The Atomic City

Synopsis: At Los Alamos, New Mexico, the maximum-security "atomic city" of U.S. nuclear-weapons research, top atomic scientist Frank Addison has a normal, middle-American life with his wife and son...until the boy is kidnapped by enemy agents to extort H-bomb secrets. Result, a fast moving chase thriller with some parental soul-searching.
Genre: Drama, Thriller
Director(s): Jerry Hopper
Production: Paramount Pictures
 
IMDB:
6.2
UNRATED
Year:
1952
85 min
41 Views


[explosion]

The atomic age begins.

On a 7,000-foot plateau

in a remote section of New Mexico,

American and allied

scientists and technicians

had worked and struggled

for more than four years

to the end that the horror of World War II

be quickly concluded.

They succeeded.

Since then, these same people

and others like them

have continued to work--

to invent, to improvise--

to improve the old weapons

and develop new ones

because the spirit of aggression

is not yet dead in the world.

But the atom is not all

death and destruction.

This, too, is a product of the atomic age.

Isotopes and other atomic techniques

are saving lives all over the world.

And the people-- the men and women

who man the laboratories

and factories of Los Alamos--

what of them?

Their work is almost

unbelievably dangerous.

Every move, carefully checked

and double-checked.

The slightest misstep is serious.

Anything more--disaster.

Outside the laboratories,

the same checking goes on...

Their daily comings and goings

scrutinized minutely.

And everywhere, the barbed wire...

the gates, the signs...

the guards.

But they know it is necessary.

Absolute security is vital

if the free world is to survive

and if the atomic age

is to at last free man

from his long bondage to power.

This, then, is Los Alamos...

the atomic city.

I got a television set delivery

for dr. Addison--Frank Addison.

Get your clearance in the office.

Anything wrong?

Just a routine search.

Say, what do these sets sell for?

$173. 50, installed.

Hmm. Guess I'll wait

till they come down some.

That's the trouble with business.

Everybody's waiting.

I got a television set delivery

for a dr. Frank Addison, 1118 Rose Street.

What's your name?

John Pattiz. That's with a double T.

Where were you born, mr. Pattiz?

New York. Bronx.

I'll see if we have a pass

in the file for you.

I'm congressman Davenport.

The manager's expecting me.

Yes, sir. May I see

your identification, sir?

Sign this, please.

Surrender that pass

when you're leaving.

Sure thing. Thanks.

I'm commander Wright.

Do you have some identification

with you, commander?

Certainly.

Hi!

Oh, hi.

Lunch, Tommy! In a minute, mom!

This is the newest new model, isn't it?

Yeah.

What are these two wires,

the ones running into the condenser?

Oh, those are, uh...

Let's see...

They look like lead-in connections.

Huh? Oh, yeah, sure.

That's the latest thing.

Don't handle them.

They kick up a lot of voltage.

Between 15,000and 20,000 volts...

if they're connected.

That's enough to kill a man twice over.

No, sir. 20,000 volts won't kill you.

It'll just knock you

against the wall or someplace.

Who says so? My father.

Yeah? Your father an electrician?

No, sir. A physicist. Nuclear physics.

Aw, sure.

Say... He one of them bomb makers?

That's classified information.

Nobody's allowed to give

classified information.

Tommy. The gentleman will

excuse you while you have lunch.

I won't have time to help you.

I'm going to the fiesta with my teacher.

My son doesn't care about anything today

except the Santa Fe fiesta prizes.

My boss had to donate one of them.

He's giving them

one of those 17.95 portable radios.

The two-wheel bike's the best prize.

Come on, Tommy.

I've got three chances to win something.

Boy! I hope it's a bike!

Hey, doc, if you don't win the bike,

just build one of your own.

That's a swell idea.

Chew your food, Tommy.

I am.

How much do bicycle parts cost?

Better ask dad. He'll know.

Mom? Mm-hmm?

If I grow up, know what I'm going to do?

It's when you grow up, dear, not if.

I'm going to build bicycles...

millions and millions of them.

[doorbell chimes]

Finish up. Peggy will let herself in.

My mother says we're going to wait and see

if your television set

works before we buy one.

After my father and I

look it over, it'll work fine.

You know what, Peggy? If I grow up,

I'm going to build bicycles--

millions and millions

and millions of two-wheelers.

[explosion]

Maybe I'll even build a few for girls.

