The Best Offer Page #2
pre-17th century.
- Even older.
- Then it must be worth something.
It is a work by Valiante, the
female forger of the 16th century.
She copied masterpieces,
but couldn't sign them
as she was a woman,
so she marked them
with a personal code
hidden in the folds
of the drapery
or in this case, in the
gaze of the subject.
The beam of light on the
Iris is nothing if not a V.
That is Valiante.
It is worth something, but nothing
compared to the original.
- Are you Mr. Oldman's assistant?
- Yes.
I'm Fred, the caretaker.
Pleased to meet you.
- Please, come in.
- Thank you.
And Miss lbbetson?
She sends her apologies,
but overnight, she was
running a temperature.
Well, give her my best wishes.
She asked if you would
go ahead with valuation.
She's instructed me
to show you around.
Everything's at your disposal.
Come with me.
Miss lbbetson was hoping
to meet your boss.
It doesn't matter. Your
mistress didn't show up either.
Fair enough.
I suppose it'll get
the job done quicker.
Forgive the mess.
It's gone to wrack and ruin ever
since Miss lbbetson's parents died.
Let's go up.
How long since the owners died?
By the look of it, you'd
think it was centuries ago,
but it's only been one year.
First Mrs. Ibbetson and then,
scarcely 45 days later,
poor Mr. Ibbetson.
You have a good look.
Take your time.
Just getting these
curtains open.
Too many windows in this room.
Okay.
How many brothers and sisters
does Miss lbbetson have?
None. She is an only child.
- Is she married?
- No.
- Has she ever been?
- No, no.
I don't think she
even has a boyfriend.
- Grandparents, aunts, uncles?
- No, none at all.
As far as I know, Miss
lbbetson is on her own.
So many rooms.
You know, I've never
managed to count them all.
Have there been other
valuations before me?
Absolutely none.
Yours is the first.
Miss lbbetson is extremely
fond of this house.
Maybe too fond.
She'd prefer to keep everything,
but what can you do?
The empire crumbles. A woman
on her own can't cope.
Is she thinking of putting the
house up for sale as well?
That, I don't know.
Maybe a part of it.
She won't get rid
of the whole place.
What kind of work does she do?
I couldn't say. I only
dealt with her parents.
- May I see the cellars?
- It's this way.
It's a long way down.
Go ahead.
I honestly don't get it.
In the time I've known you,
I've never seen you beaten.
I've watched you produce
all manner of gadgets
from most unremarkable ironwork.
Optical, arithmetical
devices, water clocks...
Even that hairdryer that probably dried
the locks of Jules Verne's wife.
But you've nothing to say about
this curious contraption?
I'm surprised that an art
connoisseur like yourself
can get so carried away by
It's not the object that
arouses my curiosity,
but it's contradiction.
- Contradiction?
- Look.
I found it in this position in
contact with damp flooring,
but the rust is all along the top
of the cogs, nowhere near the damp.
What does this mean?
The object hadn't been
there for very long.
It got rusted in some other place.
Or someone turned it upside down.
That's all, nothing more than a
useless exercise in deduction.
Hi. Did you manage it?
Did you ever doubt me?
And I transcribed the
recording from the tape.
You're a genius. How
much do I owe you?
Oh, nothing.
Maybe you'll invite me out.
Count on it.
- Can I give you a kiss?
- Yes, you can!
That I am good at.
- Good evening.
- Good evening.
William-Adolphe Bouguereau.
The Birth Of Venus.
Authentic.
Umberto Veruda,
The Honest, 1890.
You've been the talk
of the town lately.
I hoped to see you on TV.
I don't like to appear. I
prefer to remain in shadow.
We're much the same that way.
That doesn't mean we'll agree.
My secretary's been
looking for you.
How do you know that a painter
will become collectable?
Intuition, which also makes
me doubt your intentions.
Sorry for that impression but I've
entrusted you with my belongings.
That's not how it works.
There must be a signed
contract before the inventory.
It takes time, and unless
you stop fooling around
and decide to come out it
will never get started.
Go ahead with the inventory.
I'll meet you at the villa.
We'll reach an agreement.
You have my word.
- Take these.
- Yes.
Be careful!
I'm not sure but it
looks German to me.
Austrian. Careful with that.
It's 11:
00 Theappointment was 8:30.
She's not answering. She said
she'll come. She'll be here.
The piano doesn't
need restoration.
Quite so.
We have to check it
but there's no key.
But here it is.
Last time there was no key.
Looks good.
Mr. Oldman!
Would you help me
with the bookcase?
Italian bookcase, wood.
First half of...
Who smashed this?
Nobody, Mr. Oldman, it
was already broken.
Is this part of the
house inhabited?
Why?
There have been some changes.
No, no, Mr...
I'm sorry, I'm not
sure of your name.
I thought you were...
It doesn't matter who I am.
Nobody lives here.
Be that as it may, if your
mistress is not here by midday
I will have no option but
to suspend operations.
Mr. Oldman!
Miss lbbetson.
Hello, Mr. Oldman?
Mr. Oldman, can you hear me?
Mr. Oldman, I apologise.
What must you think of me?
Spare me the self-serving
justifications.
Let me speak.
I cannot touch your things without
a contract. Is that clear?
Would you leave it on the
table in the hallway?
I'll sign it. I accept
all your conditions.
Yes, but I do not accept yours.
I will not do business with a
silly, superficial phantom.
Be careful!
I understand your exasperation.
didn't mean anything by it.
It's been a series of unfortunate,
unintentional mishaps.
So what exactly happened today?
My car was stolen and I had to
go to the police to report it.
Which police station
did you go to?
- The one in the city.
- Whereabouts?
- On the main square.
- Which square?
No more interrogation!
No more! Who do you
think you are?
Are you here, Miss lbbetson?
What kind of question is that?
Are you here?
I don't understand.
I don't understand.
- If you're here, come out now.
- Stop it!
Explain the meaning of this game
which I do not find amusing.
Call me tonight. I'll explain.
It's the same material
and the same workmanship too.
These belong to the same system.
There's no signature,
no inscription?
I mean when I've got the rust and the
oxidisation off the other piece.
There's nothing.
I can do the same with these but, I
mean, right now I can't see anything.
What have you found?
The technique, how the cog has
been attached to it's axis.
It's really old. I've
never seen it before.
Here, look. Have a look.
It's 18th century.
We could be onto
something big here.
Could you guess what it is?
Three pieces of the mosaic
is not enough, Mr. Oldman.
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"The Best Offer" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/the_best_offer_19763>.
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