The Asphalt Jungle Page #4

Synopsis: When the intelligent criminal Erwin "Doc" Riedenschneider is released from prison, he seeks a fifty thousand-dollar investment from the bookmaker Cobby to recruit a small gang of specialists for a million-dollar heist of jewels from a jewelry. Doc is introduced to the lawyer Alonzo D. Emmerich that offers to finance the whole operation and buy the gems immediately after the burglary. Doc hires the safecracker Louis Ciavelli, the driver Gus Minissi and the gunman Dix Handley to the heist. His plan works perfectly but bad luck and betrayals compromise the steps after the heist and the gangsters need to flee from the police.
Director(s): John Huston
Production: WARNER BROTHERS PICTURES
  Nominated for 4 Oscars. Another 5 wins & 10 nominations.
 
IMDB:
7.9
Rotten Tomatoes:
97%
NOT RATED
Year:
1950
112 min
1,584 Views


Every time I turn around, it costs thousands

of dollars. 10,000 here, 10,000 there.

I gotta... I gotta get out.

I gotta get out from under.

And the irony of it is

that I've got an opportunity...

...and I can't take it.

- Tough.

Bob...

...I'm gonna hand you

the shock of a lifetime.

Did you ever hear of Doc Riedenschneider?

Sure. Behind the walls, isn't he?

No, he's out. He got out last week.

Cobby brought him to me.

He's got a plan, beautifully worked out...

...for the biggest caper ever to be pulled

in the Middle West.

Only, he wants $50,000 backing.

Who would be taken?

Belletier's.

The rocks alone would be worth,

conservatively speaking, half a million.

How much would you get out of it?

- A third of the take.

Brother. You're knocking me out.

What if I were to tell you that I've got

a plan worked out to get it all?

I could tell them that I'd fence

the stuff myself, you see?

Promise them cash on delivery.

Then...

...when the time comes,

I simply wouldn't have the cash.

I'd tell them it'd take

a few days more to raise it.

I'm certain I could get them to leave

the stuff with me while we're waiting.

Go on.

- Well, then I'd disappear.

I'd take a plane to another country,

to another life.

The gold and platinum I could melt up

and sell as bullion, you see.

And the rocks, sell them one at a time.

There'd be no hurry.

They'd last a lifetime.

How wrong can a guy be?

Here I was worrying about your nerves...

...and you were dreaming up

a double-cross like this.

Yes.

But I can't do it,

because I haven't got $50,000.

I can tell you how to raise it.

You? How?

What's in it for me?

- Fifty-fifty.

Okay.

But we may get ourselves killed,

my friend.

Yes, I know.

Well, how do we raise the money?

- Simple. Cobby.

Cobby.

- Believe me.

He can dig it up without half-trying.

Yes.

But what do we tell him?

Why do I need money?

Leave it to me. Cobby wants to feel big.

Here's his chance.

Advancing money

for the great Alonzo P. Emmerich.

He'll do it.

He'll sweat, but he'll do it.

What boxes have you opened?

Cannonball, double door,

even a few fire chests. All of them.

Can you open a vault with a time lock?

- Sure.

What do you use, lock or seam?

- Seam.

Ever taken one?

Remember the Shafter job?

- Yes, I heard about it behind the walls.

It was a good score.

Who supplies your soup?

- I thrash it myself.

How are you as a picklock?

- I can open anything in four minutes.

He'll do.

- You're in.

Not so fast. What's the cut?

No cut. You get a flat guarantee.

I want 30,000.

- 30,000? Now, Louis...

Twenty-five is what we figured.

All right, 15 down.

- Ten down.

Fifteen is satisfactory, I think.

There's your paymaster.

What are you sweating for?

Money makes me sweat, that's all.

It's the way I am.

Who are the others on this job, Doc?

- Haven't got them yet.

There's only one driver,

as far as I'm concerned. Gus Minissi.

Ask Cobby, he knows him.

Gus, 100 percent.

- Get hold of him.

He'll take the heat and won't flap his lip.

- Get hold of him.

Sure, Doc.

Any ideas about a hooligan?

I know a very good heavy. I haven't

seen him in some time. Red Traynor.

He's taking the cure.

- Rule him out.

What about Timmons?

Who's that?

- My doorman.

That busted-down wrestler,

are you kidding?

He's got nothing upstairs but solid knuckle.

I'm a stranger and do not know

as much as you gentlemen...

...but what about this southerner,

this Dix?

He impressed me as a

very determined man...

...and far from stupid.

Frankly, I don't like the guy,

but I never saw a hooligan I did like.

They're like left-handed pitchers.

They all have a screw loose somewhere.

I suppose he's as good

as anybody, though.

Gus thinks he's tops,

and Gus is usually right.

I like him. I say we take him.

Suits me. You're the boss.

Well, I better be getting home now.

Mrs. Ciavelli's worried about the kid.

What's the trouble?

- He's got a cold again.

