The American Page #13
They reach a Cypress tree and FATHER BENEDETTO bows his head
in prayer.
"The American" June 21st, 2010 page 69. page 69.
He gives a small sideways glance at JACK.
JACK:
All men are sinners.
FATHER BENEDETTO
others. And those who seek peace
have much sinning in their history.
JACK:
I don’t seek peace.
FATHER BENEDETTO
Until now.
JACK:
Maybe.
FATHER BENEDETTO
Forgive me. This is the priest in
me speaking. But you have done much
sinning, Signor Clarke. You still
do.
JACK:
Well you know, I see a whore. She’s
young enough to be my daughter.
FATHER BENEDETTO
I do not refer to the sins of
carnality. But to the deadly
sins...
"The American" June 21st, 2010 page 70. page 70.
JACK:
Aren’t all sins equal?
FATHER BENEDETTO
We are not discussing theology, my
friend, but you.
JACK is silent.
FATHER BENEDETTO
What job do you do, Signor? Are you
on the run, as they say?
JACK:
Everyone’s on the run from
something.
FATHER BENEDETTO
Some men watch some of the shadows.
You watch them all.
JACK:
Everything I’ve done, I’ve had good
cause to do.
FATHER BENEDETTO
Do you wish to tell me?
JACK:
Confess?
FATHER BENEDETTO
Yes.
JACK:
For what reason?
FATHER BENEDETTO
For your own sake. Perhaps I can
pray for you?
A YOUNG COUPLE kissing on a nearby bench are part hidden by
the shade of the trees.
FATHER BENEDETTO
I wonder how many bastards have
been made here?
A change of pace.
"The American" June 21st, 2010 page 71. page 71.
FATHER BENEDETTO
You work in metal. You are given
some steel by Fabio, the car
doctor.
They stare at one another. JACK wants to confess. He does not
know why. But he doesn’t.
The couple catches JACK’s eye and he does something we’re not
expecting:
JACK:
Was he conceived here father?
Fabio. The ‘car doctor’?
FATHER BENEDETTO is motionless.
FATHER BENEDETTO
Why do you ask me that?
JACK:
You have each other’s photos, you
have each other’s eyes. Where was
he conceived, Father? Under one of
these trees? At night? Like all the
other bastards?
There is a very, very long pause. FATHER BENEDETTO stares up
at JACK with extraordinary intensity.
"The American" June 21st, 2010 page 72. page 72.
FATHER BENEDETTO
I do not remember, Signore. It was
many years ago.
FATHER BENEDETTO walks. JACK follows. A gust of wind makes
dust swirl from the gravel path. The two men do not speak
again until they reach the next set of Cyprus trees.
FATHER BENEDETTO
In the end it is I who confesses to
you.
JACK:
And you want me to do the same?
FATHER BENEDETTO
Perhaps. For your own good. You
cannot doubt the existence of Hell.
You live in it. It is a place
without love. As for me, I go about
my daily duties because the town
requires it of me. Some know what
you know. Perhaps I have no right
to wear these robes. But I do have
a heart full of a father’s love.
Something close to His heart! And
for that I am both grateful and
happy.
On JACK.
FATHER BENEDETTO
What do you have, my friend?
Another gust of wind. The priest looks up into JACK's face.
The assassin’s eyes are red and stinging. Perhaps its from
the dust.
107 INT. JACK'S ROOM- EVENING 107
JACK dresses very carefully for dinner. He checks himself in
the mirror.
It is clear he wishes to make a favourable impression upon
CLARA.
108 INT. LOCANDA GRAPELLI- EVENING 108
Of the thirty or so candle-lit tables that dot the
restaurant, more than half are occupied by romantic couples.
"The American" June 21st, 2010 page 73. page 73.
JACK scans the tables and checks his watch. It’s shortly
after seven pm and there’s no sign of CLARA.
He waits. Then turns to leave.
CLARA (O.S.)
Ciao.
She kisses him once on the lips. She’s hot and flustered.
She’s been rushing.
CLARA:
I did not think you would come.
JACK:
I wasn’t sure you meant me to.
CLARA looks doubtful. It’s the same look she gave him at the
cafe. She is breaking the golden rule of prostitution.
Getting involved. Her heart is pulling one way and her head
another.
CLARA:
Certo.
A WAITER approaches.
WAITER:
Per due?
Judging by his disapproving tone, the WAITER seems to know
what CLARA does for a living. CLARA senses this immediately.
CLARA:
Si.
109 INT. LOCANDA GRAPPELLI- NIGHT 109
CLARA and JACK sit at their table, the WAITER lights their
candle and deposits two menus peremptorily.
CLARA:
Una bottiglia di acqua minerale non
gassata e... una Parasini, per
favore.
Completely ignoring her, the WAITER addresses JACK with a
wink.
WAITER:
Menu in Inglese?
A beat.
JACK:
No, grazie.
"The American" June 21st, 2010 page 74. page 74.
WAITER:
Tedesco? Olandese?
CLARA CLARA:
(to the WAITER, in Parla italiano. Come me.
ITALIAN) Quindi ripeto:
He speaks Italian. So do I.
Listen:
She repeats her order, articulating each word emphatically,
like a teacher to a slow school child:
CLARA:
Una bottiglia di acqua minerale e
una Parasini, per favore.
She isn’t upset. It’s just her way of letting both men know
that she’s in charge.
The WAITER turns to her, deferring to her strength of
character.
WAITER:
Gassata?
CLARA:
Non gassata.
He nods with some genuine deference and leaves.
CLARA sighs.
CLARA:
(mostly to herself)
Gente di paese.
JACK:
Small towns.
JACK smiles. CLARA smiles back. They have this contempt in
common.
The WAITER reappears and pours a thumbful of wine. It is pale
red in colour and frizzante. At CLARA’s insistence, JACK
tastes it. It is dry and has a tar-like aftertaste.
CLARA:
Parasini. From Calabria. It is
good, you will agree?
JACK:
It is. Very good.
"The American" June 21st, 2010 page 74A. page 74A.
He looks at her and- for a brief moment- he undergoes what is
a unique experience for him: a positive longing to repeat
this brief moment many times in the future.
"The American" June 21st, 2010 page 75. page 75.
CLARA catches the glow of his warmth and blossoms.
CLARA:
Can I ask you something, Eduardo?
JACK:
Sure.
CLARA:
You are married?
JACK:
No.
A beat.
JACK:
I doubt any of the couples here
are. With the exception of the
Germans at table seven. She’s
wearing a wedding ring and they
haven’t spoken a word to each other
for eight and half minutes.
CLARA:
I was sure this was your secret.
JACK:
secret?
There’s something desolate about this that JACK can’t hide.
CLARA:
I do not think you are ordinary
man. I think you are good man. But
you have secret.
A GYPSY approaches, offering CLARA a ROSE. She refuses
firmly.
CLARA:
He thinks we are couple.
JACK signals to the GYPSY and buys CLARA a ROSE.
JACK:
Why spoil the illusion?
She looks at him and smiles.
CLARA CLARA:
As long as we know it is an Gi., basta saperlo.
illusion.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The American" Scripts.com. STANDS4 LLC, 2024. Web. 25 Dec. 2024. <https://www.scripts.com/script/the_american_551>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In