The Arrangement Page #7

Synopsis: Eddie is a very rich man who has everything he wants; money, family, success, but a car crash causes him to reevaluate the life he leads. Searching for the happiness he lost, he remembers his one-time lover, Gwen, even as his wife conspires to take his fortune...
Genre: Drama, Romance
Director(s): Elia Kazan
Production: Warner Home Video
  1 win & 2 nominations.
 
IMDB:
6.6
Rotten Tomatoes:
14%
R
Year:
1969
125 min
266 Views


- You're selfish, mean-

- You have my blood, my brains.

- I have my blood, my brains!

- Look your face!

- I am not like you!

- You same goods like me.

- I was never like you!

- Now, why you don't give me money?

"Money, money, money. "

- I'm a bad business risk.

- I'm ashamed to be your son!

In your place, I do exactly that!

- You said-?

- I said, "I'm ashamed to be your son. "

All right.

Sam finished. Sam Arness finished.

All right.

All right.

First time in 45 years, I wasn't able

to control what I felt about that old man.

Eddie, look, what's that?

Evangelos!

Evangelos!

Evangelos!

Mr. Anderson?

Mr. Anderson.

Don't worry, Charles, I'm going away.

Where?

Into myself.

You're what?

You better see a doctor.

A priest. See a priest.

One last thing.

I don't know exactly who Andy's father is

and I don't care...

...but I did my arithmetic...

...and he's not yours.

So it's better this way, right?

Right.

Thomna! Thomna!

Thomna!

What's this bill? Tuition?

What's that? Tuition.

Thomna.

You put Shakespeare college

in this damn-fool boy's head?

All my life I work,

make business for this boy future.

And now when I need him,

you teach him leave his father.

Evangelos!

Taxi, I'm ready.

Sam, it's the boy's life.

He doesn't want rug business.

He wants something different.

Oh, Mom.

What the hell kind of lesson

was that to give a boy?

I can't blame Pop. You should've-

You should've taught me

to stick up for myself.

Not that, Mom.

Not that.

Are you out of your goddamn mind?

- clean. And when are you

going to change to Zephyr?

Now, what is it, your mother's fault,

your father's fault?

What's that, Freud? You are you, kid.

Eddie Anderson, the indispensable man.

All right.

Let's get down to nuts and bolts.

Congratulations.

- Congratulations.

- I've always said, time-

You had power, then.

Remember what it felt like? Power.

Ram it in.

Power.

The fact is, without your job and without

the money in your pocket, you're nothing.

Well, look at you.

The most impressive

part of you right now?

That cigar.

Hey, don't look at me like that, baby.

If you think you're gonna get rid of me,

you're out of your mind.

You had the perfect arrangement.

Fat job, beautiful house,

understanding wife.

All the side nooky you could handle.

You had it all.

You did.

What is that, Edward?

A little composition of your own?

They're coming to get you, Eddie.

- Edward.

- The Marines.

Edward, since I've come 3000 miles

solely for the purpose of talking to you...

...I don't think I should be required

to do so through a screen.

Edward.

Edward, I've come all the way

from California to chat with you.

And I'm going to chat with you.

Edward, you look terrible.

What are you doing to yourself?

This is not you. Something

has taken possession of you, Edward.

Come on now, snap out of it.

What? I can't hear you.

- This is me.

- Applesauce.

- Damn fool.

- Had it all.

You did.

Edward.

I'm gonna have to protect you and yours,

Florence in particular...

...from whatever demon

is at work inside of you.

And if extreme measures are necessary-

And at this point I think they may be.

- I will most certainly take them.

You are causing havoc on all sides.

You start by kidnapping a man

who doesn't know which end's up.

- Evangelos.

- Where is he? My father.

For reasons that are obvious,

I'm not prepared to tell you.

- He's my goddamn father.

- He's in excellent care.

- Where?

- Where he ought to be.

In a home for the aged and incompetent.

Evangelos.

- "Incompetent. "

- Yes, Edward.

I'm sorry, but you've got to be made

to face the facts.

Goddamn it, Edward,

pay attention to me.

If you don't like the way we live,

change it.

Be fair, be just, Eddie.

Time is short, Edward, but this marriage

can still be made to work.

That is what I consider to be my duty

as your family lawyer.

Darling, if I didn't see you through this,

what would I be for?

What would I be for?

Will you stop wandering and listen?

Forget the property involved,

although it's considerable.

But Florence, Edward, Florence.

You' re married, you damn fool,

to the perfect woman.

There isn't a man I know

who doesn't envy you.

How many women, I ask you, would

have endured what Florence has endured?

Maybe Florence shouldn't have.

Some instinct tells her that this marriage

can still be made to work...

...even though she's in a state of shock

and- Oh, hell.

Oh, Eddie, I know it's going to be

good again like it was in the beginning.

- I have faith in that.

- Faithless!

Incidentally, is the young lady

still upstairs?

And the way I really am.

Are you preparing a divorce action?

That will not be necessary,

providing you do precisely as I say.

You never meant it

when you said you'd leave your wife.

