The Adventures of Tintin Page #6

Synopsis: Having bought a model ship, the Unicorn, for a pound off a market stall Tintin is initially puzzled that the sinister Mr. Sakharine should be so eager to buy it from him, resorting to murder and kidnapping Tintin - accompanied by his marvellous dog Snowy - to join him and his gang as they sail to Morocco on an old cargo ship. Sakharine has bribed the crew to revolt against the ship's master, drunken Captain Haddock, but Tintin, Snowy and Haddock escape, arriving in Morocco at the court of a sheikh, who also has a model of the Unicorn. Haddock tells Tintin that over three hundred years earlier his ancestor Sir Francis Haddock was forced to scuttle the original Unicorn when attacked by a piratical forebear of Sakharine but he managed to save his treasure and provide clues to its location in three separate scrolls, all of which were secreted in models of the Unicorn. Tintin and Sakharine have one each and the villain intends to use the glass-shattering top Cs of operatic soprano the Milan
Director(s): Steven Spielberg
Production: Paramount
  Nominated for 1 Oscar. Another 21 wins & 60 nominations.
 
IMDB:
7.4
Metacritic:
68
Rotten Tomatoes:
74%
PG
Year:
2011
107 min
$75,300,000
Website
6,288 Views


There is no plan.

Of course there's a plan.

You've always got a plan.

Not this time.

Sakharine has the scrolls.

They'll lead him to the treasure.

It could be anywhere in the world.

We'll never see him again.

It's over.

I thought you were an optimist.

Well, you were wrong, weren't you?

I'm a realist.

That's just another name for a quitter.

You can call me what you like.

Don't you get it? We failed.

"Failed. "

There are plenty of others

willing to call you a failure.

A fool. A loser. A hopeless souse!

Don't you ever say it of yourself.

You send out the wrong signal.

That is what people pick up.

Do you understand?

You care about something, you fight for it.

You hit a wall, you push through it.

There's something you need to know

about failure, Tintin.

You can never let it defeat you.

What did you just say?

You hit a wall, you push through it.

No, no, no, you said something

about sending out a signal.

Of course! Captain!

I sent a radio message from the Karaboudjan.

I know what radio frequency

they're transmitting on.

Well, how does that help us?

All we have to do

is send that information to Interpol,

they can track the signals

and figure out which way they're headed.

Here comes Interpol now.

- Tintin!

- Tintin!

Any port they enter we'll know at once.

And we can get there first.

What are we doing here, boss? I don't get it.

We're right back where we started.

You're to speak of this to no one.

Keep your mouths shut.

- Don't worry. As long as we get our share.

- You'll get your share.

- Where are you going?

- Just guard the ship.

Where's the filthy moolah?

Good evening, sir.

I trust you had a successful trip abroad.

Do I pay you to talk to me?

You don't pay me at all.

What the blazes? Nestor!

Nestor!

Tom! Allan!

You blithering idiots, don't just stand there!

Do something!

Caught him like a rat in a trap.

Congratulations, gentlemen. He's all yours.

Yes! We also have an arrest warrant issued

by both Interpol and the FBI.

- Your friend who got shot...

- Barnaby.

...he was one of their agents.

Hot on Sakharine's trail from the start.

It still doesn't make sense.

He has the key to the treasure of the Unicorn,

which is sitting somewhere

on the ocean floor.

Why would he come back home?

Right.

- Sakharine?

- Sakharine?

That's Mr. Sakharine to you.

Hold it.

- Look out!

- What...

Oh, no!

Allan! Allan, get me down!

What? Not that way!

Not that way, you fool, the other way!

Right.

Look out!

Good Lord! Come on!

Close but no cigar!

- Red Rackham!

- That's right. My ancestor.

Just as Sir Francis was yours.

Unfinished business.

I'm glad you know the truth, Haddock.

Until you could remember,

killing you

wouldn't have been this much fun.

Who gave you permission to board my ship?

I don't need it.

I've never needed it.

The legend says only a Haddock

can discover the secret of the Unicorn,

but it took a Rackham to get the job done.

So you've lost again, Haddock.

That's right. Why don't you have a drink?

That's all you've got left, isn't it?

Everything that was rightfully yours

is now mine.

Including this ship.

Thundering typhoons.

Nobody takes my ship.

We have you now, you devil.

- You are under arrest.

- To be precise,

you are under arrest.

Do you see?

Blistering barnacles, they're coordinates.

- It took all three scrolls to form the numbers.

- Latitude and longitude.

That is it. That's the location of the treasure.

We did it!

Almost there, Mr. Tintin!

A nudge to starboard should do it.

- Are you sure we're on course?

- Trust me, laddie.

I know these parts like the back of my hand.

Starboard! Quickly! Quickly!

Aye, Captain, starboard it is!

All stop!

Marlinspike Hall.

Those coordinates lead here.

And this is where Sir Francis hid it?

I thought the treasure went down

with the ship.

Master Haddock, Mr. Tintin,

I've been expecting you.

Welcome to Marlinspike Hall.

Will you look at this place?

I don't think it's changed at all

since I was a wee boy.