Hey, what was that?

Oh, just a routine morning test.

Routine?

What a way to live.

Bye, mom.

Don't forget your jacket.

Remember, only one cotton

candy and nothing else.

Promise?

I promise.

Bye, mom. Routine.

Bye, mrs. Addison. Routine.

Bye.

Hey, doc... Hey, was that some of that,

uh, nooclee--uh, n--uh, nooclee--

uh, the whatchamacallit?

Nuclear physics? Yeah.

No, it's--

that's classified information!

Yeah.

[door closes]

Hi, kids!

Hi. Hi, Russ.

Well, how's the future newspaperman?

I've given it up.

I'm going to be a manufacturer.

He says he's going to build bikes.

Millions and millions

of two-wheelers... For boys.

Hey, that sounds big.

Oh, there's your teacher.

Hello, miss Haskell.

Hi, miss Haskell. Peggy.

Hi, Ellen. Hello, Russ.

You're a hero to take

this battalion to Santa Fe.

I like it. Will you beat the dance tonight?

Sure. I've got to write

a story on it for the paper.

Oh?

Maybe I'll squeeze in enough time

to let you dance with me.

Oh, thanks.

[kids cheer]

You should see our new television set.

Nice, huh? Yeah.

Tommy, there's your father!

Hi, dad! Hi, dad!

Hi, Tommy! Be a good boy!

Good morning, doctor.

Good morning, fellas.

Good morning, doctor.

Good morning.

Dr. Schambach get here?

Yes, sir.

[Geiger counter clicks]

There's that radium dial

of yours again, doctor.

Good morning, doctor. Hiya, mike.

How's Tommy?

Fine, thanks.

Good.

The square dance comes directly

from the Hungarian char dash.

No, no, no. From the English folk dance.

No, from the char dash.

Almost step for step, it is the same. Huh?

Completely different. Not the same.

All right, but it takes a man

and a woman to demonstrate properly.

Mrs. Schambach and I

will show you tonight at the dance.

Gus, I'm looking forward to it.

[bell rings]

Hello, doctor.

The neutron monitors

have been checked, dr. Addison.

Adjust the synchroscope, please.

Let me have the neutron level up to 3r.

All side checks, doctor.

Dr. Schambach. Yes?

We're going to ease out the control rods.

[music playing]

All right, children, this way.

Almost time for the puppet show and prizes.

Come on, we'll all sit together. Come on.

Come on.

Ah, ah, ah, ah, ah, ah.

Ah, ah... Ah!

[laughter]

[children laugh]

Ah!

Ah, ah, ah, ah, ah, ah.

Well... Are we all ready

for the big drawing?

Yeah! Yes! Yes! Yeah!

All right, all right.

Now our very good friend mrs. Ostrich

will pick the first winner.

Now, the very first little lucky

boy or girl is going to win

this handsome, chrome-finished,

ultramodern bicycle,

so kindly donated by the acme

bicycle sales and rental shop,

28 San Pueblo Avenue.

You may pick the first winner,

mrs. Ostrich.

Thomas Addison.

Oh! Gol!

Thomas Addison?

Thomas Addison?

If Tommy Addison's not here,

we'll hold his prize till next Saturday.

One week from today

is the final day to claim the prizes.

Peggy, where's Tommy?

I don't know, miss Haskell.

Rate this script:5.0 / 1 vote

Sydney Boehm

Sydney Boehm (April 4, 1908 – June 25, 1990) was an American screenwriter and producer. Boehm began his writing career as a newswriter for wire services and newspapers before moving on to screenwriting. His films include High Wall (1947), Anthony Mann-directed Side Street (1950), the sci-fi film When Worlds Collide (1951), and the crime drama The Big Heat (1953), for which Boehm won a 1954 Edgar Award for Best Motion Picture Screenplay. Boehm was born in Philadelphia, Pennsylvania on April 4, 1908 and died in Woodland Hills, California on June 25, 1990 at age 82. more…

All Sydney Boehm scripts | Sydney Boehm Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Atomic City" Scripts.com. STANDS4 LLC, 2024. Web. 18 Dec. 2024. <https://www.scripts.com/script/the_atomic_city_3239>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Atomic City

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "A/B story" refer to in screenwriting?
    A Two different endings
    B The main plot and a subplot
    C Two main characters
    D Two different genres in the same screenplay