The Asphalt Jungle Page #6

Synopsis: When the intelligent criminal Erwin "Doc" Riedenschneider is released from prison, he seeks a fifty thousand-dollar investment from the bookmaker Cobby to recruit a small gang of specialists for a million-dollar heist of jewels from a jewelry. Doc is introduced to the lawyer Alonzo D. Emmerich that offers to finance the whole operation and buy the gems immediately after the burglary. Doc hires the safecracker Louis Ciavelli, the driver Gus Minissi and the gunman Dix Handley to the heist. His plan works perfectly but bad luck and betrayals compromise the steps after the heist and the gangsters need to flee from the police.
Director(s): John Huston
Production: WARNER BROTHERS PICTURES
  Nominated for 4 Oscars. Another 5 wins & 10 nominations.
 
IMDB:
7.9
Rotten Tomatoes:
97%
NOT RATED
Year:
1950
112 min
1,608 Views


You can go to the insurance company.

Insurance company?

- They'll listen to reason.

This is a very bad jolt for them.

It's possible they'll be willing to buy

the jewels back, no questions asked...

...for as high as 25 percent

of what they're worth.

Doc, let's blow.

I'll start on it tomorrow.

Get busy, Emmerich.

And remember, you might have been

lying here dead with your friend.

Shall I get in touch with you

through Cobby?

No. I'll get in touch with you.

Come on, Dix.

I advise you to clean up after your friend.

Don't give him any water.

- He asked for it.

I said, don't give him any water.

- Let go.

You wanna kill him?

Maybe he's hurt in the stomach.

Where's the doctor?

Why doesn't he come?

You said 10 minutes. It's half an hour.

Louis will die.

Why can't I take him to the hospital?

They wheel him into an operating room,

you'll never see him again.

Take it easy, Maria.

Louis is gonna be all right.

The doctor will be here,

fix him up good as new.

You and Louis are gonna have

six more kids.

All as fat as pigs, big black eyes,

lots of hair.

Just like Louis, eh, Maria?

Stay away from the baby.

Tell me the truth.

How did it happen?

I told you. A fight.

- Louis don't fight. You know that.

Why is it always you?

Whenever Louis gets into trouble,

you're around.

You dirty cripple. You crooked-back.

You have the evil eye.

- Shut your mouth, Maria.

I don't let anybody say that to me.

I'm sorry, Gus...

...but I gotta blame somebody.

What I carry on my back,

I was born with it.

I didn't grow it myself.

Please forgive me, Gus. I didn't mean it.

Listen to that.

- Yeah. Must be a fire.

It's not in this neighborhood, though.

Someplace else.

Oh, Gus. I pray to God

that doctor get here quick.

He'll be here any minute, Maria.

Sounds like a soul in hell.

Dix, why don't you get in touch with Gus

and let him take you to the doctor.

Don't be foolish.

- I don't like doctors.

I'm getting along all right.

That bullet just ripped through my side

and went on about its business.

Good thing I jumped.

- How can things go so wrong?

How is it possible?

One man killed,

two others plugged.

I'm out 30 grand. We got a load

of rocks we can't even peddle.

Quit crying and get me some bourbon.

I must be awful stupid.

Here I am with a good business...

...money rolling in...

...I gotta get mixed up in a thing like this.

I ought to have my head examined.

Yeah, hello, hello.

Yeah, this is Cobby.

What?

It's Gus. Dragnet's out,

and they're combing the district.

He wants to talk to you.

You, Dix.

Gus? Dix.

Yeah. Listen careful.

Cops are knocking over joints along

the boulevard, meat wagons and all.

Now, look, I already called a guy,

Eddie Donato.

Donato's got a grocery down by the river.

Yeah. Thanks, Gus. How's Louis?

Louis is not so good. He got a slug

in his belly. Doc's doing all he can.

Here they are now,

the happiness boys.

Hello. How are you?

Looks like I'm in for a working-over.

Look. Go down to Eddie's

by way of the old car barn.

It's deserted at night.

You get beyond that, you're okay.

Cops never bother Eddie's neighborhood.

So long, Dix. Blow now.

All right, all right, all right.

What? Please talk a little louder.

This is Eddie Donato.

Oh, sure, sure.

I'll get Doc for you.

Hey, dottore, I got your man.

Hello.

Yes.

Fine, fine.

Good.

That will be satisfactory.

Cobby?

- Yes.

Emmerich came through.

The insurance people say okay.

Of course, we have to wait

till the banks open Monday morning.

But it's 250,000, which is not bad.

What's the matter?

- As a lawyer, you may be very brilliant.

But as a casino player,

you have a lot to learn.

You don't mind if I smoke, do you?

- Of course not, Lon.

Lon, how could you make a play like that?

You won't make a single point this hand.

Come in.

- Two gentlemen to see you, sir.

They are from the police department.

What on earth could they want, Lon?

