The Bourne Identity Page #20

Synopsis: The story of a man (Matt Damon), salvaged, near death, from the ocean by an Italian fishing boat. When he recuperates, the man suffers from total amnesia, without identity or background... except for a range of extraordinary talents in fighting, linguistic skills and self-defense that speak of a dangerous past. He sets out on a desperate search-assisted by the initially rebellious Marie (Franka Potente) - to discover who he really is, and why he's being lethally pursued by assassins.
Production: Universal Pictures
  3 wins & 5 nominations.
 
IMDB:
7.9
Metacritic:
68
Rotten Tomatoes:
83%
PG-13
Year:
2002
119 min
$121,500,000
Website
1,586 Views


RAWLINS smiles. Reset. Sales mode.

RAWLINS:

Let me get you a new copy of the

proposal.

BOURNE:

That'd be great.

INT. A CAFÉ NEAR LA DEFENSE -- DAY

BOURNE entering. And there's MARIE in the back working a

payphone -- waving for him to sit -- she's onto something.

BOURNE sits. Pulls out the Alliance Security Brochures and

literature. Flipping through it. Boats. Water. He's

getting closer. Pictures of yachts and various security

blurbs and a list of references for huge yachts -- jobs

they've done in the past...

MARIE:

I found it.

(standing there)

It took six calls.

(she's creeped out)

I found Kane. I found the body.

BOURNE:

Let's go --

(already standing--)

We got to get away from this phone.

INT. PARIS MORGUE FRONT DESK -- NIGHT

THE TWO MORGUE ATTENDANTS watching BOURNE put down a hundred

dollar bill. MARIE standing a little off -- she will not be

comfortable in the morgue.

ATTENDANT #1

(picking up the cash)

(What was the name again?)

BOURNE:

Kane. John Michael Kane.

ATTENDANT #2

(It's number 121.)

BOURNE:

(I want to see the body.)

ATTENDANT #1

(Our boss could come back. We're

not supposed to.)

BOURNE pulling out another hundred and --

MORGUE FREEZER ROOM

It's showtime. MARIE back by the door. BOURNE right on it.

ATTENDANT #1 pulling open the freezer and...

BOURNE sags. ATTENDANT #1 looking baffled.

MARIE:

What?

INSERT -- FREEZER #121 -- it's empty.

MORGUE BOSS (OS)

(from behind them--)

(What the hell's going on here?)

Here comes the boss back from his break -- a little drunk?

ATTENDANT #1

(This guy, he came to see the

American, but the body, it's missing.)

MORGUE BOSS:

(They came last night. His brother.)

ATTENDANT #2

(It's not in the book.)

MORGUE BOSS:

(Who are these people?)

(now English to Bourne)

Who are you? What's going on here?

BOURNE:

Where did this body go?

MORGUE BOSS:

I said, someone came last night --

(big attitude now)

Look, this isn't a carnival --

people call and they make an

appointment and they follow the

rules -- everyone signs in and

out -- this is a serious place --

serious work -- it's not just to

come in whenever you like --

BOURNE:

(like a shot)

Sh*t, we didn't sign in.

MORGUE BOSS:

So get the hell out of here.

BOURNE:

Fine. But I'd like to sign in. In

fact, I insist on it. Where's the

book? I gotta sign in --

(off and running

now--)

Everybody following -- all of them confused -- and into --

FRONT DESK AREA:

BOURNE there first -- all forward motion here -- balls out --

BOURNE:

Is this it? --

(the book)

-- this is it, right? --

MORGUE BOSS:

-- slow down -- you can't just take

the book like that --

BOURNE:

-- don't sweat it, I have a pen --

no problem -- just let me find the

page --

(then quick to Marie)

-- honey, why don't you wait for me

outside, okay? --

MARIE trying to take the hint, but she's curious what he's

doing --

MORGUE BOSS:

-- we have rules here, this is a

very serious place -- I'm the one

who decides who gets in here, okay? --

BOURNE:

-- what do I? -- I put the name of

the person I came to see? --

MORGUE BOSS:

-- this is serious business down

here and we cannot have people

coming and going --

BOURNE:

-- here we go -- I found it --

But he's not writing -- he's ripping -- tearing the page out

of the book --

MORGUE BOSS:

(-- what are you? -- what are you

doing? -- you crazy f*** -- you

ripped the book! -- you stupid

fucki--)

(no chance to finish

this, because--)

BOURNE just slammed him against the wall. Hard. Like a

tractor hit him. And fast.

And that shuts up the room.

THE TWO ATTENDANTS rushing to help their boss --

BOURNE grabbing MARIE and pulling her out the door --

EXT. PARIS STREET -- NIGHT

Moments after the morgue. BOURNE striding away. MARIE

struggling to keep up. And BOURNE is different now --

zoning in -- he's close -- he's hardening --

MARIE:

What are you doing? --

(he's scaring her)

-- Jason -- stop -- talk to me...

BOURNE ignoring her -- ripping through the Alliance Security

brochures -- scanning them as he walks --

MARIE:

-- I don't know what you're doing

and you're scaring me -- what are

you looking for? -- what just

happened in there? --

BOURNE:

Nykwana Wombosi.

(he stops, holding up

the brochure--)

Rate this script:3.3 / 3 votes

Tony Gilroy

Anthony Joseph "Tony" Gilroy is an American screenwriter and filmmaker. He wrote the screenplays for the Bourne series starring Matt Damon, among other successful films, and directed the fourth film of the franchise. more…

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Submitted on July 17, 2016

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