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The Bionic Woman Page #11
- TV-PG
- Year:
- 1976
- 60 min
- 722 Views
JAIME:
I can do that.
She gently lowers Eric to the floor, as he meets her eyes.
JAIME (CONT'D)
I'll be right back.
EXT. CHINESE RESTAURANT -- DAY
JAIME darts out of the rubble of the restaurant -- she RACES
behind another building, DISAPPEARING in a flash.
EXT. ALLEYS -- DAY
JAIME races through a MAZE of alleyways, to get BEHIND the
OFFICE BUILDING where Sarah is STILL FIRING.
Jaime looks around frantically -- the building TOWERS over
her, the roof hopelessly high. But Chinatown is a WARREN of
buildings, all various heights -- Jaime glances at the several
APARTMENTS and OFFICES surrounding Sarah's building --
EXT. APARTMENT BUILDING ROOF -- DAY
She FLIES through the air, LANDING with a THUMPP! on the
lowest building, pausing only long enough to look to the
-- LEAPING across the rooftops with feline grace, to get to
the ABANDONED OFFICE BUILDING.
52.
EXT. ABANDONED OFFICE BUILDING ROOF -- DAY
SARAH is perched at the edge of the roof, sighting down the
sniper rifle for another shot -- when THUMPPP! something
LANDS on the roof behind her. She WHIRLS -
JAIME CRASHES into her full-force -
SARAH goes FLYING, skidding on the pebbled roof, rifle SAILING
off the roof, as
JAIME sweeps up a piece of REBAR, STRIDES toward Sarah like
SARAH rolls instantly to her feet, crouched to ATTACK, as -
JAIME HURLS the rebar like a javelin -- and THWACKK! the
metal bar TEARS into Sarah's arm like an ARROW, JERKING her
backwards to SLAM her against the roof stairway access -
-- leaving Sarah IMPALED her through the UPPER ARM into the
crumbling brick of the roof access. PINNED like an insect.
JAIME:
(evenly)
I'm sorry. I didn't want to hurt
you. But I had to stop you -
And unbelievably, Sarah SMILES -- not a hint of pain, she
actually looks strangely AMUSED. It's CHILLING.
SARAH:
Never apologize for success.
Sarah FIXES her gaze on Jaime, never taking her eyes off her
as she reaches across with her free hand -- and RIPS the
rebar out of her arm with a GRUNT of pain, FREEING herself.
SARAH (CONT'D)
No matter what the cost.
Jaime stares in disbelief -- BLUE-WHITE BLOOD pulses from
the GASH in Sarah's arm. Bionic blood.
Sarah MOVES slowly toward Jaime, like a STALKING PANTHER,
swinging the rebar in one hand as she looks her up and down.
SARAH (CONT'D)
Well, well... isn't this interesting.
(a wicked grin)
Let's see what you've got under the
hood.
Sarah FLINGS the rebar aside and CHARGES. She's INCREDIBLY
FAST, punching and kicking -- Jaime barely blocks.
53.
Sarah SWEEPS a kick, Jaime's feet fly out from under her, *
Sarah PUNCHES her hard in the stomach -- and *
JAIME goes FLYING, SLAMS hard into the roof access, FALLING *
to her knees. Sarah STRIDES up after her. *
TIGHT ON JAIME'S FACE, bleeding, breath RASPING --*
SARAH (CONT'D)
(curious, pleasant)
Who are you?
-- and we're back to the OPENING SCENE.
SARAH (CONT'D)
Or maybe I should be asking... what
are you?
Sarah KICKS Jaime in the stomach, almost casually. Jaime
CURLS in on herself, biting off the urge to SCREAM.
Jaime rolls painfully onto her hands and knees, wind whipping
her hair across her face -- then LOOKS UP, eyes fixing on
Sarah, not in pain or fear, but DEFIANCE.
JAIME:
(gasping for breath)
Shouldn't I -- be asking --you?
Sarah GRABS Jaime by the hair and JERKS her to her feet,
STARES her in the eye, inches apart.
