The Big O in Britain
- Year:
- 2008
- 59 min
- 13 Views
# Only the lonely... #
People that are completely unique, you don't so much admire them as marvel at them.
# Only the lonely... #
I was sitting in the living room with my mum and my auntie and he came on the radio.
What a voice, yeah, fantastic. I always liked his stuff, bought his records.
My mum and my auntie were going, "Oh, he's too sexy!"
# I remember that you said
# Goodbye... #
All of us in studying the craft of making a good record
had studied Roy's work.
In many ways, my whole life has been fashioned subconsciously by him.
The way he was and the way he sang made him dead cool.
Pretty difficult to find in Glasgow, when you look about shops and want a pair of roll-ups and sunglasses.
# Golden days before they end... #
I think Roy and England had a love affair. I mean, Roy loved the British and the British loved Roy.
APPLAUSE:
INTRO TO "Pretty Woman"
# Pretty woman, walkin' down the street... #
By the 1980s, Roy Orbison's status as a living legend was well and truly confirmed
when some big names in music queued up to be in the backing band for his Black And White Night concert.
Roy and I talked about doing a show that would be a performance show for Roy.
So we set a time finally,
September 1987.
# I couldn't help but see, pretty woman... #
It had been a while since people had focused on Roy's music in this way.
A lot of care was taken to do the songs justice, as the show does.
# W-w-wow... #
I'm being asked all the time how this wonderful cast came together.
Everybody just seemed to be available at that particular time.
If we had done it a month before or later, I don't think everybody could have been there.
I don't think the entire ensemble was put together until we were all on the set at the Coconut Grove.
'I know Bruce Springsteen arrived at the very last minute.'
- How did you end there?
- 'My big memory of that night'
was Bruce arriving for the sound check and then realising
that his memory of the songs was not the same as the ability to play them.
- # Sweet dream, baby... #
- And then you go...
# Sweet dream... #
'When he looked at the charts and realised there were odd counts in some of the songs...'
I have an image of him sitting with his guitar with the head... like a cassette Walkman,
comparing what he had obviously memorised over a couple of decades since the records came out
to what was written on the page and closing the distance between the two things to play on these songs.
It's the measure of how much he loved Roy cos he was really dedicated.
# Sweet dreams, baby
# Oh, how long must I dream? #
OK.
# Sweet dreams, baby... #
Orbison clearly inspired anyone who was anyone in music, but where did all the raw talent come from?
Born in 1936 in the small town of Vernon, Texas,
from an early age, Roy was single-minded in his pursuit of a career in music.
My mom and dad gave me a guitar when I was six years old.
I always wanted to be a singer. My father asked me, when I was about six or seven,
maybe even earlier, I don't know if I was playing the guitar or not,
but he said, "What will you be when you grow up?" I said, "A singer."
I was able to get on a radio show when I was eight years old.
An "Amateur Hour", and I showed up so often that they made me a part of the show.
When I was 14, I think, I had moved to West Texas. And I formed a group.
We were from Wink, Texas, so we were The Wink Westerners.
When we got more popular, we became The Teen Kings.
# We'll hang out and raise some fun We'll stay out till after one... #
I met him the first time in Odessa, Texas. He had a group that played on TV there and the song was Ooby Dooby.
# Ooby dooby, ooby dooby
# Ooby dooby, ooby dooby, ooby dooby... #
I made a demonstration record called Ooby Dooby.
And I sent that to Sam Phillips in Memphis, Tennessee.
He asked me, could I be there in three days?
So I grabbed my group together and we made the record.
I dropped out of the university, the junior college I was attending,
and went on the road within two or three months.
What I thought at the time was the smallest voice was Roy Orbison.
Sam Phillips said he had to put the microphone down his throat to pick him up,
but I think Sam had the wrong kind of microphone
because his later records prove that he has not only got a great, strong voice,
but he is one of the greatest singers in our business. He saw his own potential, as did others,
and he moved to a bigger label and had bigger records.
# Pretty woman, walkin' down the street
# Pretty woman, the kind I like to meet
# Pretty woman... #
Searching for ways to fulfil that potential,
Roy looked across the Atlantic to an early '60s music culture in Britain, ready to embrace something new.
# Mercy... #
In the early '60s, I worked for Decca
as a promotion man, and my job,
apart from promoting records, was to look after American artists in London. I was 21. It was a dream job.
# Are you lonely just like me?
# W-w-wow...
# Pretty woman, stop awhile
# Pretty woman... #
Very American, southern, polite, and that was my initial impression of Roy.
Very softly spoken, polite, appreciative. He was a gentleman.
A real gentleman actually.
It was that kind of rather sweet, southern states of America charm that he had.
# Pretty paper
# Wrap your presents
# To your darling from you
# Pretty pencils
# To write... #
He would invariably come with his wife Claudette and his boys.
They'd have a little apartment.
I would spend a lot of time with them as a family cos they were very family.
And he loved having the boys around, he loved having Claudette around.
And so I became part of their family.
# Downtown shoppers
# Christmas is nigh... #
He always reminded me of like a preacher. He was so gentle.
Very sweet. Loved his family. He was just a lovely guy.
We were all mental. We were young and mad.
Roy was a very polite American. He was very sweet.
We were Scousers, hard cases, nutters. He was a gentleman.
We were idolising Americans at this point.
We had Cliff and we had Tommy Steele, but...
We were just kids from Liverpool who knew nothing, following Roy Orbison, a massive star,
whose songs we had sung for years. We were there with him - a dream!
# Well, I got a woman mean as she can be
# Some-a-times I think she's almost mean as me... #
The Brits were so enamoured
of American rock'n'roll.
They possibly appreciated them more than the Americans did.
The songs seemed more hip, the performances were more hip. That's what we were all about.
I think any British recording artist from that period would probably tell you the same thing.
# So ple-e-e-ease... #
Though Britain was hungry for all things American,
Roy's first UK tour would be an unexpected test of how loyal his British fans might be.
An all-English musical phenomenon was sweeping the country and Roy had to share the bill with The Beatles.
From what George told me,
they were so starved of rock'n'roll and waited for records to come out.
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