The Black Orchid Page #2
- NOT RATED
- Year:
- 1958
- 96 min
- 130 Views
Yeah, Giulia told me.
Oh, yeah? Yeah.
to walk her up the aisle.
Of course, I'll probably
never wear it again,
but I figure a man should have
a tuxedo hanging in the closet.
That way, the moths
have more respect for him.
You know,
in my town in Italy,
men who laughed like you
were always the ones
with a dozen kids.
Yeah? Well, after Mary was born,
my wife, she got sick.
You're right. I should have had
a lot more, at least a boy.
By now, the house would
be a noise factory
with him running in and out.
I got a boy.
Oh, you have?
Yeah, he's in a work farm.
Oh, a work farm, huh?
You visit him a lot?
Every Sunday.
It's a long bus ride.
Well, that doesn't sound
too bad.
Four times so far,
he ran away.
They said once more,
and they'll have to put him
in a real prison.
Now please go away.
You know, uh...
You know, Sundays are nice
for a long bus ride.
Maybe this Sunday, maybe I could
come along with you?
You want to go with me
to that place?
I'd like to very much.
Why?
Well, I'd just like to.
You want to see how crying
makes me look ugly?
Aw, come on, now.
Tears for somebody else
don't make you look ugly.
I'd like to come with you,
if you'd let me.
I can't make you out.
What do you want with me?
Look.
Now, what time is the bus?
It's supposed to leave
at 11:
00.It's never on time.
All right, I'll meet you
at the station.
Is that the one
on 13th Street?
All right, I'll be there
at 10:
30, huh?Look, I didn't say yes.
Look, I'm going
to be there at 10:30.
I didn't say yes!
You know, one of these days,
throat with all that yelling.
Thanks for the flower.
Oh, no, no,
please don't bother.
I'll see myself
to the door.
( melancholy theme plays )
( door closes )
( humming )
Papa, I polished those
before we went to church.
Yeah? Well, those pews
are too narrow.
You know,
I got stepped all over. Look.
It's a sin
to criticize a church.
What do you mean,
the church?
It's the builders
who skimp on the pews.
Come on in
and have breakfast.
Come on.
All right, all right.
( continues humming )
Hey, that helps
your digestion?
What?
That hat.
Oh, Papa. You know, you looked
so hungry when we came home,
I started rushing,
and I forgot all about it.
That hat.
Stop.
( humming )
Papa, come on and eat.
Oh, honey, I'm not hungry.
Besides, I gotta go out.
What do you mean, go...?
But Noble's coming.
We're all going for a ride
in his new car. You forgot.
Some other time, baby.
It's imported from Italy.
Your future husband,
he's supposed to be so modern,
he buys a car
from the old country.
Where are you going?
Out.
What do you mean, "out"?
Well, just-- Just out.
Papa.
Hey, uh...
Hey, Mary, you know the widow
lives next door to the Gallos?
Rose Bianco?
Well, her son's in a...
Well, it's like a farm.
Well, anyway, she invited me
to ride with her
on the bus and go visit him.
The truth of the matter is,
I kind of invited myself.
Why, Papa?
Why? Well, because she's
a nice-looking woman,
and I like her.
A gangster's wife?
Now, if you don't mind, Mary.
Come on, now. Come on, will you
take that look off your face?
Well,
how am I supposed to look
when I hear my father's going
out with a woman like that?
What's the matter?
You don't want me to have
a nice time with a nice woman?
Gee, honey, ain't it better,
now you're getting married,
I find company for myself?
Gee, all these years
we been like, like two hermits
living in a cave.
Come on, honey. Ain't it--
Ain't it better?
All right.
But I didn't know that
when a girl gets married
she's supposed to stop
caring about her father.
Oh, baby. What do you mean,
"stop caring," honey?
I love you to care
about me, Mary.
Oh, look. Come on, now.
Don't spoil the day
for you and Noble, and for me.
Come on, huh?
Come on. Come...
( car horn honks )
Hey, Noble.
Hey, Pa. How are you?
How are you?
Hey, what do you think, huh?
Hey, what is it,
a lady's pocketbook?
What do you mean?
That's what you call
an Italian sports car.
Hey,
that's pretty fancy.
( honks horn )
Don't forget.
Hey, we're all going to
go for a drive later.
Look, on a day like today,
you don't want "three's a crowd."
Besides, um,
I got a date.
Yeah?
Yeah.
See you, huh?
Yeah, see you.
Mary!
Hey, baby?
Mary?
MARY:
I'm in here, Noble.Hi.
Hi.
Shall I kiss you first,
or can't you wait
to see the car?
Well, now,
I think I can wait.
Mm.
Ooh.
Hey. Come on, help me
put some things away, huh?
Go in there
and clear the table?
I think your father's got
a touch of spring in his head today.
You know what he said?
You and me should be alone today.
"No, three's a crowd."
Hey, Noble, did you find
a house in Atlantic City yet?
Not yet.
I looked at eight houses.
You know what I saw?
Doghouses.
I told this agent,
"When you come up
with something good enough
for me and my future wife,
then call me."
Well, honey, maybe we
shouldn't rush into buying.
If you ever lived in a furnished
room, you wouldn't say that.
But I mean, till we find
something we really want,
we could stay here.
Where?
With my father.
Now, that's crazy.
There's a hundred
houses in Atlantic City.
I'm going to look at more this week.
I'll find one that'll
just be perfect for us.
So you'll find.
Hey.
What's bothering you?
Noble, you're looking at this
only from our point of view,
but, well, I'm thinking
of my father too.
Thinking what? What about him?
Well, just how's his life going to be
when he's here in this house
all by himself?
Noble, for him,
can't we live here?
I don't mean that
we have to stay--
Now, wait.
How are we going
to live here,
when my store's on the boardwalk
in Atlantic City?
Now, Mary, you don't make sense.
All right. Excuse me
for mentioning it.
He'll be all right.
You worry too much.
If he knew how much you worry,
he'd have a fit.
I'm sorry, Noble.
But I just can't help it.
Hey, come on, smile.
( suspenseful theme plays )
You know, lately I can't stand
being away from you. Honest.
I wish I could find a house
right on top of my store.
Every ten minutes,
I'd come in,
and I'd look at you.
seeing you only on weekends.
Now the closer the wedding gets,
what ideas come into my head.
VOICE OVER P.A.:
Attention, please.
Upstate special
for Poughkeepsie, Albany...
Hey.
Hey, Rose. You know what?
I went to the wrong station.
Boy, of all the times
to make a mistake.
Hey, Rose. Come on,
you wanna yell at me?
I thought you came to your
right senses and stayed home.
Yeah, but you were saving
my seat for me though, huh?
It's fruit
for Ralphie.
Oh, gee, and I thought
you were saving my seat.
What are they waiting for?
I don't know.
Hey, Rose.
Hm?
Come on, you were saving
this seat for me, huh?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Black Orchid" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/the_black_orchid_19794>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In