SARAH:
(like a dare)
So ask.
Jaime STARES right back at her, a CHALLENGE:
JAIME:
Who the hell are you?
Sarah's answer is a GHOST OF A SMILE -- and she raises her
arm to BACKHAND Jaime. Her bladed hand comes WHISTLING down -
-- sending Jaime FLYING to the very edge of the roof, SKIDDING
SARAH:
My name is Sarah Peregrine.
Sarah picks up the rebar, striding toward Jaime's crumpled
form, wind WHIPPING the hair back from her face.
SARAH (CONT'D)
54.
ACT FIVE:
EXT. ROOFTOP -- DAY
JAIME lies crumpled at the edge of the roof, back against
the narrow concrete lip -- O.S. SIRENS, coming RAPIDLY CLOSER.
SARAH strides toward her, rebar in hand, MURDER in her eyes.
SARAH:
I think one of us is more than enough.
JAIME is CORNERED, she glances desperately DOWN -VFX
BIONIC EYE as Jaime spots THE SNIPER RIFLE she knocked
from Sarah's hand, lying where it fell on a roof far below.
Jaime has only an INSTANT to decide, Sarah's almost on her --*
and Jaime ROLLS off the roof, FALLING into OPEN AIR. *
EXT. LOWER ROOFTOP -- DAY -- CONTINUOUS
Jaime HURTLES downward, TWISTS painfully in midair ---
and lands THRUMMP! unsteadily on her legs on the lower *
roof, hand SHOOTING OUT to SWEEP the rifle up, WHIRLING around *
with the rifle to her SHOULDER to sight on Sarah -
VFX BIONIC EYE, looking up --Sarah has vanished.
Jaime turns, looks down -- to see an AMBULANCE pulling up to
the restaurant below, SIRENS BLARING.
INT. OBSERVATION DECK OVER O.R. -- DAY
JAIME sits, a PAD OF PAPER and PENCIL in hand, SKETCHING *
with shocking speed -- her right hand BLURS over the paper, *
moving without hesitation or pause. *
THROUGH THE GLASS, Eric is visible on the table, surgeons
and nurses SWARMED around him.
JONAS enters; his usual cheerful attitude is totally GONE,
replaced with GRIM FOCUS.
JONAS:
They're operating on him, trying to
stop the bleeding, remove the bullets.
JAIME:
(savagely)
Fix it.
JONAS:
It's not that simple -
55.
JAIME:
Yes it is!
(escalating, angry)
You saved me --save him -
Jonas' voice RISES, MATCHING her frustration, trying to get
her to UNDERSTAND:
JONAS:
I didn't save you! Eric did!
No one can do what he does. No one.
Jaime waits for a beat as it sinks in, then turns the pad *
around, to show him her SKETCH --*
CLOSE ON THE DRAWING, showing SARAH as she looked STRIDING *
toward Jaime on the roof, DEATH in her eyes. EVERYTHING is *
drawn in perfect, eerie detail, like a SNAPSHOT. *
JAIME *
I can't draw. *
JONAS *
Your eye stores visual information *
in a matrix that your hand can access *
and reproduce. For all intents and *
purposes, you have an eidetic memory --*
JAIME *
(interrupting) *
Who is she?
CLOSE ON SARAH'S FACE -- cleanly beautiful, hard planes and
strong lines, the face of a mesmerizing, merciless PREDATOR.
JONAS (O.S.)
Sarah Peregrine worked for me.
PULL BACK TO REVEAL we're looking at -
A LIFESIZE 3D HOLOGRAM OF SARAH, looking REAL as flesh, but
FROZEN in a single moment, staring, intense.
JONAS (O.S.) (CONT'D)
She was a soldier. One of the best
I've ever seen.
The hologram stands in the center of a BRIEFING ROOM, over
glowing PROJECTION CIRCLE on the floor.
JONAS (O.S.) (CONT'D)
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"The Bionic Woman" Scripts.com. STANDS4 LLC, 2024. Web. 1 Sep. 2024. <https://www.scripts.com/script/the_bionic_woman_14>.
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