The Amazing Spider-Man 2 Page #7

Synopsis: We've always known that Spider-Man's most important conflict has been within himself: the struggle between the ordinary obligations of Peter Parker and the extraordinary responsibilities of Spider-Man. But in The Amazing Spider-Man 2, Peter Parker finds that his greatest battle is about to begin. It's great to be Spider-Man. For Peter Parker, there's no feeling quite like swinging between skyscrapers, embracing being the hero, and spending time with Gwen. But being Spider-Man comes at a price: only Spider-Man can protect his fellow New Yorkers from the formidable villains that threaten the city. With the emergence of Electro, Peter must confront a foe far more powerful than he. And as his old friend, Harry Osborn, returns, Peter comes to realize that all of his enemies have one thing in common: Oscorp.
Director(s): Marc Webb
Production: Sony Pictures
  3 wins & 29 nominations.
 
IMDB:
6.7
Metacritic:
53
Rotten Tomatoes:
52%
PG-13
Year:
2014
142 min
$183,277,573
Website
25,625 Views


would pay a lot for it.

And that's why he ran off with it.

They said he was a traitor.

I couldn't believe it, Peter.

They told us he betrayed

his best friend, all of us,

for the money.

I don't...

Oh, I don't get it. No, I don't...

This doesn't make sense.

Yes, I know. I know. I didn't

believe it either. I didn't believe it.

It doesn't make any sense.

Peter, I don't know.

For so long, I would play it over

and over and over in my head.

What had I missed?

What had I missed?

He was just this

normal, unassuming guy.

He wore the same ratty

lab coat for 20 years.

He took the D train to

work at 7 every morning.

Came home at 6 every night.

I don't know.

Maybe everyone has

a part of themselves they hide.

Even from the people they love.

Peter.

Peter.

SPIDER-MAN:
Mr. Osborn.

Look up.

Think you're looking for me.

HARRY:
I cannot believe my eyes.

Spider-Man.

(CHUCKLES)

Just the man I wanted to see.

You, um...

talked to Peter?

Yeah.

I wanna help you, Mr.

Osborn. I really, really do.

I can't give you my blood.

Not right now.

Excuse me?

It's too dangerous.

If our blood is incompatible,

you could die.

I'm already dying.

Your blood can't make me die more.

But it could do something worse.

()

Okay.

All right, how much?

- How much what?

- How much do you want? Name it.

You want a boat? You want a plane? You

want money? How much do you want?

- I don't want your money.

- Come on. Everybody wants my money!

I don't.

I thought you...

I thought you were

supposed to save people.

I thought that's what you do,

is you save people's lives.

You're... You're just gonna

let me die.

- I'm trying to protect you right now.

- No. No, you are not.

You're trying to protect yourself.

Look, we just need a bit more time

- to figure out something else.

- I do not have time!

(GROANS)

(PANTING)

I'm sorry.

(GRUNTS)

You're a fraud, Spider-Man! Unh!

(SIGHS)

()

- Unh! Hey! Hi.

- Hi.

- Hi, I gotta talk to you for a second.

- I'm running late right now.

- It's just gonna take a second.

- I can't. I'm sorry, Peter.

Just give me one minute. I just

wanna say one thing and I'm gone.

- Everything's a mess. Everything's insane.

- Shh. Shh.

My dad, my mom. Everything

I thought about them? Lies.

Ha! Lies. Lies, lies, lies. Nothing

makes any sense anymore.

I gotta figure out what

I'm gonna do with Harry.

Of course I wanna

save him. You know?

I wanna save him

because he's my best pal.

And what if my blood works?

But what if it doesn't?

I don't know. I got no idea.

(PETER LAUGHING AND GWEN CHUCKLING)

- Oh, God.

- I got nothing. I got nothing.

The only thing I keep

coming back to, Gwen, is...

(SIGHS)

WOMAN:
Ms. Stacy?

Shall I take you upstairs?

Yes. I'm so sorry.

I'm so sorry. I'm already late.

Can I have just one more minute?

- Okay.

- GWEN:
Thank you. I'm sorry.

- I'm... Ahem. Okay. I have to be...

- (WHISPERING) Where are we?

I'm at my...

last interview for

Oxford right now.

- Oxford. I didn't know.

- Yeah.