She takes him out first thing

in the morning. It's cold then.

She claims a baby's gotta taste fresh air.

Like I'm always telling her, 'If you want

fresh air, don't look for it in this town.'

Here.

He's 9 months old there.

I must say, I envy you,

being a family man.

Yeah.

Well, always problems, huh?

One good thing about Dix,

you can get him for nickels and dimes.

Tell me something, Cobby.

It's your money, isn't it?

Not Mr. Emmerich's.

What difference does it make?

- None, really.

It's this way. Mr. Emmerich doesn't want

this transaction appearing in his books.

I'm not risking anything.

He's good for it in case of a runout.

Then you haven't got a worry.

No.

Where are you going?

- I found a place.

A girlfriend's leaving town.

She let me have her apartment.

The rent's paid up till the first of the month.

When did this happen?

- This morning, before you woke up.

I bumped into her on the street.

Remember that tall brunette, used to do

the novelty dances at the Bandwagon?

Blanche LaRue. It sure was nice of her.

I can't go living off you forever, can I?

I was glad to help out.

- Yeah.

Well, maybe I can do something

for you sometime.

You don't owe me a thing. Forget it.

Well...

Goodbye.

How are you fixed for dough?

- A couple of bucks. Enough.

Here, take this and...

No. No, thanks, Dix.

I'm all through bothering.

Give us a kiss, huh?

Doll.

Yes, Dix?

Maybe I'll wanna get in touch with you.

Sure, my new address.

I'll be at 42 Merton Street.

Hello.

- Hello, Dix?

Yeah.

- Dix, this is Cobby.

Oh, hiya, Cobby.

- I got your number from Gus.

Yeah.

- Look, Dix...

...do you want to get into something big?

I mean, real big.

If you do, be at Gus' tonight at 10:00.

Right.

Everything's here.

The soft spot's an old steam tunnel.

Manhole's on the corner.

You drop into the manhole at 11:45.

Dix will cover you.

You break through the wall.

It'll take about six minutes to get

into Belletier's from the furnace room.

Watch out for floor wires.

Make your way up the back stairs

and jump the alarm system.

That will take another three minutes.

At exactly 11:
54,

Dix and I will come to the back door.

You open it for us.

I'll be waiting for you.

- Good.

Any questions?

Everything sounds okay.

- Same here.

Well, guess I better be getting home.

How's the boy?

- Oh, he's okay.

Ran a temperature yesterday.

Pretty high too.

We called the doctor, but temperatures

don't mean so much with kids.

He's back to normal today.

See you tomorrow night, 11:30.

- Good night.

Have you got a minute, Dix?

Sure. What's on your mind?

My friend, what do you know

about this fellow Emmerich?

You mean the big fixer?

I've heard his name, that's all.

I can talk to you, I think.

- Sure.

Mr. Emmerich is taking the jewelry

off our hands.

You sure are surprising me, Doc.

I don't exactly trust Mr. Emmerich.

Just a feeling. I may be wrong.

But it's up to us to collect, you and me.

Everything may go smooth,

Rate this script:5.0 / 2 votes

Ben Maddow

Benjamin D. Maddow (August 7, 1909 in Passaic, New Jersey – October 9, 1992 in Los Angeles, California) was a prolific screenwriter and documentarian from the 1930s through the 1970s. Educated at Columbia University, Maddow began his career working within the American documentary movement in the 1930s. In 1936 he co-founded the short-lived left-wing newsreel The World Today. Under the pseudonym of David Wolff, Maddow co-wrote the screenplay to the Paul Strand–Leo Hurwitz documentary landmark, Native Land (1942). He earned his first feature screenplay credit with Framed (1947). Other screenplays include Clarence Brown's Intruder in the Dust (1949, an adaptation of the William Faulkner novel), John Huston's The Asphalt Jungle (1950, for which he received an Academy Award nomination), Johnny Guitar (1954, credited to Philip Yordan, God's Little Acre (1958, an adaptation of the Erskine Caldwell novel officially credited to Philip Yordan as a HUAC-era "front" for Maddow), and, again with Huston, an Edgar Award for Best Mystery Screenplay) and The Unforgiven (1960). As a documentarian he directed and wrote such films as Storm of Strangers, The Stairs, and The Savage Eye (1959), which won the BAFTA Flaherty Documentary Award. Maddow made his solo feature directorial debut with the striking, offbeat feature An Affair of the Skin (1963), a well-acted story of several loves and friendships gone sour and marked by the rich characterisations which had distinguished his best screenplays. In 1961, Maddow and Huston co-wrote the episode "The Professor" of the 1961 television series The Asphalt Jungle. In 1968 he wrote a screenplay based on Edmund Naughton's novel McCabe; while a film adaptation of the novel was ultimately produced as McCabe & Mrs. Miller (1971), Maddow wasn't credited on the film. His final screenplay was for the horror melodrama The Mephisto Waltz (1970). more…

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