The Bible : In the Beginning Page #9

Synopsis: An elaborate Hollywood retelling of the Bible stories narrated by the film's director John Huston. We open with the Creation of the World and arrive at the Garden of Eden with Adam and Eve and continue on to Cain and the murder of Abel. Next, we visit Noah and his ark with its spectacular flood sequence. Then we come to the story of Nimrod, King of Babel, the emergence of man's vanity and the heights to which it could aspire if unchecked. Finally we cover Abraham, a mystic who spoke personally with God, a leader of men, a builder of nations, a pioneer and a warrior and Sarah. At the time she conceived her first child, the event being forecast by an Angel of the Lord. Three such Heavenly Messengers appeared in the course of events which befell Abraham and Sarah.
Genre: Drama
Director(s): John Huston
Production: 20th Century Fox
  Nominated for 1 Oscar. Another 6 wins & 4 nominations.
 
IMDB:
6.3
UNRATED
Year:
1966
174 min
273 Views


After I am waxed old&

731

02:
09:12,537 -- 02:09:14,704

& shall I have pleasure&

732

02:
09:14,997 -- 02:09:17,833

& my Lord being old also?

733

02:
09:18,126 -- 02:09:20,001

Wherefore did Sarah laugh?

734

02:
09:22,672 -- 02:09:25,215

Is anything too hard

for the Lord?

735

02:
09:25,508 -- 02:09:26,716

I laughed not!

736

02:
09:27,844 -- 02:09:29,219

Nay&

737

02:
09:30,221 -- 02:09:32,556

& but thou didst laugh.

738

02:
09:38,896 -- 02:09:43,066

At the time appointed

I will return unto thee&

739

02:
09:43,693 -- 02:09:46,945

& and Sarah

shall have a son.

740

02:
09:48,781 -- 02:09:50,532

We are going&

741

02:
09:52,034 -- 02:09:55,036

& towards the cities

of the plain.

742

02:
09:57,039 -- 02:09:59,458

I will bring you

on your way.

743

02:
10:18,060 -- 02:10:20,729

Shall I hide from Abraham&

744

02:
10:21,397 -- 02:10:24,566

& that thing which I do?

745

02:
10:27,278 -- 02:10:31,239

Because the cry of

Sodom and Gomorrah

is great&

746

02:
10:31,574 -- 02:10:34,951

& and because their sin

is very grievous&

747

02:
10:36,412 -- 02:10:38,455

& I will go down now&

748

02:
10:38,998 -- 02:10:41,333

& and see whether

they have done altogether&

749

02:
10:41,417 -- 02:10:43,251

& according to

the cry of it,

750

02:
10:43,336 -- 02:10:44,961

which has come unto me&

751

02:
10:46,422 -- 02:10:50,759

& and if not,

I will know.

752

02:
10:53,596 -- 02:10:58,433

Wilt thou also

destroy the righteous

with the wicked?

753

02:
11:01,187 -- 02:11:03,438

There may be 50 righteous&

754

02:
11:03,564 -- 02:11:08,443

& within the city.

Wilt thou not spare

the place for them?

755

02:
11:09,779 -- 02:11:13,532

Shall not the judge

of all the Earth&

756

02:
11:13,783 -- 02:11:15,450

& do right?

757

02:
11:17,620 -- 02:11:21,623

lf I find 50 righteous

within the city&

758

02:
11:22,667 -- 02:11:26,044

& I will spare

all the place

for their sakes.

759

02:
11:28,297 -- 02:11:31,466

What if there be

45 such men?

760

02:
11:32,134 -- 02:11:35,804

Or 30? Or even as few as 20?

761

02:
11:38,140 -- 02:11:40,475

I will not destroy it&

762

02:
11:40,893 -- 02:11:43,144

& for 20 s sake.

763

02:
11:47,817 -- 02:11:52,320

Let not the Lord be angry

and I will speak yet

but this once:

764

02:
11:53,823 -- 02:11:58,827

Peradventure,

10 shall be found there.

765

02:
12:00,329 -- 02:12:02,998

iI will not destroy it& /i

766

02:
12:03,416 -- 02:12:05,333

i& for 10 s sake./i

767

02:
12:09,130 -- 02:12:12,340

NARRATOR:

iWhen the sun was down,/i

768

02:
12:12,425 -- 02:12:14,884

iLot sat in the gates/i

iof the city./i

769

02:
12:15,845 -- 02:12:19,014

iAnd he lift up/i

ihis eyes and looked& /i

770

02:
12:19,265 -- 02:12:23,560

i& and beheld two strangers/i

icoming into the city./i

771

02:
13:14,236 -- 02:13:15,820

(WOMAN SCREAMS)

772

02:
13:17,740 -- 02:13:19,366

(WICKED LAUGHTER)

773

02:
13:28,751 -- 02:13:30,627

(LAUGHING)

774

02:
13:37,259 -- 02:13:38,551

(WOMAN MOANS)

775

02:
14:46,036 -- 02:14:47,495

(MOANS)

776

02:
16:41,026 -- 02:16:42,694

What strangers are these?

777

02:
16:42,778 -- 02:16:43,820

Where are they from?