Oh. Okay, well...

I'm sorry to bother you, uh,

my fair lady... Madam.

But who am I?

I mean, who am I?

I'm John Hopkins.

I'm one of the young

professors at Harvard,

and I've been trying to

get her to be in my...

Be a part of my team

for a while now.

And she's just the best person

I know and a scientific genius.

And...

Anyway, God save the queen.

- I'm sorry everything's happening...

- GWEN:
Can you wait?

Peter. Peter.

What do you want to say to me?

What's the "one thing"?

(SIGHS)

()

I have to go to England, Peter.

It's important to me.

I mean, I don't know. Maybe

we're on different paths right now.

You know? I don't know.

Maybe we're just

going different ways. I don't...

I've gotta go. I gotta go.

Gwen.

Good luck.

GWEN:
Hi. Sorry.

()

()

(GLASS SHATTERS)

()

MAY:
He took the D train

every morning at 7 to work.

Came home at 6:
00 every evening.

()

"Roosevelt's secret station.

Track 61, a secret

subterranean extension

of New York's D Line train

under Pershing Square

built to transport President Franklin

Roosevelt away from the public eye,

to keep his polio hidden

from the American people."

(GASPS)

Mr. Osborn?

You all right?

Is there anything I can get you?

No, not unless you can bring

those spiders back to life.

Spiders?

The ones that they destroyed...

"to restore investor confidence."

Go home, Felicia.

Take the day off.

FELICIA:
Harry.

I think there may be another way

to get what you're looking for.

I overheard Menken talking

with one of our security heads.

Before they destroyed the spiders,

they had the venom extracted.

Uh, what?

What are you saying?

That way, they could

comply with the lawsuits,

but still keep the data in

case it ever became useful.

Where is it?

It's somewhere in the building.

It's somewhere off-books

called "Special Projects."

()

KARI:
Special Projects.

Most recent entry:

One hour ago.

"Approved by Harry Osborn."

Accessing Ravencroft Archive.

File 713.

What the hell?

File 71.

Subject:
Dillon, Max.

And then I'm gonna kill the light

so everyone in this city is gonna

know how it feels to live in my world.

A world without power.

A world

without Spider-Man.

Warning:

Your user access has been revoked.

FELICIA:
He's busy. You can't

go in there. He's busy.

What did you do?

The more relevant question is

what did you do?

An employee is killed and in your

first action as CEO, you cover it up.

No, you covered it up. Then you buried

him in the bughouse using my name.

Ravencroft is a timeworn institution

devoted to mental improvement.

You are experimenting

on people in there.

Progress has its stepping stones.

Now, in light of your deceptive

criminal actions, you've been...

How do I put this gently?

fired.

You are not going to bury me too.

Looks to me like you're

halfway in the ground already.

It's only a matter of time.

You're going to die

a horrible death.

Like your father.

The difference is,

no one is going to miss you.

Get him out.

HARRY:
Wait. Wait.

()

I know my way out.

MAN 1:
A hundred dollars.

Can you believe that?

MAN 2:
Tell you why, you should

put the lid on that but quick.

MAN 1:
I tried. Good luck.

MAN 2:
You should tell her to come down

here and find one of those alligators.

()

(COINS CLATTERING)

(RUMBLING)

()

()

RICHARD:
Test.

My name is Richard Parker.

Whatever lies will

be told about me,

I would like the world

to know the truth.

Oscorp was already a leader

in genetic research

when Norman Osborn made a deal

with a foreign military organization

to continue funding my research.

And I discovered what

they were going to use it for.

Weapons. Biological

weapons, of course.

So I refused.

And now, to eliminate

me from the picture,

Norman Osborn has

falsified evidence against me

in order to take

control of my work.

GUARD 1:
Can I help you?

Uh, yeah, you can open the gate.

I'm Harry Osborn.

Now, there's a patient in that

Isolation Wing that I need to see.

Rate this script:4.5 / 13 votes

Alex Kurtzman

Alex Kurtzman (born September 7, 1973) is an American film and television writer, producer, and director. He is best known for co-writing the scripts to Transformers, Star Trek, Star Trek Into Darkness, and The Amazing Spider-Man 2 with his writing and producing partner Roberto Orci, and directing and co-writing The Mummy. more…

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Submitted on August 05, 2018

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