The Amazing Spider-Man 2 Page #5

Synopsis: We've always known that Spider-Man's most important conflict has been within himself: the struggle between the ordinary obligations of Peter Parker and the extraordinary responsibilities of Spider-Man. But in The Amazing Spider-Man 2, Peter Parker finds that his greatest battle is about to begin. It's great to be Spider-Man. For Peter Parker, there's no feeling quite like swinging between skyscrapers, embracing being the hero, and spending time with Gwen. But being Spider-Man comes at a price: only Spider-Man can protect his fellow New Yorkers from the formidable villains that threaten the city. With the emergence of Electro, Peter must confront a foe far more powerful than he. And as his old friend, Harry Osborn, returns, Peter comes to realize that all of his enemies have one thing in common: Oscorp.
Director(s): Marc Webb
Production: Sony Pictures
  3 wins & 29 nominations.
 
IMDB:
6.7
Metacritic:
53
Rotten Tomatoes:
52%
PG-13
Year:
2014
142 min
$183,277,573
Website
25,620 Views


- COP 2:
I'm gonna need for you

- Please!

- to get down on the ground, now!

For your own safety and the safety

of the other patrons in this area.

()

Oh, my gosh.

They see me. You see me.

You see me.

They see me.

- No! No! Stop!

- On the ground now!

- Don't do that. Please!

- MAN:
It's over, freak!

MAX:
Wait! It's not my fault.

It's not my fault!

(COPS SHOUTING INDISTINCTLY)

I said stop!

(YELLS)

()

I'm glad you're not one of

those cops that rides a horse.

(WOMAN SHRIEKS)

()

All team members, hold your

fire and wait for my call.

(OVER RADIO) All units, hold your fire!

I repeat, hold your fire! Stand down!

Stop. Stop it.

Yo, Sparkles!

Hey, how you doing?

- It's you?

- Yeah, I know it's me.

Who are you?

You don't remember me?

SPIDER-MAN:
No. Should I?

I walked into the street. The car

almost hit me. You swooped me up.

You saved me.

You said you needed me.

- You're the guy with the blueprints.

- Yes.

Blueprints.

Yes, I remember you. Of course I

remember you. You're my eyes and ears.

- Uh, what's your name again?

- How could you forget me?

- I do, I know it, I know it, don't tell me.

- It's Max.

- Is it "Max"?

- Yes.

I'm sorry I didn't

recognize you with the...

You look different.

How are you?

I don't know what's

going on with me.

I can see that. I can...

I believe you.

It's strange, the power

I feel. I got so much...

I got so much anger.

SPIDER-MAN:
I can see that. I can see you

don't wanna be here and you're scared.

I see you don't know

what's happening to you.

I can see you don't want to

hurt anybody.

- It's gonna be all right.

- SNIPER:
Got a clear shot. Standing by.

- I don't want them shooting me anymore.

- They won't.

You guys. This is my buddy, Max.

I told you about Max.

No one shoots at Max!

You and me, okay? It's just you

and me talking. Whoa, whoa.

Stay right there. Just be careful.

The grate, because of the electricity.

I just...

I just wanted everyone to see me.

LEADER:

He makes a move, take that shot.

How about you come with me?

We'll go talk.

Away from all these people, okay?

Yeah, yes.

No! No! Stop!

()

Max!

(ALL CHEERING)

ALL (CHANTING):

Spidey, Spidey, Spidey!

MAN 1:
You stupid freak!

(CROWD BOOING

AND SHOUTING INDISTINCTLY)

WOMAN:
Electro dummy!

He lied to me

He shot at me

MAN 2:
Get out of here, you freak!

Shut up!

Fragility

Electricity

You're so selfish.

Stay with me, Max.

You set me up.

No, I didn't set you up.

You lied to me!

No, I'm trying to help you.

Let me help you.

That Spider-Man

He is my enemy

()

(GRUNTS)

(GRUNTS)

()

WOMAN:
Are you all right?

(ALL CLAMORING)

(ALL CHEERING)

It's my birthday.

Now it's time for me

to light my candles.

()

They shot at me

They hate on me

They're using me

Afraid

Of me

They're dead to me

They lied to me

They shot at me

They hate on me

They're dead to me

(YELLS)

()

(ALL CLAMORING)

COP:

Do we have visual on Spider-Man?

Does anyone have visual

on Spider-Man?

(GRUNTS)

Okay. All right, that's

enough. All right.