And that is...?

First, I want you,

for your own deepest good...

...to go away somewhere

for a long, long rest.

In a home for the incompetent?

Somewhere. I'll overlook the sarcasm.

Somewhere so that

you can regain your balance...

...reconstitute your sense of values.

- And so that Florence, well, can recover.

- Are you in love with my wife?

I beg your pardon?

I hit on something, didn't I?

I must try to remember

that you are in a paranoid state.

But I will say this:

Florence is an extraordinary woman...

...who is being slaughtered

by an ego run wild.

Since you won't believe me,

I suggest you ask Ellen...

- ... who drove out here with me-

- He's right, Daddy.

Mommy.

Hello, darling-

Look.

Hello, Florence.

Excuse me.

Dr. Leibman, Eddie's here.

Should I stay out a little longer?

No, no, of course not, come in. Come in.

Well, if it isn't my old playmate.

Well, if it isn't my old playmate.

I smell money. I smell money.

Whenever I see a psychoanalyst

and a lawyer, I smell money...

...but this time, I smell it all around me.

Florence, may I ask you

to explain that remark?

Dr. Leibman, please.

I have an appointment.

- Well, I'm going back on the 6:00 plane.

- I got a date with a manicurist downstairs.

I can fix it up for you too.

She's a little hairy here and there but-

- Edward, Edward.

- I need a quick consultation.

Can we have a quick consultation,

doctor?

Are you in love with my wife too?

Well, she is attractive.

You're so cute. I love his mustache.

I'd spend the whole week

playing with you, hold my hand.

- Edward, do you mind?

- You're damn right I mind.

I came here to talk to my wife, I didn't-

Arthur. Arthur, stop wandering.

Pay attention, please.

- Arthur, do something.

- All right.

- Thank you.

- Just- Let's settle back.

I smell money.

Oh, I can still smell money.

Am I getting warmer?

Is this what it's all about?

"Community property: both houses,

all land, art objects...

...automobiles, furniture, effects-" You

forgot the contents of the Deepfreeze.

"- to my wife Florence until I am, in her

judgment, again a responsible person. "

"Her judgment"?

Oh, well, give me a pen.

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Elia Kazan

Elia Kazan (; born Elias Kazantzoglou; September 7, 1909 – September 28, 2003) was a Greek-American director, producer, writer and actor, described by The New York Times as "one of the most honored and influential directors in Broadway and Hollywood history".He was born in Constantinople (now Istanbul, Turkey), to Cappadocian Greek parents. After attending Williams College and then the Yale School of Drama, he acted professionally for eight years, later joining the Group Theatre in 1932, and co-founded the Actors Studio in 1947. With Robert Lewis and Cheryl Crawford, his actors' studio introduced "Method Acting" under the direction of Lee Strasberg. Kazan acted in a few films, including City for Conquest (1940).Noted for drawing out the best dramatic performances from his actors, he directed 21 actors to Oscar nominations, resulting in nine wins. He directed a string of successful films, including A Streetcar Named Desire (1951), On the Waterfront (1954), and East of Eden (1955). During his career, he won two Oscars as Best Director, three Tony Awards, and four Golden Globes. He also received an Honorary Oscar. His films were concerned with personal or social issues of special concern to him. Kazan writes, "I don't move unless I have some empathy with the basic theme." His first such "issue" film was Gentleman's Agreement (1947), with Gregory Peck, which dealt with anti-Semitism in America. It received 8 Oscar nominations and 3 wins, including Kazan's first for Best Director. It was followed by Pinky, one of the first films in mainstream Hollywood to address racial prejudice against black people. In 1954, he directed On the Waterfront, a film about union corruption on the New York harbor waterfront. A Streetcar Named Desire (1951), an adaptation of the stage play which he had also directed, received 12 Oscar nominations, winning 4, and was Marlon Brando's breakthrough role. In 1955, he directed John Steinbeck's East of Eden, which introduced James Dean to movie audiences. A turning point in Kazan's career came with his testimony as a witness before the House Committee on Un-American Activities in 1952 at the time of the Hollywood blacklist, which brought him strong negative reactions from many liberal friends and colleagues. His testimony helped end the careers of former acting colleagues Morris Carnovsky and Art Smith, along with ending the work of playwright Clifford Odets. Kazan later justified his act by saying he took "only the more tolerable of two alternatives that were either way painful and wrong." Nearly a half-century later, his anti-Communist testimony continued to cause controversy. When Kazan was awarded an honorary Oscar in 1999, dozens of actors chose not to applaud as 250 demonstrators picketed the event.Kazan influenced the films of the 1950s and '60s with his provocative, issue-driven subjects. Director Stanley Kubrick called him, "without question, the best director we have in America, [and] capable of performing miracles with the actors he uses." Film author Ian Freer concludes that even "if his achievements are tainted by political controversy, the debt Hollywood—and actors everywhere—owes him is enormous." In 2010, Martin Scorsese co-directed the documentary film A Letter to Elia as a personal tribute to Kazan. more…

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Submitted on August 05, 2018

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