The Boondock Saints Page #35

Synopsis: Tired of the crime overrunning the streets of Boston, Irish Catholic twin brothers Conner (Sean Patrick Flanery) and Murphy (Norman Reedus) are inspired by their faith to cleanse their hometown of evil with their own brand of zealous vigilante justice. As they hunt down and kill one notorious gangster after another, they become controversial folk heroes in the community. But Paul Smecker (Willem Dafoe), an eccentric FBI agent, is fast closing in on their blood-soaked trail.
 
IMDB:
7.8
Metacritic:
44
Rotten Tomatoes:
20%
R
Year:
1999
108 min
Website
547 Views


He stretches his neck over and bites at the collar of his p-

coat. He gathers as much of the material in his mouth as he

can. He starts to yell, "Do it!" but it is muffled.

Connor, still sobbing, begins to kick his brother's left

hand repeatedly. He turns it into a bloody piece of broken

meat as Murphy screams through the shirt. Finally, it is

broken enough and Murphy pulls it through the cuff.

He stands and breaks the chair into pieces and grabs the

sharpest piece. Hojo enters and Murphy shoves the sharp stick

up through the bottom of his chin into his head. He drags

him around the room yelling mumbo jumbo into his face as

Connor jumps up and down in his chair in rage, wanting a

piece of the action.

Murphy throws the man down and Connor proceeds to viciously

kick his dead body. The two have turned into barbarians.

Murphy removes the man's two guns, shiny nickel-plated 45s.

INT. YAKAVETTA'S FRONT FOYER NIGHT

There is a knock at the door. Geno jumps with fright and

then looks out the peep hole. He sees a well-formed pair of

woman's breasts in a cheap dress. He opens the door. A

stunning blonde stands before him. She looks like a hooker.

She wears a short, hot pink dress and a white scarf around

her neck, as well as six inch platform heels.

SMECKER AS WOMAN

Joey Bevo sent me over. As

entertainment.

The woman speaks and it is apparent that this is actually

Smecker in drag.

GENO:

Listen baby. Tonight ain't the night

for this sh*t.

(beat)

Bevo's so great. Always sending us

hot girls.

SMECKER:

You look like you could use a quickie.

Smecker kisses him full on the lips and rubs up against him.

Geno is convinced. He brings her inside.

GENO:

Hey, Chappy!

CHAPPY:

(Chappy, emerges way

down the hall)

What the f***?

GENO:

I ain't been laid in a week. Take

five minutes.

CHAPPY:

If I die cause you're getting a piece

of ass, I'll come back and beat you

to death with a big rubber dick.

GENO:

Don't worry about it.

INT. YAKAVETTA'S HOUSE NIGHT

He takes Smecker into a small bathroom adjoining the foyer.

They are instantly in the throws of passion. They grope each

other and Smecker cleverly avoids any contact with his crotch.

Smecker lies down on the floor and starts to wiggle and

seductively touch himself. Geno stands over him, straddling

Smecker's hips as he undoes his pants. Suddenly, Smecker

grabs both of Geno's ankles and has him locked in position.

He repeatedly kicks Geno in the balls from his lying position

on the floor. The guy falls on his back unconscious. Smecker

uses a silencer, shoots him in the head.

INT. YAKAVETTA'S HOUSE HALL NIGHT

He starts to whisper, "It's on now. It's on now. Too far."

as he walks down the hall, striding in his high heels, wig

back in place. He thoughtlessly blows Chappy away as he passes

his position and runs down a long hallway. He turns a corner

and points his gun at the Mafioso cohort but pauses.

He is already sitting with his throat cut. Smecker looks

puzzled as Il Duce withdraws from the shadows behind him.

The Duke pistol whips Smecker. He's out.

INT. YAKAVETTA'S HOUSE BASEMENT ROOM NIGHT

Connor and Murphy are on their knees in front of Rocco, whom

they have sat back up in the chair. They are gently placing

pennies in his eye and sobbing as they begin to recite the

prayer. As they speak, Il Duce watches. He then begins to

whisper the prayer right along with them. Their words match

up perfectly. He leans against the wall, holsters his guns,

and withdraws a cigarette.

He rolls it along his tongue and twists it into his lips.

The boys are still reciting as he strikes a match. They react

instantly. Still kneeling they each point a nickel-plated 45

toward The Duke. They turn in time to see the light from the

match illuminate his face. Il Duce pauses then he strides

into the room and proceeds to recite the last half of the

prayer.

He stops between the kneeling boys and finishes off the

prayer. The boys are stunned as they realize this is their

father. He makes the sign of the cross over Rocco. Then he

looks down to the upturned faces of his sons. He places a

hand on each of their cheeks.

INT. CHEAP BOSTON HOTEL ROOM NIGHT 3 MONTHS LATER

Both sleeping boys throw their arms out, mimicking a crucified

Christ. Their father turns, sees this, turns back.

The boys wake with a start. Connor looks to his father, who

is already staring at him.

CONNOR:

How far are we going with this, Da?

FATHER:

The questions is not, "how far?" The

question is, "Do you possess the

constitution, the depth of faith to

go as far as is needed?"

INT. COURTHOUSE BACK FOYER AREA MORNING

Smecker opens the door from the inside and lets the MacManus

father and sons in. He walks one way they walk the other

through the grand courthouse halls.

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Troy Duffy

Troy Duffy (born June 8, 1971 in Hartford, Connecticut) is an American director, screenwriter, and musician. He has directed two films, The Boondock Saints, and its sequel, The Boondock Saints II: All Saints Day. more…

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Submitted on July 05, 2016

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