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The Abyss Page #14
- PG-13
- Year:
- 1989
- 145 min
- 661 Views
BUD:
Nice shot, Lins.
SONNY:
What is that? You drop your dive light?
WIDER, SHOWING THE GROUP huddled around Lindsey who has her freshly-processed
slide roll laid out on the pinball machine, using it as a light table.
LINDSEY:
Come on, you guys... look, this is the little
one right here. You can see how it's kind of
zigging around.
BUD:
If you say so. It could be anything.
LINDSEY:
I'm telling you what is there. You're just not
hearing. The impulses somehow aren't getting
from you ears to your brainpan. There's something
down there. Something not... us.
She looks around. Sees a lot of skepticism in the eyes around her.
CATFISH:
Y'all could be more specific.
LINDSEY:
Not us. Not human. Get it? Something non-
human, but intelligent...
HIPPY:
You mean like Coffey?
Lindsey is reddening. Despite her conviction, this is really hard.
LINDSEY:
A non-terrestrial intelligence.
HIPPY:
Non-Terrestrial Intelligence. NTIs. Yeah, I
like that better then UFOs. Although that
works too... Underwater Flying Objects.
Hippy is not really mocking her. He's actually into it. But it has that
effect. Catfish is eyeing Lindsey like he's never seen her before.
CATFISH:
Are we talkin' little space friend here?
HIPPY:
Right on! Hot rods of the Gods. Right, Lins?
Hey, no really! It could be NTIs. The CIA has
known about them for years. They abduct people
all the time. There was this woman I knew in
Albuquerque who--
LINDSEY:
Hippy, do me a favor... stay off my side.
Bud takes her firmly by the arm. Heads her out into the corridor.
BUD:
Lindsey, will you step into my office for a
minute...
INT. CORRIDOR/LADDER WELL 130
He propels her along the corridor, away from the mess hall doorway. They
face each other in the narrow space.
BUD:
Jesus, Lindsey--
LINDSEY:
Bud, something really important is happening
here.
BUD:
Look. I'm just trying to hold this situation
together. I can't allow you to cause this kind
of hysteria--
LINDSEY:
Who's hysterical? Nobody's hysterical!
They're talking across each other, not connecting. Bud weary and frustrated.
Lindsey is cranked up with the afterglow of her encounter.
BUD:
All I'm saying is when you're hanging on by your
fingernails, you don't go waving you arms around.
LINDSEY:
I saw something! I'm not going to go back there
and say I didn't see it when I did. I'm sorry.
BUD:
God, you are the most stubborn woman I ever knew.
LINDSEY:
I need you to believe me, Bud. Look at me. Do
I seem stressed out? Any of the symptoms of
pressure sickness, any tremors, slurred speech?
BUD:
No.
LINDSEY:
Bud, this is me, Lindsey. Okay? You know me
better than anybody in the world. Now watch my
lips... I saw these things. I touched one of
them. And it wasn't some clunky steel can like
we would build... it glided. It was the most
beautiful thing I've ever seen.
Bud is stilled by her intensity. She moves close to him. Eyes alive and
luminous.
LINDSEY:
It was a machine, but it seems almost alive.
Like a... dance of light. Bud, you have to
trust me... please. I don't think they mean us
harm. I don't know how I know that, it's just a
feeling.
BUD:
How can I go on a feeling? You think Coffey's
going to go on you 'feeling'?
LINDSEY:
We all see what we want to see... Coffey looks
and he sees Russians, he sees hate and fear.
Bud, you have to look with better eyes than
that.
Bud has been taking this all in. His eyes tracking her face. He closes his
eyes, taking a deep breath. It's so hard for him to do this, but...
BUD:
I can't, Lindsey. I'm sorry. How can I?
CUT TO:
Coffey has Bud, Lindsey and several of the rig crew gathered for a little
summit. Lindsey is withdrawn, sitting far from the others, a self-imposed
exile. They're all wearing warm clothes and hugging themselves. Their
breath shows in the air.
COFFEY:
I want 'round-the-clock manning of the sonar
shack and the exterior cameras. We need early
warning if the Soviet craft try another incursion.
LINDSEY:
(rolling her eyes)
Gimme a break! Coffey, these things live three
and a half miles down on the bottom of an abyssal
trench! Trust me... they're not speaking
Russian.
Coffey looks at her for a moment, then goes on as if she hadn't spoke.
COFFEY:
(to One Night)
Why haven't you finished repairs on the
hydrophone transmitter yet?
ONE NIGHT:
Coffey is sweating, despite the chill. Keeps his hands clenched in fists so
they won't see how bad the tremors have gotten.
COFFEY:
Get something straight. You people are under my
authority--
CATFISH:
Look, podner... we don't work for you, we don't
take orders from you, and we don't much like you.
In addition to which your momma dresses you
funny.
Coffey's eyes are straight razors. He slashes them from face to face. You
can see him tightening up like a clockspring, losing control of the situation
in front of his own men. Bud defuses it.
BUD:
'Fish'?
CATFISH:
Yuh?
BUD:
Take the first watch in sonar. Hippy, you
handle the exterior surveillance. One Night, see
if you can get that transmitter working for me,
okay?
ONE NIGHT:
Gimme a couple of hours.
HOLD ON COFFEY as everyone leaves. Winding tighter.
CUT TO:
INT. MAINTENANCE ROOM B -- LATER132
Coffey and Schoenick are bending over the warhead. They have a small port
removed and are attaching waterproof leads from an ELECTRONIC DETONATOR. The
black box Lindsey glimpsed earlier. As the two SEALs work like surgeons, we
see past Coffey's shoulder to a hemispherical window behind him, which looks
out into the perpetual blackness. Something appears... a goofy shark face.
Big Geek rises silently in front of the port. It moves a little, trying to
get a peek over Coffey's shoulder.
INT. CONTROL MODULE/ROV SHACK 133
Hippy is twiddling his joysticks, watching the screen like a ferret.
HIPPY:
Come on... move to the left... just a little
more... come on, A.J. Squared Away... that's
it--
ON THE SCREEN, Geek's POV. Coffey is blocking Hippy's view of whatever it is
they're working on. Abruptly, be moves. The warhead is lying there in plain
sight, detonator wires hooked up. Hippy's eyes bug out. He knows exactly
what it is.
HIPPY:
Pretty radical, guys. Pretty radical.
He hurries to the VCR and puts it into RECORD.
INT. CONTROL MODULE/ROV SHACK -- MINUTES LATER 134
Video image of the SEALs working. It FREEZES on a clear view of the warhead.
HIPPY (V.O.)
Say hello to MIRV.
Bud has his face right up to screen. He frowns, skeptical.
HIPPY:
Come on, man. What else could it be?
BUD:
Why bring it here?
HIPPY:
It's gotta be, like, an emergency plan to keep
it away from the Russians... Hotwire one of the
nukes with some kinda detonator, put it back in
the sub, and fry the whole thing, slicker'n snot.
Oh, uh... hi, Lins.
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"The Abyss" Scripts.com. STANDS4 LLC, 2025. Web. 24 Feb. 2025. <https://www.scripts.com/script/the_abyss_614>.
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