The Barefoot Contessa Page #4
- APPROVED
- Year:
- 1954
- 128 min
- 1,086 Views
is history
Movie history. The facts and figures
and fantasy of Maria's success
There are some, though, you
wouldn't have found in the textbooks
You've seen it and
read it a thousand times
It's one of the most tiresome
clichs of storytelling
or twice in a generation
But that first test of Maria Vargas
lit up all the lights
in show business
I had taken it upon myself
brass I could find in Rome
Mr Black of America, Monsieur Blue
of France, and Mr Brown of England
The difference between European
is astonishing
There is absolutely none
Kirk, my dear fellow, I know
just what you have in mind
I couldn't agree more.
A British production...
I've got the perfect story...
You're not the type
to fool around with...
Now just a minute,
gentleman. In the first place
this young lady is
under exclusive contract
to Mr Kirk Edwards, of course
availability at this time
Secondly, this was a private showing
of a private test which
belongs to Mr Edwards
And I consider your presence here
highly irregular and unethical
Are you out of your mind,
Muldoon? You invited me
- Who, me?
You suggested I come
in case I disturbed Mr Edwards
- Boss, I swear to you on my life...
- What about it, Harry?
I'm afraid I'm the guilty one.
I invited you, gentlemen
I used Oscar's name
because, franquely
I was afraid you
wouldn't be into my name
- What is your name, monsieur?
- He's Harry Dawes
I imagined you'd be
a much older man, Mr Dawes
I was, up to the
minute I saw this test
I'm flying to Paris tonight, Harry.
Drop in this afternoon
- I'm at the Excelsior
- Sorry, Max
- Not business. Just old friends
- How old? Since the test?
Why'd you have us come here, Harry?
Well, I should have
checked with Oscar Muldoon
It's not really a
director's function
But in Mr Edwards' organisation,
we all do all sorts of things
I wanted to make sure
that the leaders of our industry
knew about the contribution
Mr Edwards was going to make to it
"Alors," it was a "grand plaisir"
May I offer a ride
to any one of you?
I'll take you up on
that, if I may, Ren
- See you in London
- Au revoir, messieurs
Any time this afternoon,
Harry, if you get the chance
- Sorry, Max
- I'm at the Excelsior
Well, it's a great art we're
doing business in, gentlemen
Everybody be happy
Her make-up's too dark and too much
Hair and wardrobe have
got to be much more simple
No tricks. The less between
her and the camera, the better
The voice is good. Well placed
I don't want a voice
coach within a mile of her
How much closer will "you" be?
- What's that?
- How much closer have you been?
To Maria?
Coming from anybody else
that would be a compliment
What were those men doing here?
I've not answered
- I know the answer
- No, you don't
You won't admit it
It'd mean something is
possible between men and women
besides the few,
simple, physiological
relationships you know about
OK, that answer will satisfy
the Screenwriters Guild
Now tell us why you
planted those men in here
Maybe your master knows the answer
to that too, or doesn't wanna know
- I wanna know
- It's pretty long
We got the room booked
for the whole morning
It won't take that long
Kirk, Maria's made a chump out
of you. She's laughed at you
And you won't do
better. You'll do worse
Now, this pleases me and
frightens me. Because I know you
You're capable of destroying
loved you, so why not Maria?
And you're capable of burning
that test, as great as it is
But right now, the name
and fame of Maria Vargas
is on its way to New York,
Hollywood, London and Paris.
- Does that answer your question?
- You can't get away with this
You're being disloyal, Oscar. You're
stealing dialogue from television
And you lied to those gentlemen
You can be forgiven
beaucause It's your job to lie
But you lied when you said
Maria was under contract to Kirk
- Isn't she?
- Well, I...
Those were your exact instructions,
Kirk, so don't punish Oscar for it
No contract till after
the test, remember?
You were going to use it
for one more pitch
Well, right now, it's after the test
sign a contract with you
She's under contract
to "you. " Is that it?
Kirk, if ever a characterisation
followed a straight line, yours does
No, she's not under contract to
me because I'm not in that business
But what I tell Maria
to do, she will do
With her shoes on, that is
What's her shoes
got to do with it?
Nothing. Of course, you can
call off the production right now
Write it off, write me off and Maria
The government will pay
for most of it anyway
And I'll go see Max Black at
the Excelsior this afternoon
All right, let's go back to
Hollywood and make this movie
After that, Maria's on her own
And you can keep on looking for
new faces. The world's full of 'em
But you'll never find another Maria
You will find what you're
looking for, I'm sure
- Harry...
- Hm?
Nothin'
If ever a funeral laid
an egg, that one did
Standing round the grave, maybe
two dozen nobodies. A great finish
You just don't bury
like she was an unidentified body
Well, it figured. It was like that
from the minute I laid eyes on her
Nothing worked according
to the book. Not my book, anyway
From the minute she waved
at the Statue of Liberty
everybody wanted to know
everything about Maria
And they wound up knowing nothing,
because there was nothing to know
Believe me, what they
said in Madrid was true
This bundle of passion, this hot
flame that burned from the screen
was a real untouchable
The columns and the wolves
But how could I tell them
who she was with or when
when I didn't even
know who she knew?
I can tell you this:
It is entirely possible
that Maria D'Amata went to her grave
without ever being
inside of the Stork
El Morocco, Ciro's or the Mocambo
You got to admit this is not normal
But what was normal about this
whole business from start to finish?
Here is a doll who, on the
opening night of her first picture
with no known interest
in men, much less romance
whose private life
is strictly private
but who, the people have
decided, is already a star
This is the night I
first begin to think
maybe the public
has a mind of its own
Who else but Maria D'Amata would
show up at her world premiere alone
together with a couple
that everybody knew were
in love with each other?
It was real love
with Harry and Jerry
You could tell it was
because they didn't give out
interviews about getting married
Maria D'Amata. Whatever it is
- you name it
Whether you're born with it
or catch it from a public
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"The Barefoot Contessa" Scripts.com. STANDS4 LLC, 2024. Web. 7 Nov. 2024. <https://www.scripts.com/script/the_barefoot_contessa_19724>.
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