I'm far too busy right now.
- Yes, it's best you crack on.
Well done, Geoff, I hope we'll be seeing a lot more of you.
- LANDLADY SHOUTS:
- Joe!
He gave you that speech about not slouching, didn't he?
I'm sorry about Anton Hollywood, Geoff. You could have been Reading's own Liberace.
That would have been nice(!)
But the real Liberace don't make those little piggy, grunty noises when he plays, does he?
Really, it's fine.
They're awkward to record around, ugly to watch. Shame. You're a wonderful musician.
- Well, I'm sure this one will sound wonderful. I wanted to thank you.
- No need to thank me, Geoff. It's a good tune.
- You did such a wonderful job with Lonnie Donegan.
SKIFFLE MUSIC:
He's putting on the agony
Putting on the style
That's what all the young folks are doing all the while.
MUSIC STOPS ABRUPTLY
Well, the royalties from those tunes helped set this place up.
- Let's hope you get some royalties from your little tune.
- Well, that would be nice.
CAR HORNS:
I know it's a little impractical, with the stairs and the traffic, but...
It's got a very strong...energy.
Yes! I was going to say that.
TRAFFIC NOISE:
- Keep your hair on!
- How would you like a smack in the mouth?
THUNDER:
Can I ask? I don't mean to be rude. Something unusual I heard about you.
Go on, I won't bite.
About you and Buddy Holly. About his death. Your prediction.
Yeah. Well, it came to me. A message.
- A warning for Buddy.
- Tragedy. Great loss.
I give him a note backstage. I warned him. I told him the date.
If only he'd listened.
- Do you still try to...communicate?
- When I have time.
LOUD VOICES:
- Perhaps you'd like to join me?
- I'd love to.
Here comes the cavalry.
- You selfish, skinny runt.
- Those bastard stairs. I've done me sodding back.
- You can shut your cakehole.
I've got to bring the rest of the kit up, yet.
- It's not the kit, it's having to lug that fat arse.
- Watch your mouth!
- Watch your diet!
- You want to f*** right off!
- Ladies and gentlemen, Flanagan and Allen.
- Oi, Joe, it's pissing down out there.
- Really?
- Has anybody got a towel? I'm drenched.
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"Telstar: The Joe Meek Story" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/telstar:_the_joe_meek_story_19486>.
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