The African Queen Page #7

Synopsis: September 1914, news reaches the colony German Eastern Africa that Germany is at war, so Reverend Samuel Sayer became a hostile foreigner. German imperial troops burn down his mission; he is beaten and dies of fever. His well-educated, snobbish sister Rose Sayer buries him and leaves by the only available transport, the dilapidated river steamboat 'African Queen' of grumpy Charlie Allnut. As if a long difficult journey without any comfort weren't bad enough for such odd companions, she is determined to find a way to do their bit for the British war effort (and avenge her brother) and aims high, as God is obviously on their side: construct their own equipment, a torpedo and the converted steamboat, to take out a huge German warship, the Louisa, which is hard to find on the giant lake and first of all to reach, in fact as daunting an expedition as anyone attempted since the late adventurous explorer John Speakes, but she presses till Charlie accepts to steam up the Ulana, about to brave
Director(s): John Huston
Production: Twentieth Century Fox Home Entertainment
  Won 1 Oscar. Another 2 wins & 9 nominations.
 
IMDB:
7.9
Metacritic:
91
Rotten Tomatoes:
98%
PG
Year:
1951
105 min
1,227 Views


right down near the waterline,

so when we rammed you...

And where is the African Queen?

She sank in the storm.

But how did you get onto the lake?

We came down the Ulanga,

the Bora, you call it down here.

- That's impossible.

- Nevertheless.

But everyone knows

the river is unnavigable.

That may be.

We came down it, though,

didn't we, Charlie?

And in the African Queen.

Would you hang us together, please?

- Now, wait a minute. Hey, Captain.

- Yes?

- Will you grant us a last request?

- What is it?

- Marry us.

- What?

We want to get married.

Ship captains can do that, can't they?

- Yeah.

- Why, Charlie, what a lovely idea.

What kind of craziness is this?

Come on, Captain,

it'll only take a minute,

and it'll mean such a lot to the lady.

Very well, if you wish it absolutely.

What are the names again?

- Charles.

- Rosie. Rose.

Do you, Charles, take this woman

to be your lawful wedded wife?

Yes, sir.

Do you, Rose, take this man

to be your lawful wedded husband?

I do.

By the authority vested in me

by Kaiser Wilhelm II,

I pronounce you man and wife.

Proceed with the execution.

Hey, what happened?

We did it, Charlie! We did it!

But how?

Well, what do you think?

You all right, Mrs. Allnut?

Wonderful. Simply wonderful.

And you, Mr. Allnut?

Pretty good for an old, married man.

I'm all twisted around, Charlie.

Which way is the east shore?

The way we're swimming, old girl.

There was a bold fisherman

Set sail from off Pimlico

To catch the bold picky

And the gay mackerel

But when he got off Pimlico

The wind did begin to blow...

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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