The American Scream Page #5
"NO.
YOU CAN'T HAVE A SWING SE BECAUSE WHERE AM I GONNA PUT THE
CEMETERY?"
>> TINA, MY WIFE, DID NOT WAN THIS HOUSE.
IT'S CERTAINLY NOT A DREAM HOUSE
BY ANY MEANS.
>> I TOLD HIM WHEN WE GO MARRIED.
TWO-STORY HOUSE.
BATHROOMS."
I MEAN, IT WASN'T THE HOUSE THA HE FELL IN LOVE WITH.
NEIGHBORHOOD, SO THAT'S WHY HE
WANTED THIS HOUSE.
>> SINGLE-FAMILY HOMES.
IT'S A SAFE NEIGHBORHOOD.
THE HOMES ARE RELATIVELY CLOSE
TOGETHER.
THAT'S IDEAL FOR
TRICK-OR-TREATING.
WHEN I FOUND OUT THIS HOUSE WAS
AVAILABLE IN THIS NEIGHBORHOOD,
YOU KNOW, I KNEW I'D BE HAUNTING
EVERY OCTOBER.
>> ALL RIGHT, WELL, I'M GONNA
HAVE TO GO HOME, KATHERINE, SO
I'LL SEE YOU.
>> OKAY.
>> Both:
BYE.>> SEE YA.
SEE YA.
>> OKAY, SO...
COME ON, MATT.
DID YOU HEAR THAT STORY ABOU THAT GIRL THAT GOT STOLEN WHEN
SHE WAS 8, AND THEN SHE WAS KEP IN A SHED ALL HER LIFE, AND THEN
ME AND MY SISTER ALWAYS FIGHT,
SO I WANT TO GET AWAY FROM HER
SOMETIMES.
WE SHARE A ROOM, AND THIS ROOM
IS, LIKE, CLOSET SPACE.
EVERYTHING'S SHOVED IN.
MYSELF.
>> THERE'S A LOT OF SACRIFICES.
MONEY, AND I COULD HAVE DUMPED
AND WE WOULD LIVE COMFORTABLY,
BUT NOBODY WOULD HAVE REMEMBERED
US, YOU KNOW?
FACE DOWN.
CLUBHOUSE, LIKE, MY ENTIRE LIFE.
THEY COME OFF THAT TREE DURING
THE HURRICANE.
>> YEAH, WE'RE GONNA USE THEM IN
THE CEMETERY.
>> BUT DADDY FORGOT ABOUT IT, SO
KIDDO?
>> GOOD.
>> YOU LIKE THIS LITTLE SPACE,
HUH?
>> YES. I DO.
>> I KNOW.
WE'LL SEE IF WE CAN DO SOMETHING
IN THE SPRING, OKAY?
HERE.
WALLS, SEE WHAT IT LOOKS LIKE.
BUT I THINK IT'S ALL WORTH IT,
>> LET ME TALK YOU THROUGH THE
SCENES, AND MAYBE YOU CAN GIVE
ME SOME IDEAS, FINISHING
TOUCHES.
THERE'S GONNA BE A HALLWAY HERE
SO YOU WON'T SEE ALL THIS CRAP.
>> [ SCREAMS ]
WHAT THE...
>> OH, THAT'S AWESOME!
I LOVE THAT!
THIS YEAR.
>> THAT'S CUTE.
>> SO, WHEN PEOPLE COME BY HERE,
BARBARA, THIS LIGHT WILL BE ON,
FLICKERING.
CONSTANT.
>> I FIRST MET MATTY B. IN HIGH
SCHOOL.
HE GRADUATED THE YEAR BEFORE ME,
BUT WE KIND OF -- WE STAYED IN
TOUCH.
AND THEN I JUST STARTED HANGING
>> BOO!
>> AAH! [ LAUGHS ]
>> I THINK THAT'LL SCARE PEOPLE.
>> WHAT THE...
GOING-OUT-TO-EAT STARTED.
ACTUALLY GOT TO VISIT HIS HOUSE
ON THE INSIDE.
>> I AIN'T GOT NOBODY
SHE HELPS ME OUT WITH THIS, AND
WE DO A LOT OF OTHER PROJECTS.
SHE'S A GOOD FRIEND, AND SHE'S
REALLY APPRECIATE THAT.
ENOUGH.
>> IT'S NOT THAT HE DOESN'T HAVE
ANY FRIENDS.
IT'S JUST THAT HE'S VERY CHOOSY
MATT'S BEST FRIEND?
MATT'S ULTIMATE BEST FRIEND IS
HIS DAD.
>> MATTHEW IS DEFINITELY MY BES FRIEND, THE BEST BUDDY I GOT.
THE ONLY TIME WE'RE NOT TOGETHER
COASTERS, AND I WILL STAY ON THE
GROUND.
WENT TO A HAUNT, AND
LEAVE THE HAUNT, 'CAUSE YOU
BUT THAT'S OKAY.
THAT -- I THINK HE SHOWED A LO OF GUMPTION, YOU KNOW?
WHOOPS. I'M DROPPING THEM.
I'M A LITTLE EASIER-GOING.
IF SOMETHING AIN'T PERFECT, I'LL
SAY, "GOOD ENOUGH," AND HE SAYS,
ALWAYS FIGHT ON.
>> SO, THINK YOU MIGHT BE ABLE
>> YES, SIR.
DECISIONS TOGETHER, AND I THINK
THAT THAT MAKES THEM ESSENTIALLY
>> I'LL DO THAT. YOU HOLD THAT.
>> OKAY. I'M TRYING.
>> NO MATTER HOW ANGRY WE GET A EACH OTHER SOMETIMES -- AND,
THIS ISN'T ABOUT US.
THE PEOPLE THAT COME THROUGH THE
YARD AND ALSO THE KIDS THA WE'RE DOING THIS FOR.
[ ELECTRICITY CRACKLES ]
NO, NO, NO.
DAD.
THE ENDS ARE KIND OF LIKE THIS.
THEY'RE RIPPED.
TRYING TO DO.
RIPPED.
BEFORE.
>> MATTY B'S GOT A SHORT TEMPER
SOMETIMES.
LIKE, NOT LIKE A HORRIBLE, LIKE,
SHORT TEMPER.
>> [BLEEP]
>> HE DOES GET A LITTLE CRABBY
SOMETIMES WHEN HE GETS STRESSED
OUT.
>> YOU THERE?
DAD?
HELLO?
>> WAIT, I CAN'T SEE IT.
THERE, PLEASE.
>> WELL, I DON'T KNOW WHERE I IS.
FOLLOW THE WIRES.
SEE THE WIRE?
>> I SEE ONE WIRE, COMING UP TO
THIS.
>> YEAH, I DON'T SEE IT!
>> IT'S OVER HERE!
>> WELL, I DON'T SEE IT, MATT!
SUCH A --
>> DON'T START.
HERE.
I FOUND IT.
>> I SEE ONE WIRE COMING OUT OF
THAT ROOM.
>> OKAY.
>> I AM.
>> HI.
>> AND WHAT ABOUT THE OTHER WAY?
IT JUST DOESN'T DISAPPEAR INTO
OBLIVION.
[ GRUNTS ]
I CAN'T...
>> DON'T PULL.
>> I CAN'T REACH IT.
>> YEAH.
>> THANK YOU.
>> I THINK THEY COMPLEMENT EACH
OTHER.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The American Scream" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/the_american_scream_19667>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In