And may I say, sir,

how much I'm looking forward

to having a Haddock

back in charge of the estate.

You'll be waiting a long time, Nestor.

There's no way I could afford to live here!

Well, Captain, you know the house.

Where do we start?

Is the cellar still here?

No, no, no, no, this isn't it.

I meant the other cellar.

I'm sorry, sir, there is no "other cellar. "

It was bigger than this.

Snowy.

Snowy, where are you?

No, Hector.

Hector.

Captain, help me.

Heel, boy.

Snowy?

Just like you said, Captain.

You hit a wall...

...you push through it.

My grandfather must have walled it up

before he lost the house.

"And then shines forth the Eagle's Cross. "

Well, I can see the cross,

but where's the eagle?

St. John the Evangelist,

who was always depicted with an eagle.

And he's called the Eagle of Patmos.

He is the eagle.

What's he trying to tell us, Captain?

I'm at a loss.

That island, the one in the middle,

that doesn't exist.

How do you know?

Because I've sailed those waters

countless times.

I've been there. It's a mistake.

What if it isn't?

Sir Francis wanted his inheritance

to go to a man who was worthy of it.

A man like himself, who knows the seas

like the back of his hand.

A man who could look at a globe

and tell if one tiny island

was out of place.

Blistering treasure.

It's Red Rackham's barnacles!

What is this?

Just a wee tipple.

A toast to our good fortune.

That's better.

It's odd, really. You would've thought,

after all the fuss and bother,

there would've been more.

- More of what?

- Red Rackham's treasure.

I mean, by your account, he looted

half of South America. I just thought...

Never mind. There's plenty to go around.

It's a funny old life, eh?

Well, you've got your story

for your newspaper.

All's well that ends well.

It's not ended.

Sir Francis left another clue

at the bottom of the globe.

- A clue to what?

- Four hundredweight of gold,

just lying at the bottom of the sea.

How's your thirst for adventure, Captain?

Unquenchable, Tintin.

Rate this script:0.0 / 0 votes

Hergé

Georges Prosper Remi (French: [ʁəmi]; 22 May 1907 – 3 March 1983), known by the pen name Hergé ([ɛʁʒe]), was a Belgian cartoonist. He is best known for creating The Adventures of Tintin, the series of comic albums which are considered one of the most popular European comics of the 20th century. He was also responsible for two other well-known series, Quick & Flupke (1930–40) and The Adventures of Jo, Zette and Jocko (1936–57). His works were executed in his distinct ligne claire drawing style. Born to a lower middle-class family in Etterbeek, Brussels, Hergé began his career by contributing illustrations to Scouting magazines, developing his first comic series, The Adventures of Totor, for Le Boy-Scout Belge in 1926. Working for the conservative Catholic newspaper Le Vingtième Siècle, he created The Adventures of Tintin in 1929 on the advice of its editor Norbert Wallez. Revolving around the actions of boy reporter Tintin and his dog Snowy, the series' early installments – Tintin in the Land of the Soviets, Tintin in the Congo, and Tintin in America – were designed as conservative propaganda for children. Domestically successful, after serialisation the stories were published in book form, with Hergé continuing the series and also developing both the Quick & Flupke and Jo, Zette and Jocko series for Le Vingtième Siècle. Influenced by his friend Zhang Chongren, from 1934 Hergé placed far greater emphasis on conducting background research for his stories, resulting in increased realism from The Blue Lotus onward. Following the German occupation of Belgium in 1940, Le Vingtième Siècle was closed but Hergé continued his series in Le Soir, a popular newspaper controlled by the Nazi administration. After the Allied liberation of Belgium in 1944, Le Soir was shut down and its staff – including Hergé – accused of having been collaborators. An official investigation was launched, and while no charges were brought against Hergé, in subsequent years he repeatedly faced accusations of having been a traitor and collaborator. With Raymond Leblanc he established Tintin magazine in 1946, through which he serialised new Adventures of Tintin stories. As the magazine's artistic director, he also oversaw the publication of other successful comics series, such as Edgar P. Jacobs' Blake and Mortimer. In 1950 he established Studios Hergé as a team to aid him in his ongoing projects; prominent staff members Jacques Martin and Bob de Moor greatly contributed to subsequent volumes of The Adventures of Tintin. Amid personal turmoil following the collapse of his first marriage, he produced Tintin in Tibet, his personal favourite of his works. In later years he became less prolific, and unsuccessfully attempted to establish himself as an abstract artist. Hergé's works have been widely acclaimed for their clarity of draughtsmanship and meticulous, well-researched plots. They have been the source of a wide range of adaptations, in theatre, radio, television, cinema, and computer gaming. He remains a strong influence on the comic book medium, particularly in Europe. Widely celebrated in Belgium, a Hergé Museum was established in Louvain-la-Neuve in 2009. more…

All Hergé scripts | Hergé Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Adventures of Tintin" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/the_adventures_of_tintin_2260>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Adventures of Tintin

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what is a "montage"?
    A The opening scene of a screenplay
    B A series of short scenes that show the passage of time
    C A musical sequence in a film
    D A single long scene with no cuts