Well, something to do

with a case, I suppose.

Excuse me?

- Oh, bother. We were having so much fun.

Hurry back.

- Sure.

Yes?

- Sorry to disturb you, Mr. Emmerich.

I'm Andrews.

This is Officer Janocek.

How do you do?

- How are you?

Well, what can I do for you?

Do you know a man

named Robert Brannom?

Brannom. Yes, of course.

What is it?

Something the matter?

There sure is, Mr. Emmerich.

His body was pulled

out of the river this morning.

Great heavens.

- But it was no drowning.

He had a hole through his pump.

He'd been shot.

Will you step in here for a minute?

Well, I must say, this is...

It's quite a shock.

Bob Brannom, eh?

Murdered, you say?

Great heavens.

We found a list of names in his pocket

written on your business stationery.

Who are these people, do you know?

- Oh, that's a list of my debtors.

Brannom was working for me.

He was trying to collect old debts...

...without much success, I must say.

Was he giving the treatment

to anybody on this list?

Certainly not.

Then you don't think there's any connection

between this work for you and his death?

None whatever.

- When did you see him last?

Well, now, last Wednesday evening,

in this room.

Yes. We went over that list together.

The coroner says he was plugged

at 1:
00 or 2:00 this morning.

Not much after the Belletier job was pulled.

We figured there might be a connection.

One of the heist guys was shot,

we know that.

There was blood on the floor.

Maybe it was Brannom's.

He could've died in the car,

they dropped him in the river.

Oh, no, no. Bob Brannom's a good deal

of a roughneck, but he's no criminal.

And if I'm any judge, Belletier's was

the work of bigtime professionals.

Oh, no, no, gentlemen.

Bob Brannom mixed up in any burglary...

...why, that's inconceivable.

I see.

Oh, one more thing, Mr. Emmerich.

Just for the records, of course.

Could you give us an account

of your whereabouts last night?

Yes, I could.

Why? Is it necessary?

I'm afraid so, Mr. Emmerich.

Well, boys, a man of my years

hates to make an admission like this...

...but a Miss Phinlay is living

in my cottage on the river.

And last night, I went to visit her

at about 11:
30, I think it was.

Stayed rather late.

Oh, she'll verify this, of course.

Oh, but boys...

...use a little discretion, eh?

Unless, of course, it serves

some useful purpose.

I understand, Mr. Emmerich,

and thank you very much for your help.

Oh, not at all. Thank you.

And say, if I can be any further help,

you just call on me.

Good day.

- Good day.

Hello, Angela?

- Yes.

This is Lon.

- Why haven't you called me?

Listen, baby,

you may have a visit from the police.

Is it your wife?

- No, no. It's nothing like that.

They'll probably ask you

some questions about last night.

Now, listen, baby.

I want you to tell them

that I was there with you...

...from 11:
30 until 3 in the morning.

That's most of the night.

- Most of the night, that's right.

Now, is that clear?

- Sure, it's clear.

Yes. Oh, no, no. Just politics, baby.

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Ben Maddow

Benjamin D. Maddow (August 7, 1909 in Passaic, New Jersey – October 9, 1992 in Los Angeles, California) was a prolific screenwriter and documentarian from the 1930s through the 1970s. Educated at Columbia University, Maddow began his career working within the American documentary movement in the 1930s. In 1936 he co-founded the short-lived left-wing newsreel The World Today. Under the pseudonym of David Wolff, Maddow co-wrote the screenplay to the Paul Strand–Leo Hurwitz documentary landmark, Native Land (1942). He earned his first feature screenplay credit with Framed (1947). Other screenplays include Clarence Brown's Intruder in the Dust (1949, an adaptation of the William Faulkner novel), John Huston's The Asphalt Jungle (1950, for which he received an Academy Award nomination), Johnny Guitar (1954, credited to Philip Yordan, God's Little Acre (1958, an adaptation of the Erskine Caldwell novel officially credited to Philip Yordan as a HUAC-era "front" for Maddow), and, again with Huston, an Edgar Award for Best Mystery Screenplay) and The Unforgiven (1960). As a documentarian he directed and wrote such films as Storm of Strangers, The Stairs, and The Savage Eye (1959), which won the BAFTA Flaherty Documentary Award. Maddow made his solo feature directorial debut with the striking, offbeat feature An Affair of the Skin (1963), a well-acted story of several loves and friendships gone sour and marked by the rich characterisations which had distinguished his best screenplays. In 1961, Maddow and Huston co-wrote the episode "The Professor" of the 1961 television series The Asphalt Jungle. In 1968 he wrote a screenplay based on Edmund Naughton's novel McCabe; while a film adaptation of the novel was ultimately produced as McCabe & Mrs. Miller (1971), Maddow wasn't credited on the film. His final screenplay was for the horror melodrama The Mephisto Waltz (1970). more…

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