- Mike.

- Yeah.

- Big John.

- Nice job.

SPIDER-MAN:
Nice work, fellas.

It's a pleasure doing

business with you.

Spider-Man.

()

(SIGHING)

England?

Really?

Good talk.

(GROANS)

()

NEWS ANCHOR (ON TV):

Our coverage

of this breaking story begins with New

York 1's Jessica Abo at the scene.

That's right. We're standing

here with two eyewitnesses

who are going to tell

us what they just saw.

Tell us, how do you think

Spider-Man did it?

How do you think

he beat this creature?

Yeah, it's gotta be rubberized, Spidey's suit.

That's why he didn't get electrocuted.

Probably some kind of neoprene.

That's what I'd use.

JESSICA:
Thank you very

much to the two of you.

As you can tell, so many questions

remain unanswered.

We will bring you the latest

information as it becomes available.

For now, Jessica Abo, New York 1.

Let's send it back to you.

(BLOWS)

(PHILLIP PHILLIPS' "GONE, GONE,

GONE" PLAYING OVER EARPHONES)

When life leaves you high and dry

I'll be at your door tonight

If you need help, if you need help

I'll shut down the city lights

I'll lie, cheat

I'll beg and bribe

To make you well

To make you well

When enemies are at your door

I'll carry you away from war

If you need help

If you need help

Your hope dangling by a string

I'll share in your suffering

To make you well

To make you well

Give me reasons to believe

That you would do

The same for me

And I would do it

For you

For you

Baby, I'm not moving on

I'll love you long

After you're gone

For you

For you

You will never sleep alone

I'll love you long

after you're gone

For you

For you

Baby, I'm not moving on

I'll love you long

Long after you're gone

Like a drum, baby

Don't stop beating

Like a drum, baby

Don't stop beating

Like a drum

My heart never stops beating for you

And long after

You're gone, gone, gone

I'll love you long after

You're gone, gone, gone

Online polls show a sudden uptick

in public sentiment in

favor of the web-crawler.

Tonight, it would seem New York City

owes him a debt of gratitude.

()

(GROANS)

(DEVICE BEEPING)

KARI:

Next-generation military body armor.

Features include enhanced mobility,

battlefield injury repair,

direct nervous system interface.

So the common household spider,

um, unlike human cells,

theirs contain the

power to self-heal

from severe infection,

tissue damage, et cetera.

We've used a radioactive isotope

with compatible human DNA.

JALLINGS (ON COMPUTER): Welcome

to Dr. Jallings, Science Investigator.

Today we're going to be

talking about electricity.

Batteries, insulators,

electromagnetic currents.

Batteries can withstand

a lot of incoming charges.

The more powerful the battery,

the bigger the charge it can withstand.

But if the incoming charge

exceeds the outgoing charge

- the battery might explode!

- Ouch!

Explode!

Boom!

When doing experiments like this,

always wear protective gear.

You're not invincible.

We're gonna need a bigger battery.

(KID CUDI'S "PURSUI OF HAPPINESS" PLAYING)

(GROANS)

(SHRIEKS)

("SPIDER-MAN THEME"

PLAYING AS RINGTONE)

(PETER GROANS)

(HAMMER CLATTERS)

- Hello.

- HARRY (OVER PHONE): Pete.

It's me.

Hey, Harry. What...?

What time is it?

Uh, late, early, I don't know.

I've been up all night.

I need to see you.

You all right?

Not really, Pete.

I'm dying.

But I think you can help

save my life.

You're looking at the world's

first human-spider hybrids.

RICHARD:
The hope is to extract

the venom from their glands

and turn that into a cure.

An agent that heals diseased cells.

NORMAN:
And if I can be cured, imagine

what this could do for other diseases

like Alzheimer's, even cancer.

HARRY:

They never made it to human trials.

It's 14 years of research,

and nothing to show for it.

Except maybe this.

()

Spider-Man.

What about him?

He was bitten by one of

those things, and it worked.

I don't know how

and I don't know why,

Rate this script:4.5 / 13 votes

Alex Kurtzman

Alex Kurtzman (born September 7, 1973) is an American film and television writer, producer, and director. He is best known for co-writing the scripts to Transformers, Star Trek, Star Trek Into Darkness, and The Amazing Spider-Man 2 with his writing and producing partner Roberto Orci, and directing and co-writing The Mummy. more…

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Submitted on August 05, 2018

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