The Battle of Algiers Page #16
MATHIEU:
That's enough, Martin ...
The lights are again switched on in the room. Mathieu is again next to
the desk, and waits a second until the buzz of comments subsides.
MATHIEU:
We must start again from scratch. The only
information that we have concerns the
structure of the organization. And we
shall begin from that ...
He takes a wooden pointer from the desk in order to illustrate the
graph, while he speaks with the tone and precision of a university
professor.
MATHIEU:
It is a pyramid-like organization divided
into a series of sectors. At the top of
the pyramid is their General Staff.
He has moved near the blackboard, and taken some chalk, and slowly as
he speaks, he illustrates his speech.
MATHIEU:
The military commander responsible for
the executive body finds the right man
and nominates him to responsibility for
a sector:
number one. Number one in histurn, chooses another two: number two and
number three ... And so they form the
first triangle.
He has written high on the board a number one and below it, with some
space between them, the numbers two and three. He unites the three
numbers with lines and forms a triangle.
MATHIEU:
Now number two and number three choose,
in their turn, two men each ... number
four and five, and so on ...
Mathieu writes the new numbers, spacing them on the next line. Then he
unites two to four and five, and three to six and seven, forming two
new triangles.
Mathieu has written other numbers and unites them to those of the
preceding line and thus forms other triangles. Now the blackboard is
covered by a series of triangles that form a large pyramid.
MATHIEU:
The reason for this geometry is so that
every militant will know only three
members in the entire organization: his
commander who has chosen him, and the two
members that he himself has chosen ...
Contacts take place only by written
instructions ... That is why we do not
know our adversaries: because, in
practice, they do not even know each
other.
Mathieu leaves the blackboard and moves near the officers. The tone of
his voice changes. The explanation is now finished. He gives
directions ...
MATHIEU:
To know them means to eliminate them.
Consequently, the military aspect is
secondary to the police method. I know we
are not fond of this word, but it is the
only word that indicates exactly the type
of work that we must perform. We must
make the necessary investigations in
order to proceed from one vertex to
another in the entire pyramid. The
reason for this work is information. The
method is interrogation. And
interrogation becomes a method when
conducted in a manner so as to always
obtain a result, or rather, an answer.
In practice, demonstrating a false
humanitarianism only leads to the
ridiculous and to impotence. I am
certain that all the units will
understand and react accordingly.
However, success does not depend solely
on us. We need to have the Casbah at our
disposal. We must sift through it ... and
interrogate everyone. And here is where
we find ourselves hindered by a
conspiracy of laws and regulations that
continue to be operative, as if Algiers
were a holiday resort and not a
battleground. We have requested a carte
blanche. But it is very difficult to
obtain. Therefore, it is necessary to
find an excuse to legitimize our
intervention, and make it possible. It
is necessary to create it ourselves --
this excuse. Unless our adversaries will
think of it themselves, which seems to be
what they are doing.
74ALLEY UPPER CASBAH. OUTSIDE. DAY.
It is not a song, but a type of spoken chorus, an assembly of young
voices, words whispered from the throat, both high and low, and sudden
silent pauses. It is monotonous; but it is just such a repetition,
always with the same pattern of tones -- high, low, then, silent --
that manages to transform itself into a motif, reach an excited pitch,
and acquire breadth and solemnity. The sound fills the alleys, rises
toward the long rectangle of sky, and moves farther away as if it were
meant to be heard by all.
The alley is narrow and sloping, with crumbling walls, tufts of grass,
and refuse. It is located at the outer periphery of the Casbah -- the
countryside is in the background. An Algerian is walking with large
steps; a five-year-old child is behind him, moving quickly, stumbling
from time to time on the pavement; although he does not cry,
occasionally he calls to his father, who proceeds forward, and does not
turn around. The chorus arises from behind them. It is incoherent. They
stop in front of a door; they have arrived. The door gives way and they
enter.
75KORAN SCHOOL. INSIDE. DAY.
A large room, like a shop or stable. Here too, on the ground and
pavement, there are tufts of grass. It is cold. The walls are
unplastered, the windows boarded. The roof is in sight, but not the
beams. The roof is made of tiles and covered with a coat of whitewash.
There are about twenty children, five to eight years old, seated on the
floor. The teacher is in front of them; he too is seated. He is
prompting the verses in a low voice, almost in a whisper, and the
chorus repeats it.
The Koran School: a bare, wobbling place.
The Algerian who has entered takes the child by his hand, and
accompanies him to the teacher who is now standing; the chorus
continues; the other children, do not look at the two who have just
entered.
The Algerian and the teacher greet each other, bringing their hands to
their hearts, and then to their mouths. At the same time, the teacher
takes an envelope from under his tunic, and hands it over to the other.
SPEAKER:
"To all militants! After two years of
hard struggle in the mountains and city,
the Algerian people have obtained a great
victory. The UN Assembly has placed the
Algerian question in its forthcoming
agenda. The discussion will begin on
Monday, January 28. Starting Monday, for
a duration of eight days, the NLF is
calling a general strike. For the
duration of this period, all forms of
armed action or attempts at such are
suspended. We are requesting that all
militants mobilize for the strike's
organization and success."
The Algerian has hidden the envelope inside his tunic, then presents
the child to the teacher, who makes him sit down with the other
children The teacher also returns to his place and sits down, and
suggests a new phrase; the chorus continues. The Algerian leaves the
school.
76ALLEY UPPER CASBAH. OUTSIDE. DAY.
Having passed through the door, he again moves along the alley, this
time descending, with hurried steps. The chorus continues, again heard
from without, but its echo is now different.
77VARIOUS VIEWS CASBAH. OUTSIDE/INSIDE. DAY.
Bars, stores, market stalls, "Arab baths." Typewritten pieces of paper
are used to wrap purchases, or slipped inside bags, or used on the
blank side to add up bills and then handed to the customers.
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"The Battle of Algiers" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/the_battle_of_algiers_694>.
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