The Arrangement Page #9

Synopsis: Eddie is a very rich man who has everything he wants; money, family, success, but a car crash causes him to reevaluate the life he leads. Searching for the happiness he lost, he remembers his one-time lover, Gwen, even as his wife conspires to take his fortune...
Genre: Drama, Romance
Director(s): Elia Kazan
Production: Warner Home Video
  1 win & 2 nominations.
 
IMDB:
6.6
Rotten Tomatoes:
14%
R
Year:
1969
125 min
266 Views


what his nearest neighbor told us.

That at about 9:
00 that night

he heard an explosion.

And when he went to the window,

he saw the old place in flames.

He called the fire department,

rushed over...

...and found Mr. Arness

inside the burning house...

...throwing the furniture, curtains,

anything he could find...

...into the blaze, feeding it.

How Mr. Arness got out,

or where he went, no one could imagine.

I might add, however,

that stored in the cellar of the old place...

...were the commercial records,

files, ledgers, correspondence...

...in fact, the entire history

of his father's business life.

When that old gentleman heard about it,

he broke down and wept.

His whole life.

What?

That was his whole life.

And this? This was where he...?

Dr. Weeks, perhaps you would take over.

We were expecting him to come

to the hospital to visit his father...

...so when I was told that he was

downstairs in a cab, I wasn't surprised.

But I didn't expect to find him

unconscious in a pool of blood, his own.

- Take me to Room 612.

- Take him to Emergency.

- And who did he say shot him?

- Wouldn't say then or later.

Whoever shot him

escaped without a clue.

Mr. Arness lodged no complaint.

Mr. Arness.

It'd help me no end to make this decision

I've got to make about your future...

...if you would tell me

exactly what you're thinking this instant.

I sat there, I watched those flames...

...and I felt better

than I've felt in a long time.

You know. You lit them.

And that's why I came here.

I wanted to thank you for that.

No one else to thank.

Fortunately, both shots,

though aimed at vital spots...

...lodged in extremely fleshy areas.

And though painful, the wounds-

Charles.

I only came here to say thanks.

Don't, Charles. I like you, Charles.

I like you too.

I wanna stay here.

He was railroaded.

You've got him in prison here.

There are days I wish I could get

as mad as you, but it's not allowed here.

I suggest you go see-

- Judge Morris?

- Yes?

Well, Dr. Lloyd tells me you gave him

a great going over this morning.

It's a case of revenge, pure and simple.

His wife and her lawyer-

May I ask just who you are?

- Are you his-?

- I'm- How do they say it?

Just a good friend.

I'm sure that's just what he needs.

I'm sure she didn't mean that

the way it sounded.

Our problem isn't how to keep them in,

it's how to get them to leave.

That place is chock full

of middle-aged dropouts.

They even have a turned-off rabbi

out there.

Yeah, it's a place where-

Well, somebody called it

"a human dumping ground. "

But I kind of resent that.

It's more of an escape hatch,

you might say, from what's outside.

It's a hiding place for the unwanted.

The last stop.

That's why so many of them

do their level damnedest to stay in.

Take our Mr. Arness, for instance.

Apparently, or so they tell me,

he's so happy...

...he hasn't felt the need to address

himself to anyone for two weeks.

You know he can walk out

of that place...

...the minute he has a job

and a roof over his head.

He's not so inclined.

Not in the least.

Nice baby.

Nice baby.

Come on, get up. We' re going.

Don't give me that silent treatment,

Eddie. Come on, get up.

They said that if you had a job

over your head, that you-

Well, that you could leave this place.

I have a job for you, Eddie.

What kind of employment, may I ask?

Gwen, these are my friends.

Well, that's up to him.

Madam, that's hardly

worth leaving here for.

Well, when these old people break a hip

so they can't walk, they can't stand...

...the chance of pneumonia is-

Well, like your father.

Before you know it-

Hi, Pop.

- Don't. Don't.

- Oh, but I'm going to.

- Time to go to bed.

- I mean, don't stop. Don't ever stop.

Okay, girls, come on, come on.

So give your family Hollingshead Gravies:

Better than the kind

Mother used to make and quicker.

The sense of touch-

Evangelos. Evangelos...

I'm here, Pop.

T axi here?

I'm ready.

You know, he looked-

Not my father, just a frightened man...

...who wants the same things I want,

another chance.

Another chance.

I love you, Gwen.

Thank you.

mohamed aly

Rate this script:1.0 / 1 vote

Elia Kazan

Elia Kazan (; born Elias Kazantzoglou; September 7, 1909 – September 28, 2003) was a Greek-American director, producer, writer and actor, described by The New York Times as "one of the most honored and influential directors in Broadway and Hollywood history".He was born in Constantinople (now Istanbul, Turkey), to Cappadocian Greek parents. After attending Williams College and then the Yale School of Drama, he acted professionally for eight years, later joining the Group Theatre in 1932, and co-founded the Actors Studio in 1947. With Robert Lewis and Cheryl Crawford, his actors' studio introduced "Method Acting" under the direction of Lee Strasberg. Kazan acted in a few films, including City for Conquest (1940).Noted for drawing out the best dramatic performances from his actors, he directed 21 actors to Oscar nominations, resulting in nine wins. He directed a string of successful films, including A Streetcar Named Desire (1951), On the Waterfront (1954), and East of Eden (1955). During his career, he won two Oscars as Best Director, three Tony Awards, and four Golden Globes. He also received an Honorary Oscar. His films were concerned with personal or social issues of special concern to him. Kazan writes, "I don't move unless I have some empathy with the basic theme." His first such "issue" film was Gentleman's Agreement (1947), with Gregory Peck, which dealt with anti-Semitism in America. It received 8 Oscar nominations and 3 wins, including Kazan's first for Best Director. It was followed by Pinky, one of the first films in mainstream Hollywood to address racial prejudice against black people. In 1954, he directed On the Waterfront, a film about union corruption on the New York harbor waterfront. A Streetcar Named Desire (1951), an adaptation of the stage play which he had also directed, received 12 Oscar nominations, winning 4, and was Marlon Brando's breakthrough role. In 1955, he directed John Steinbeck's East of Eden, which introduced James Dean to movie audiences. A turning point in Kazan's career came with his testimony as a witness before the House Committee on Un-American Activities in 1952 at the time of the Hollywood blacklist, which brought him strong negative reactions from many liberal friends and colleagues. His testimony helped end the careers of former acting colleagues Morris Carnovsky and Art Smith, along with ending the work of playwright Clifford Odets. Kazan later justified his act by saying he took "only the more tolerable of two alternatives that were either way painful and wrong." Nearly a half-century later, his anti-Communist testimony continued to cause controversy. When Kazan was awarded an honorary Oscar in 1999, dozens of actors chose not to applaud as 250 demonstrators picketed the event.Kazan influenced the films of the 1950s and '60s with his provocative, issue-driven subjects. Director Stanley Kubrick called him, "without question, the best director we have in America, [and] capable of performing miracles with the actors he uses." Film author Ian Freer concludes that even "if his achievements are tainted by political controversy, the debt Hollywood—and actors everywhere—owes him is enormous." In 2010, Martin Scorsese co-directed the documentary film A Letter to Elia as a personal tribute to Kazan. more…

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