778

02:
16:43,946 -- 02:16:45,905

Two angels of God.

779

02:
16:45,990 -- 02:16:48,908

So fair they are.

So fair.

780

02:
17:02,172 -- 02:17:04,007

(POUNDING ON THE DOOR)

781

02:
17:10,890 -- 02:17:12,557

(POUNDING)

782

02:
17:34,997 -- 02:17:36,372

Where are they?

783

02:
17:36,457 -- 02:17:38,666

What have you

done with them?

784

02:
17:38,751 -- 02:17:42,921

Yes, bring them out

unto us!

785

02:
17:43,005 -- 02:17:45,381

Bring them,

that we may know them!

786

02:
17:46,383 -- 02:17:50,011

I pray, brethren,

do not so wickedly.

787

02:
17:51,096 -- 02:17:54,599

For these strangers

here with us are of God.

788

02:
17:54,850 -- 02:17:57,560

Better you destroy

all I possess&

789

02:
17:57,770 -- 02:18:00,605

& than any harm

should be done them.

790

02:
18:02,858 -- 02:18:07,654

Behold, I have two daughters

which have not known man.

791

02:
18:08,530 -- 02:18:12,325

Let me, I pray you,

bring them out unto you&

792

02:
18:12,952 -- 02:18:16,537

& and do ye to them

as is good in your eyes&

793

02:
18:17,289 -- 02:18:20,541

& only unto these men

do nothing.

794

02:
18:21,168 -- 02:18:25,213

This one fellow

came in to sojourn&

795

02:
18:25,839 -- 02:18:28,675

& and he will

needs be a judge?

796

02:
18:28,968 -- 02:18:34,055

Now will we deal worse

with thee than with them!

797

02:
18:59,123 -- 02:19:01,207

I cannot see!

798

02:
19:05,671 -- 02:19:08,589

Whatsoever thou

hast in the city,

799

02:
19:08,674 -- 02:19:11,259

bring them out

of this place&

800

02:
19:12,219 -- 02:19:16,931

& for the Lord

hath sent us

to destroy it.

801

02:
19:18,517 -- 02:19:22,603

Take thy wife

and thy two daughters

which are here&

802

02:
19:23,105 -- 02:19:27,358

& lest thou be consumed

in the iniquity of the city.

803

02:
19:49,423 -- 02:19:53,968

Escape to the mountain,

lest thou be consumed.

804

02:
19:55,220 -- 02:19:58,056

Look not behind thee.

805

02:
22:04,141 -- 02:22:05,391

(BABY CRYING)

806

02:
22:59,071 -- 02:23:00,363

(WOMEN CLAP)

807

02:
23:46,493 -- 02:23:50,871

The name of our son

shall be called Isaac.

808

02:
23:56,795 -- 02:23:58,296

Thy son&

809

02:
23:59,298 -- 02:24:00,715

& and mine.

810

02:
24:01,633 -- 02:24:07,555

God hath made me laugh.

All that hear

will laugh with me.

811

02:
24:18,900 -- 02:24:21,694

Who would have said

unto Abraham&

812

02:
24:21,903 -- 02:24:25,197

& that Sarah would have

given children suck?

813

02:
24:25,907 -- 02:24:30,161

For I have borne him a son

in his old age.

814

02:
24:34,082 -- 02:24:35,541

In him&

815

02:
24:38,086 -- 02:24:41,088

& are the stars

of the heavens&

816

02:
24:42,758 -- 02:24:46,427

& and the sands

of the seashore.

817

02:
24:47,679 -- 02:24:50,056

NARRATOR:

iAnd the child grew& /i

818

02:
24:50,432 -- 02:24:56,103

i& and Abraham made/i

ia great feast the same day/i

iIsaac was weaned./i

819

02:
27:15,160 -- 02:27:18,245

Cast out this bondwoman

and her son.

820

02:
27:19,206 -- 02:27:21,415

Who has put this

into thy heart?

821

02:
27:21,583 -- 02:27:24,919

Did you not see how

he went among us mocking?

822

02:
27:25,253 -- 02:27:30,216

I have a great fear

there will come such

division in our people.

823

02:
27:31,051 -- 02:27:33,385

Like Cain and Abel again.

824

02:
27:33,470 -- 02:27:36,931

I beg you, cast out this

bondwoman and her son!

825

02:
27:37,599 -- 02:27:42,436

The son of this bondwoman

shall not be heir

with my son&

826

02:
27:43,104 -- 02:27:45,022

& even with Isaac.

827

02:
27:45,899 -- 02:27:49,193

What sayest thou?

He is my seed.

828

02:
27:50,779 -- 02:27:54,782

I will not cast out the lad,

nor thy bondwoman.

829

02:
28:12,551 -- 02:28:15,135

NARRATOR:
But God said

iunto Abraham:
/i

830

02:
28:15,387 -- 02:28:19,473

i Let it not be/i

igrievous in thy sight/i

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Christopher Fry

Christopher Fry (18 December 1907 – 30 June 2005) was an English poet and playwright. He is best known for his verse dramas, notably The Lady's Not for Burning, which made him a major force in theatre in the 1940s and 1950s. more…

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Submitted on August 05, 2018

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